Gifts are always with us: we use them positively to display affection and show gratitude for favours; we suspect that others give and accept them as douceurs and bribes. The gift also performed these roles in early modern English culture: and assumed a more significant role because networks of informal support and patronage were central to social and political behaviour. Favours, and their proper acknowledgement, were preoccupations of the age of Erasmus, Shakespeare, and Hobbes. As in modern society, giving and receiving was complex and full of the potential for social damage. 'Almost nothing', men of the Renaissance learned from that great classical guide to morality, Lucius Annaeus Seneca, 'is more disgraceful than the fact that we do not know how either to give or receive benefits'. The Power of Gifts is about those gifts and benefits - what they were, and how they were offered and received in the sixteenth and seventeenth centuries. It shows that the mode of giving, as well as what was given, was crucial to social bonding and political success. The volume moves from a general consideration of the nature of the gift to an exploration of the politics of giving. In the latter chapters some of the well-known rituals of English court life - the New Year ceremony, royal progresses, diplomatic missions - are viewed through the prism of gift-exchange. Gifts to monarchs or their ministers could focus attention on the donor, those from the crown could offer some assurance of favour. These fundamentals remained the same throughout the century and a half before the Civil War, but the attitude of individual monarchs altered specific behaviour. Elizabeth expected to be wooed with gifts and dispensed benefits largely for service rendered, James I modelled giving as the largesse of the Renaissance prince, Charles I's gift-exchanges focused on the art collecting of his coterie. And always in both politics and the law courts there was the danger that gifts would be corroded, morphing from acceptable behaviour into bribes and corruption. The Power of Gifts explores prescriptive literature, pamphlets, correspondence, legal cases and financial records, to illuminate social attitudes and behaviour through a rich series of examples and case-studies.

Challenging existing narratives of the relationship between China and Europe, this study establishes how modern English identity evolved through strategies of identifying with rather than against China. Through an examination of England's obsession with Chinese objects throughout the long eighteenth century, A Taste for China argues that chinoiserie in literature and material culture played a central role in shaping emergent conceptions of taste and subjectivity.
Informed by sources as diverse as the writings of John Locke, Alexander Pope, and Mary Wortley Montagu, Zuroski Jenkins begins with a consideration of how literature transported cosmopolitan commercial practices into a model of individual and collective identity. She then extends her argument to the vibrant world of Restoration comedy-most notably the controversial The Country Wife by William Wycherley-where Chinese objects are systematically associated with questionable tastes and behaviors. Subsequent chapters draw on Defoe, Pope, and Swift to explore how adventure fiction and satirical poetry use chinoiserie to construct, question, and reimagine the dynamic relationship between people and things. The second half of the eighteenth century sees a marked shift as English subjects anxiously seek to separate themselves from Chinese objects. A reading of texts including Aphra Behn's Oroonoko and Jonas Hanway's Essay on Tea shows that the enthrallment with chinoiserie does not disappear, but is rewritten as an aristocratic perversion in midcentury literature that prefigures modern sexuality. Ultimately, at the century's end, it is nearly disavowed altogether, which is evinced in works like Charlotte Lennox's The Female Quixote and Jane Austen's Northanger Abbey.
A persuasively argued and richly textured monograph on eighteenth-century English culture, A Taste for China will interest scholars of cultural history, thing theory, and East-West relations.

