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Fat King, Lean Beggar - Representations of Poverty in the Age of Shakespeare (Hardcover, New)
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Fat King, Lean Beggar - Representations of Poverty in the Age of Shakespeare (Hardcover, New)
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Investigating representations of poverty in Tudor-Stuart England,
Fat King, Lean Beggar reveals the gaps and outright contradictions
in what poets, pamphleteers, government functionaries, and
dramatists of the period said about beggars and vagabonds. William
C. Carroll analyzes these conflicting "truths" and reveals the
various aesthetic, political, and socio-economic purposes
Renaissance constructions of beggary were made to serve. Carroll
begins with a broad survey of both the official images and
explanations of poverty and also their unsettling unofficial
counterparts. This discourse defines and contains the beggar by
continually linking him with his hierarchical inversion, the king.
Carroll then turns his attention to the exemplary case of Nicholas
Genings, perhaps the single most famous beggar of the period, whose
machinations as fraudulent parasite and histrionic genius were
chronicled by Thomas Harman. Carroll next assesses institutional
responses to poverty by considering two hospitals for the
destitute, Bridewell and Bedlam, and their role as real and
symbolic places in Elizabethan drama. Fat King, Lean Beggar then
focuses on dramatic inscriptions of poverty, primarily in
Shakespeare's plays. Carroll's analysis of The Taming of the Shrew
and The Winter's Tale links the tradition of the merry beggar to
the socioeconomic forces of the day; and his reading of King Lear
makes a case for the uniqueness of Edgar, the Bedlam beggar, in the
history of drama. Carroll also considers later plays such as
Fletcher and Massinger's Beggars' Bush and Richard Brome's Jovial
Crew to show how idealizations of the beggar ironically equate him
with a monarch in his supposed freedom.
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