In "The Edge of Modernism, " Walter Kalaidjian explores American
poetry on genocide, the Holocaust, and total war as well as on
postwar social antagonisms, racial oppression, and domestic
violence. By asking what it means for traumatic memory to have
agency in the American verse tradition, Kalaidjian creates an
original historical account of how American poets became witnesses,
often unconsciously, to modern extremity. Combining psychoanalytic
theory and cultural studies, this intense, sweeping account of
modern poetics analyzes the ways in which literary form gives
testimony to the trauma of twentieth-century history.
Through close readings of well-known and less familiar
poets--among them Langston Hughes, Countee Cullen, Claude McKay,
Edwin Rolfe, Sylvia Plath, Adrienne Rich, Peter Balakian, Rachel
Blau DuPlessis, Anne Sexton, and Anthony Hecht--Kalaidjian discerns
the latent "edge" of modern trauma as it cuts through the literary
representations, themes, and formal techniques of twentieth-century
American poetics. In this way, "The Edge of Modernism" advances an
innovative and dynamic model of modern periodization.
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