Vincent de Paul, the Lazarist Mission, and French Catholic Reform offers a major re-assessment of the thought and activities of the most famous figure of the seventeenth-century French Catholic Reformation, Vincent de Paul. Confronting traditional explanations for de Paul's prominence in the devot reform movement that emerged in the wake of the Wars of Religion, the volume explores how he turned a personal vocational desire to evangelize the rural poor of France into a congregation of secular missionaries, known as the Congregation of the Mission or the Lazarists, with three inter-related strands of pastoral responsibility: the delivery of missions, the formation and training of clergy, and the promotion of confraternal welfare. Alison Forrestal further demonstrates that the structure, ethos, and works that de Paul devised for the Congregation placed it at the heart of a significant enterprise of reform that involved a broad set of associates in efforts to transform the character of devotional belief and practice within the church. The central questions of the volume therefore concern de Paul's efforts to create, characterize, and articulate a distinctive and influential vision for missionary life and work, both for himself and for the Lazarist Congregation, and Forrestal argues that his prominence and achievements depended on his remarkable ability to exploit the potential for association and collaboration within the devot environment of seventeenth-century France in enterprising and systematic ways. This is the first study to assess de Paul's activities against the wider backdrop of religious reform and Bourbon rule, and to reconstruct the combination of ideas, practices, resources, and relationships that determined his ability to pursue his ambitions. A work of forensic detail and complex narrative, Vincent de Paul, the Lazarist Mission, and French Catholic Reform is the product of years of research in ecclesiastical and state archives. It offers a wholly fresh perspective on the challenges and opportunities entailed in the promotion of religious reform and renewal in seventeenth-century France.

In 1636, residents at the convent of Santa Chiara in Carpi in northern Italy were struck by an extraordinary illness that provoked bizarre behavior. Eventually numbering fourteen, the afflicted nuns were subject to screaming fits, throwing themselves on the floor, and falling abruptly into a deep sleep. When medical experts' cures proved ineffective, exorcists ministered to the women and concluded that they were possessed by demons and the victims of witchcraft. Catering to women from elite families, the nunnery suffered much turmoil for three years and, remarkably, three of the victims died from their ills. A maverick nun and a former confessor were widely suspected to be responsible, through witchcraft, for these woes. Based primarily on the exhaustive investigation by the Inquisition of Modena, The Scourge of Demons examines this fascinating case in its historical context. The travails of Santa Chiara occurred at a time when Europe witnessed peaks in both witch-hunting and in the numbers of people reputedly possessed by demons. Female religious figures appeared particularly prone to demonic attacks, and Counter-Reformation Church authorities were especially interested in imposing stricter discipline on convents. Watt carefully considers how the nuns of Santa Chiara understood and experienced alleged possession and witchcraft, concluding that Santa Chiara's diabolical troubles and their denouement -- involving the actions of nuns, confessors, inquisitorial authorities, and exorcists -- were profoundly shaped by the unique confluence of religious, cultural, judicial, and intellectual trends that flourished in the 1630s. Jeffrey R. Watt is professor of history at the University of Mississippi.

In this illuminating study of a vital but long overlooked aspect of Chinese religious life, Jimmy Yu reveals that in the sixteenth and seventeenth centuries, self-inflicted violence was an essential and sanctioned part of Chinese culture. He examines a wide range of practices, including blood writing, filial body-slicing, chastity mutilations and suicides, ritual exposure, and self-immolation, arguing that each practice was public, scripted, and a signal of certain cultural expectations. Yu shows how individuals engaged in acts of self-inflicted violence to exercise power and to affect society, by articulating moral values, reinstituting order, forging new social relations, and protecting against the threat of moral ambiguity. Self-inflicted violence was intelligible both to the person doing the act and to those who viewed and interpreted it, regardless of the various religions of the period: Buddhism, Daoism, Confucianism, and other religions. Self-inflicted violence as a category reveals scholarly biases that tend to marginalize or exaggerate certain phenomena in Chinese culture. Yu offers a groundbreaking contribution to scholarship on bodily practices in late imperial China, challenging preconceived ideas about analytic categories of religion, culture, and ritual in the study of Chinese religions.

