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The Actor and the Character - Explorations in the Psychology of Transformative Acting (Hardcover)
Loot Price: R3,877
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The Actor and the Character - Explorations in the Psychology of Transformative Acting (Hardcover)
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Transformative acting remains the aspiration of many an emerging
actor, and constitutes the achievement of some of the most
acclaimed performances of our age: Daniel Day-Lewis as Lincoln,
Meryl Streep as Mrs Thatcher, Anthony Hopkins as Hannibal Lecter -
the list is extensive, and we all have our favourites. But what are
the physical and psychological processes which enable actors to
create characters so different from themselves? To understand this
unique phenomenon, Vladimir Mirodan provides both a historical
overview of the evolution of notions of 'character' in Western
theatre and a stunning contemporary analysis of the theoretical
implications of transformative acting. The Actor and the Character:
Surveys the main debates surrounding the concept of dramatic
character and - contrary to recent trends - explains why
transformative actors conceive their characters as 'independent' of
their own personalities. Describes some important techniques used
by actors to construct their characters by physical means: work on
objects, neutral and character masks, Laban movement analysis,
Viewpoints, etc. Examines the psychology behind transformative
acting from the perspectives of both psychoanalysis and scientific
psychology and, based on recent developments in psychology, asks
whether transformation is not just acting folklore but may actually
entail temporary changes to the brain structures of the actors. The
Actor and the Character speaks not only to academics and students
studying actor training and acting theory, but contributes to
current lively academic debates around character. This is a
compelling and original exploration of the limits of acting theory
and practice, psychology, and creative work, in which Mirodan
boldly re-examines some of the fundamental assumptions of actor
training and some basic tenets of theatre practice to ask: What
happens when one of us 'becomes somebody else'?
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