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Raising Cain - Blackface Performance from Jim Crow to Hip Hop (Paperback, Revised)
Loot Price: R757
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Raising Cain - Blackface Performance from Jim Crow to Hip Hop (Paperback, Revised)
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Cain made the first blackface turn, blackface minstrels liked to
say of the first man forced to wander the world acting out his low
place in life. It wasn't the "approved" reading, but then,
blackface wasn't the "approved" culture either--yet somehow we're
still dancing to its renegade tune. The story of an insubordinate,
rebellious, truly popular culture stretching from Jim Crow to hip
hop is told for the first time in Raising Cain, a provocative look
at how the outcasts of official culture have made their own place
in the world. Unearthing a wealth of long-buried plays and songs,
rethinking materials often deemed too troubling or lowly to handle,
and overturning cherished ideas about classics from Uncle Tom's
Cabin to Benito Cereno to The Jazz Singer, W. T. Lhamon Jr. sets
out a startlingly original history of blackface as a cultural
ritual that, for all its racist elements, was ultimately
liberating. He shows that early blackface, dating back to the
1830s, put forward an interpretation of blackness as that which
endured a commonly felt scorn and often outwitted it. To follow the
subsequent turns taken by the many forms of blackface is to pursue
the way modern social shifts produce and disperse culture. Raising
Cain follows these forms as they prolong and adapt folk performance
and popular rites for industrial commerce, then project themselves
into the rougher modes of postmodern life through such heirs of
blackface as stand-up comedy, rock 'n' roll, talk TV, and hip hop.
Formally raising Cain in its myriad variants, blackface appears
here as a racial project more radical even than abolitionism.
Lhamon's account of its provenance and persistence is a major
reinterpretation of American culture.
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