In Renaissance Rome, ancient ruins were preserved as often as they were mined for their materials. Although the question of what to preserve and how continued to be subject to debate, preservation acquired renewed force and urgency in the fifteenth and sixteenth centuries as the new papal capital rose upon the ruins of the ancient city. Preservation practices became more focused and effective in Renaissance Rome than ever before.
The Ruin of the Eternal City offers a new interpretation of the ongoing life of ancient buildings within the expanding early modern city. While historians and archaeologists have long affirmed that early modern builders disregarded the protection of antiquity, this study provides the first systematic analysis of preservation problems as perceived by the Renaissance popes, the civic magistrates, and ordinary citizens. Based on new evidence and recent conservation theory, this compelling study explores how civic officials balanced the defense of specific sites against the pressing demands imposed by population growth, circulation, and notions of urban decorum. Above all, the preservation of antiquity remained an indispensable tool to advance competing political agendas in the papal capital. A broad range of preservation policies and practices are examined at the half-ruined Colosseum, the intact Pantheon, and the little-known but essential Renaissance bridge known as the Ponte Santa Maria.
Rome has always incorporated change in light of its glorious past as well as in the more pragmatic context of contemporary development. Such an investigation not only reveals the complexity of preservation as a contested practice, but also challenges us to rethink the way people in the past understood history itself.

By exploring how Martin Luther, Martin Bucer, and John Calvin interpreted a set of eight messianic psalms (Psalms 2, 8, 16, 22, 45, 72, 110, 188), Sujin Pak elucidates key debates about Christological exegesis during the era of the Protestant reformation. More particularly, Pak examines the exegeses of Luther, Bucer, and Calvin in order to (a) reveal their particular theological emphases and reading strategies, (b) identify their debates over the use of Jewish exegesis and the factors leading to charges of 'judaizing' leveled against Calvin, and (c) demonstrate how Psalms reading and the accusation of judaizing serve distinctive purposes of confessional identity formation. In this way, she portrays the beginnings of those distinctive trends that separated Lutheran and Reformed exegetical principles.

Stephen C. Berkwitz's Buddhist Poetry and Colonialism examines five works by a single poet to demonstrate how Buddhism in Sri Lanka was shaped and transformed by encounters with Portuguese colonizers and missionaries in the sixteenth and seventeenth centuries. By following the written works of Alagiyavanna Mukaveti (1552-1625?) from the court of a powerful Sinhala king through the cultural upheavals of warfare and Christian missions and finally to his eventual conversion to Catholicism and employment under the Portuguese Crown, this book uses the poetry of a single author to reflect upon how Sinhala verse fashioned new visions of power and religious identity when many of the traditional Buddhist institutions were in retreat. Berkwitz traces the development of Alagiyavanna's poetry as a medium for celebrating the fame of rulers, devotion to the Buddha and his Dharma, morality and truth in the Buddha's religion, and the glories of Portuguese rule in Sri Lanka. Employing an interdisciplinary approach that combines Buddhist Studies, History, Literary Criticism, and Postcolonial Studies, the author constructs a picture of the effects of colonialism on Buddhist literature and culture at an early juncture in the history of the encounter between Asia and Europe.

In 1517, the Ottoman Sultan Selim "the Grim" conquered Egypt and brought his empire for the first time in history into direct contact with the trading world of the Indian Ocean. During the decades that followed, the Ottomans became progressively more engaged in the affairs of this vast and previously unfamiliar region, eventually to the point of launching a systematic ideological, military and commercial challenge to the Portuguese Empire, their main rival for control of the lucrative trade routes of maritime Asia.
The Ottoman Age of Exploration is the first comprehensive historical account of this century-long struggle for global dominance, a struggle that raged from the shores of the Mediterranean to the Straits of Malacca, and from the interior of Africa to the steppes of Central Asia. Based on extensive research in the archives of Turkey and Portugal, as well as materials written on three continents and in a half dozen languages, it presents an unprecedented picture of the global reach of the Ottoman state during the sixteenth century. It does so through a dramatic recounting of the lives of sultans and viziers, spies, corsairs, soldiers-of-fortune, and women from the imperial harem. Challenging traditional narratives of Western dominance, it argues that the Ottomans were not only active participants in the Age of Exploration, but ultimately bested the Portuguese in the game of global politics by using sea power, dynastic prestige, and commercial savoir faire to create their own imperial dominion throughout the Indian Ocean.

There is a striking similarity between Marian devotional songs and secular love songs of the Late Middle Ages and Renaissance. Two disparate genres-one sacred, the other secular; one Latin, the other vernacular-both praise an idealized, impossibly virtuous woman. Each does so through highly stylized derivations of traditional medieval song forms - Marian prayer derived from earlier Gregorian chant, and love songs and lyrics from medieval courtly song. Yet despite their obvious similarities, the two musical and poetic traditions have rarely been studied together. Author David Rothenberg takes on this task with remarkable success, producing a useful and broad introduction to Marian music and liturgy, and then coupling that with an incisive comparative analysis of this devotional form with the words and music of secular love songs of the period. The Flower of Paradise examines the interplay of Marian devotional and secular poetics within polyphonic music from c. 1200 to c. 1500. Through case studies of works that demonstrate a specific symbolic resonance between Marian devotional and secular song, the book illustrates the distinctive ethos of this period in European culture. Rothenberg makes use of an impressive command of liturgical and religious studies, literature and poetry, and art history to craft a study with wide application across disciplinary boundaries. With its broad scope and unique, incisive analysis, this book is suited for scholars, students, and general readers alike. Undergraduate and graduate students of musicology, Medieval and Renaissance studies, comparative literature, art history, Western reglious history, and music history-especially that of the Middle Ages, Renaissance, and sacred music-will find this book a useful and informative resource on the period. The Flower of Paradise is also of interest to those with a particular dedication to any of its diverse subject areas. For individuals involved in religious organizations or those who frequent Medieval or Renaissance cultural sites and museums, this book will deepen their knowledge and open up new ways of thinking about the history and development of secular and sacred music and the Marian tradition.

In The Reformation of Feeling, Susan Karant-Nunn looks beyond and beneath the formal doctrinal and moral demands of the Reformation in Germany to examine the emotional tenor of the programs that the emerging creeds-revised Catholicism, Lutheranism, and Calvinism/Reformed theology-developed for their members. As revealed by the surviving sermons from this period, preaching clergy of each faith both explicitly and implicitly provided their listeners with distinct models of a mood to be cultivated. To encourage their parishioners to make an emotional investment in their faith, all three drew upon rhetorical elements that were already present in late medieval Catholicism and elevated them into confessional touchstones.
Looking at archival materials containing direct references to feeling, Karant-Nunn focuses on treatments of death and sermons on the Passion. She amplifies these sources with considerations of the decorative, liturgical, musical, and disciplinary changes that ecclesiastical leaders introduced during the period from the late fifteenth to the end of the seventeenth century. Within individual sermons, Karant-Nunn also examines topical elements-including Jews at the crucifixion, the Virgin Mary's voluminous weeping below the Cross, and struggles against competing denominations-that were intended to arouse particular kinds of sentiment. Finally, she discusses surviving testimony from the laity in order to assess at least some Christians' reception of these lessons on proper devotional feeling.
This book is exceptional in its presentation of a cultural rather than theological or behavioral study of the broader movement to remake Christianity. As Karant-Nunn conclusively demonstrates, in the eyes of the Reformation's formative personalities strict adherence to doctrine and upright demeanor did not constitute an adequate piety. The truly devout had to engage their hearts in their faith.

This book examines the importance of the Glorious Revolution and the passing of the Toleration Act to the development of religious and intellectual freedom in England. Most historians have considered these events to be of little significance in this connection. From Persecution to Toleration focuses on the importance of the Toleration Act for contemporaries, and also explores its wider historical context and impact. Taking its point of departure from the intolerance of the sixteenth century, the book goes on to emphasize what is here seen to be the very substantial contribution of the Toleration Act for the development of religious freedom in England. It demonstrates that his freedom was initially limited to Protestant Nonconformists, immigrant as well as English, and that it quickly came in practice to include Catholics, Jews, and anti-Trinitarians. Contributors: John Bossy, Patrick Collinson, John Dunn, Graham Gibbs, Mark Goldie, Ole Peter Grell, Robin Gwynn, Jonathan I. Israel, David S. Katz, Andrew Pettegree, Richard H. Popkin, Hugh Trevor-Roper, Nicholas Tyacke, and B. R. White.

Although puritans in 17th-century New England lived alongside both Native Americans and Africans, the white New Englanders imagined their neighbors as something culturally and intellectually distinct from themselves. Legally and practically, they saw people of color as simultaneously human and less than human, things to be owned. Yet all of these people remained New Englanders, regardless of the color of their skin, and this posed a problem for puritans. In order to fulfill John Winthrop's dream of a "city on a hill," New England's churches needed to contain all New Englanders. To deal with this problem, white New Englanders generally turned to familiar theological constructs to redeem not only themselves and their actions (including their participation in race-based slavery) but also to redeem the colonies' Africans and Native Americans. Richard A. Bailey draws on diaries, letters, sermons, court documents, newspapers, church records, and theological writings to tell the story of the religious and racial tensions in puritan New England.

At a time when the French monarchy traced its origins back to ancient Troy, Homeric epic was fated to play a significant political role. Homer came to Renaissance France packaged with an ancient interpretive tradition that made him an authority on all matters but also distinctly separate from Virgil and the Aeneid, rival Italy's foundational myth. Thus, once French humanists learned to read Homer in Greek, they quickly began putting him in the service of their king in order to teach him prudence and amplify his authority. Homer and the Politics of Authority in Renaissance France provides a stimulating perspective on how Homeric authority went from being used by humanists in the role of royal counselors to being exploited by both monarchical and anti-monarchical forces in the service of ideologies, most especially in the Wars of Religion (1562-1598). In turn, French writers of the period transitioned from being monarchical advisors to stirring crowds as actors on the larger political stage. In this study, Marc Bizer not only analyzes a number of works by key authors and humanists-including Michel de Montaigne, Joachim du Bellay, Guillaume Bude, and Jean Dorat, among others- but also examines their poetry, art, pamphlets, and plays. Although there have been several studies of the Homeric legacy in western literature and even in early modern French literature, none has analyzed the political role that Homer played in sixteenth-century France for this circle of important writers. The captivating results of this approach to the post-classical usage of Homer will appeal not only to historians and literary scholars, but also to political scientists, classicists, and art historians."

The revolutions in the England, North America, and France ushered in the modern political age. Cultural Revolutions analyzes the place of material culture, ritual, and everyday life during these revolutions, providing a fresh and engaging interpretation of the strategies used to transform people from monarchists into republicans.The author shows how, faced with the challenge of persuading large populations to alter their previous convictions and loyalties, revolutionaries in all three countries turned to the power of aesthetics. From the banning of dancing in Cromwell's England, to the 'homespun' clothing of Revolutionary America, to France's new calendar and naming systems, Auslander assesses how daily habits and tastes were altered in the interests of political change.

In Reforming Saints, David J. Collins explains how and why Renaissance humanists composed Latin hagiography in Germany in the decades leading up to the Reformation. Contrary to the traditional wisdom, Collins's research uncovers a resurgence in the composition of saints' lives in the half century leading up to 1520. German humanists, he finds, were among the most active authors and editors of these texts.
Focusing on forty Latin depictions of German saints written between 1470 and 1520, Collins finds patterns both in how these humanists chose their subjects and how they presented their holiness. He argues that the humanist hagiographers took up the writing of saints' lives to investigate Germany's medieval past, to reconstruct and exalt its greatness, and to advocate programs of religious and cultural reform. This literature, says Collins, left a legacy that polemicists and philologists in Catholic Europe would be using for their own purposes by the end of the sixteenth century. These hagiographic writings are thus both reflective and formative of the religious and cultural conflicts that defined this period of European history. To bolster his case, Collins draws not only on the Latin saints' lives, but also on vernacular lives, maps and chorographic documents, personal and professional letters, papal, urban, and municipal archives, painting, sculpture and broadside print, and medieval and early modern histories and chronicles. The result is a fresh, new portrait of the humanism of Renaissance Germany.
With his surprising and insightful conclusions, Collins sheds new light on humanism's appropriation in Germany, particularly in its religious aspect. He approaches the humanists'writings on their own terms and recaptures the creative energy the humanists brought to the task of revising the legends of the saints. His scholarly perspective includes the roles of emperors, princes, abbots, city councilmen, artists, librarians, soldiers, peasants, and pilgrims, showing how humanists reached larger and less learned audiences than many other kinds of writing ever could. The cult of the saints and Renaissance humanism are two topics that have attracted considerable scholarly attention. Reforming Saints considers them as seldom before -- at their intersection.

The topic of certitude is much debated today. On one side, commentators such as Charles Krauthammer urge us to achieve "moral clarity." On the other, those like George Will contend that the greatest present threat to civilization is an excess of certitude. To address this uncomfortable debate, Susan Schreiner turns to the intellectuals of early modern Europe, a period when thought was still fluid and had not yet been reified into the form of rationality demanded by the eighteenth and nineteenth centuries.
Schreiner argues that Europe in the sixteenth century was preoccupied with concerns similar to ours; both the desire for certainty -- especially religious certainty -- and warnings against certainty permeated the earlier era. Digging beneath overt theological and philosophical problems, she tackles the underlying fears of the period as she addresses questions of salvation, authority, the rise of skepticism, the outbreak of religious violence, the discernment of spirits, and the ambiguous relationship between appearance and reality.
In her examination of the history of theological polemics and debates (as well as other genres), Schreiner sheds light on the repeated evaluation of certainty and the recurring fear of deception. Among the texts she draws on are Montaigne's Essays, the mystical writings of Teresa of Avila, the works of Reformation fathers William of Occam, Luther, Thomas Muntzer, and Thomas More; and the dramas of Shakespeare. The result is not a book about theology, but rather about the way in which the concern with certitude determined the theology, polemics and literature of an age.

Children born out of wedlock were commonly stigmatized as "bastards" in early modern France. Deprived of inheritance, they were said to have neither kin nor kind, neither family nor nation. But why was this the case? Gentler alternatives to "bastard" existed in early modern French discourse, and many natural parents voluntarily recognized and cared for their extramarital offspring. Drawing upon a wide array of archival and published sources, Matthew Gerber has reconstructed numerous disputes over the rights and disabilities of children born out of wedlock in order to illuminate the changing legal condition and practical treatment of extramarital offspring over a period of two and half centuries. His book reveals that the exclusion of extramarital offspring from the family was perpetually contested in early modern France. Legal debate over illegitimacy carried political implications for France's dynastic monarchy. When Louis XIV, the Sun King, created a political firestorm by declaring his own extramarital offspring to be capable of inheriting the French crown, political theorists drew upon precedents of private law to argue for or against the exclusion of children born out of wedlock from the throne. Conversely, lawyers and litigants frequently invoked political interest in the course of private lawsuits involving extramarital offspring. In tracing the evolution of early modern debates over illegitimacy, Bastards offers a political history of the family from the oblique perspective of those who were theoretically excluded from it. With a cast of characters ranging from royal bastards to foundlings, Bastards offers a broad exploration of the relationship between social and political change in the early modern era. It offers new insight into the changing nature of early modern French law, revealing its evolving contribution to the historical construction of both the family and the state.

Jean Desmarets, later Sieur de Saint-Sorlin, was a late Renaissance `universal man': first Chancellor and founder-member of the Academie-francaise, last jester of the French royal court and star performer in ballets, novelist, playwright, poet, architect, inventor, and mystic. He was also the first man to publicize the notion of `a century of Louis XIV'. Hugh Gaston Hall's book examines that notion by looking afresh at Desmarets' vigorous career and relating the `century of Louis XIV' to its origins in the reign of Louis XIII. It questions historical misconceptions about Cardinal Richelieu's cultural policies and demonstrates the importance for the Court ballet of his patronage. Giovanni Bernini's illusionist sets and lighting effects for the Grand'Salle, which later became Moliere's theatre and the Opera, are discussed here in English for the first time. Desmarets' many high-level court offices, his family connections, and works - ballets, plays, poems, and religious and polemical pieces - reveal new and important links with contemporary institutions and preoccupations. In particular Dr Hall considers the plays in the light of exemplary eloquence, and considers the intentions of the Academie-francaise, and the Quarrel of the Imaginaires, in relation to royal policy and the Cartesian revolution.

Migration is the most imprecise and difficult of all aspects of pre-industrial population to measure. It was a major element in economic and social change in early modern Britain, yet, despite a wealth of detailed research in recent years, there has been no systematic survey of its importance. This book reviews a wide range of aspects of population migration, and their impacts on British society, from Tudor times to the main phase of the Industrial Revolution.

One of the most fascinating figures of seventeenth-century music, composer and singer Antonia Padoani Bembo (c.1640 - c.1720) was active in both Venice and Paris. Her work provides a unique cross-cultural window into the rich musical cultures of these cities, yet owing to her clandestine existence in France, for almost three centuries Bembo's life was shrouded in mystery. In this first-ever biography, Clare Fontijn unveils the enthralling and surprising story of a remarkable woman who moved in the musical, literary, and artistic circles of these European cultural centers. Rebuffed in the attempt to divorce her abusive husband, Bembo fled to Paris, leaving her children in Venice. Joining ranks with composers glorifying Louis XIV, her song charmed the Sun King and won over his court's sympathy to the cause of women. She obtained his sponsorship to live in a semi-cloistered community in Paris, where she wrote music for the spiritual and worldly needs of the royal family. Offering fine examples of sacred and secular vocal repertory for chamber settings and large ensembles, Bembo's oeuvre reveals her preoccupation with female agency through dynamic portrayals of such powerful figures as the Virgin Mary and the Duchess of Burgundy. The genres in which she worked-love song, opera, motet, cantata, trio sonata, and air-testify to the magic of her voice and to her place alongside Strozzi, Jacquet de La Guerre, and other major women composers of her time. Expertly engaging with musicology, history, and gender studies, Claire Fontijn tells the story of a brave and daring woman while providing a valuable key to a long-hidden treasure trove of music. A groundbreaking biography, Desperate Measures details the compelling life and music of a woman with courage, determination, and talent who thrived within the dictates of society and culture.

The World We Want compares the future world that Enlightenment intellectuals had hoped for with our own world at present. In what respects do the two worlds differ, and why are they so different? To what extent is and isn't our world the world they wanted, and to what extent do we today still want their world? Unlike previous philosophical critiques and defenses of the Enlightenment, the present study focuses extensively on the relevant historical and empirical record first, by examining carefully what kind of future Enlightenment intellectuals actually hoped for; second, by tracking the different legacies of their central ideals over the past two centuries.
But in addition to documenting the significant gap that still exists between Enlightenment ideals and current realities, the author also attempts to show why the ideals of the Enlightenment still elude us. What does our own experience tell us about the appropriateness of these ideals? Which Enlightenment ideals do not fit with human nature? Why is meaningful support for these ideals, particularly within the US, so weak at present? Which of the means that Enlightenment intellectuals advocated for realizing their ideals are inefficacious? Which of their ideals have devolved into distorted versions of themselves when attempts have been made to realize them? How and why, after more than two centuries, have we still failed to realize the most significant Enlightenment ideals? In short, what is dead and what is living in these ideals?

This Handbook re-examines the concept of early modern history in a European and global context. The term 'early modern' has been familiar, especially in Anglophone scholarship, for four decades and is securely established in teaching, research, and scholarly publishing. More recently, however, the unity implied in the notion has fragmented, while the usefulness and even the validity of the term, and the historical periodisation which it incorporates, have been questioned. The Oxford Handbook of Early Modern European History, 1350-1750 provides an account of the development of the subject during the past half-century, but primarily offers an integrated and comprehensive survey of present knowledge, together with some suggestions as to how the field is developing. It aims both to interrogate the notion of 'early modernity' itself and to survey early modern Europe as an established field of study. The overriding aim will be to establish that 'early modern' is not simply a chronological label but possesses a substantive integrity. Volume II is devoted to 'Cultures and Power', opening with chapters on philosophy, science, art and architecture, music, and the Enlightenment. Subsequent sections examine 'Europe beyond Europe', with the transformation of contact with other continents during the first global age, and military and political developments, notably the expansion of state power.

This Handbook re-examines the concept of early modern history in a European and global context. The term 'early modern' has been familiar, especially in Anglophone scholarship, for four decades and is securely established in teaching, research, and scholarly publishing. More recently, however, the unity implied in the notion has fragmented, while the usefulness and even the validity of the term, and the historical periodisation which it incorporates, have been questioned. The Oxford Handbook of Early Modern European History, 1350-1750 provides an account of the development of the subject during the past half-century, but primarily offers an integrated and comprehensive survey of present knowledge, together with some suggestions as to how the field is developing. It aims both to interrogate the notion of 'early modernity' itself and to survey early modern Europe as an established field of study. The overriding aim will be to establish that 'early modern' is not simply a chronological label but possesses a substantive integrity. Volume I examines 'Peoples and Place', assessing structural factors such as climate, printing and the revolution in information, social and economic developments, and religion, including chapters on Orthodoxy, Judaism and Islam.

Lord Derby, Lancashire's highest-ranked nobleman and its principal royalist, once offered the opinion that the English civil wars had been a 'general plague of madness'. Complex and bedevilling, the earl defied anyone to tell the complete story of 'so foolish, so wicked, so lasting a war'. Yet attempting to chronicle and to explain the events is both fascinating and hugely important. Nationally and at the county level the impact and significance of the wars can hardly be over-stated: the conflict involved our ancestors fighting one another, on and off, for a period of nine years; almost every part of Lancashire witnessed warfare of some kind at one time or another, and several towns in particular saw bloody sieges and at least one episode characterised as a massacre. Nationally the wars resulted in the execution of the king; in 1651 the Earl of Derby himself was executed in Bolton in large measure because he had taken a leading part in the so-called massacre in that town in 1644.In the early months of the civil wars many could barely distinguish what it was that divided people in 'this war without an enemy', as the royalist William Waller famously wrote; yet by the end of it parliament had abolished monarchy itself and created the only republic in over a millennium of England's history. Over the ensuing centuries this period has been described variously as a rebellion, as a series of civil wars, even as a revolution. Lancashire's role in these momentous events was quite distinctive, and relative to the size of its population particularly important. Lancashire lay right at the centre of the wars, for the conflict did not just encompass England but Ireland and Scotland too, and Lancashire's position on the coast facing Catholic, Royalist Ireland was seen as critical from the very first months.And being on the main route south from Scotland meant that the county witnessed a good deal of marching and marauding armies from the north. In this, the first full history of the Lancashire civil wars for almost a century, Stephen Bull makes extensive use of new discoveries to narrate and explain the exciting, terrible events which our ancestors witnessed in the cause either of king or parliament. From Furness to Liverpool, and from the Wyre estuary to Manchester and Warrington...civil war actions, battles, sieges and skirmishes took place in virtually every corner of Lancashire.