Gifts are always with us: we use them positively to display affection and show gratitude for favours; we suspect that others give and accept them as douceurs and bribes. The gift also performed these roles in early modern English culture: and assumed a more significant role because networks of informal support and patronage were central to social and political behaviour. Favours, and their proper acknowledgement, were preoccupations of the age of Erasmus, Shakespeare, and Hobbes. As in modern society, giving and receiving was complex and full of the potential for social damage. 'Almost nothing', men of the Renaissance learned from that great classical guide to morality, Lucius Annaeus Seneca, 'is more disgraceful than the fact that we do not know how either to give or receive benefits'. The Power of Gifts is about those gifts and benefits - what they were, and how they were offered and received in the sixteenth and seventeenth centuries. It shows that the mode of giving, as well as what was given, was crucial to social bonding and political success. The volume moves from a general consideration of the nature of the gift to an exploration of the politics of giving. In the latter chapters some of the well-known rituals of English court life - the New Year ceremony, royal progresses, diplomatic missions - are viewed through the prism of gift-exchange. Gifts to monarchs or their ministers could focus attention on the donor, those from the crown could offer some assurance of favour. These fundamentals remained the same throughout the century and a half before the Civil War, but the attitude of individual monarchs altered specific behaviour. Elizabeth expected to be wooed with gifts and dispensed benefits largely for service rendered, James I modelled giving as the largesse of the Renaissance prince, Charles I's gift-exchanges focused on the art collecting of his coterie. And always in both politics and the law courts there was the danger that gifts would be corroded, morphing from acceptable behaviour into bribes and corruption. The Power of Gifts explores prescriptive literature, pamphlets, correspondence, legal cases and financial records, to illuminate social attitudes and behaviour through a rich series of examples and case-studies.

Challenging existing narratives of the relationship between China and Europe, this study establishes how modern English identity evolved through strategies of identifying with rather than against China. Through an examination of England's obsession with Chinese objects throughout the long eighteenth century, A Taste for China argues that chinoiserie in literature and material culture played a central role in shaping emergent conceptions of taste and subjectivity.
Informed by sources as diverse as the writings of John Locke, Alexander Pope, and Mary Wortley Montagu, Zuroski Jenkins begins with a consideration of how literature transported cosmopolitan commercial practices into a model of individual and collective identity. She then extends her argument to the vibrant world of Restoration comedy-most notably the controversial The Country Wife by William Wycherley-where Chinese objects are systematically associated with questionable tastes and behaviors. Subsequent chapters draw on Defoe, Pope, and Swift to explore how adventure fiction and satirical poetry use chinoiserie to construct, question, and reimagine the dynamic relationship between people and things. The second half of the eighteenth century sees a marked shift as English subjects anxiously seek to separate themselves from Chinese objects. A reading of texts including Aphra Behn's Oroonoko and Jonas Hanway's Essay on Tea shows that the enthrallment with chinoiserie does not disappear, but is rewritten as an aristocratic perversion in midcentury literature that prefigures modern sexuality. Ultimately, at the century's end, it is nearly disavowed altogether, which is evinced in works like Charlotte Lennox's The Female Quixote and Jane Austen's Northanger Abbey.
A persuasively argued and richly textured monograph on eighteenth-century English culture, A Taste for China will interest scholars of cultural history, thing theory, and East-West relations.

Vincent de Paul, the Lazarist Mission, and French Catholic Reform offers a major re-assessment of the thought and activities of the most famous figure of the seventeenth-century French Catholic Reformation, Vincent de Paul. Confronting traditional explanations for de Paul's prominence in the devot reform movement that emerged in the wake of the Wars of Religion, the volume explores how he turned a personal vocational desire to evangelize the rural poor of France into a congregation of secular missionaries, known as the Congregation of the Mission or the Lazarists, with three inter-related strands of pastoral responsibility: the delivery of missions, the formation and training of clergy, and the promotion of confraternal welfare. Alison Forrestal further demonstrates that the structure, ethos, and works that de Paul devised for the Congregation placed it at the heart of a significant enterprise of reform that involved a broad set of associates in efforts to transform the character of devotional belief and practice within the church. The central questions of the volume therefore concern de Paul's efforts to create, characterize, and articulate a distinctive and influential vision for missionary life and work, both for himself and for the Lazarist Congregation, and Forrestal argues that his prominence and achievements depended on his remarkable ability to exploit the potential for association and collaboration within the devot environment of seventeenth-century France in enterprising and systematic ways. This is the first study to assess de Paul's activities against the wider backdrop of religious reform and Bourbon rule, and to reconstruct the combination of ideas, practices, resources, and relationships that determined his ability to pursue his ambitions. A work of forensic detail and complex narrative, Vincent de Paul, the Lazarist Mission, and French Catholic Reform is the product of years of research in ecclesiastical and state archives. It offers a wholly fresh perspective on the challenges and opportunities entailed in the promotion of religious reform and renewal in seventeenth-century France.

The Tonsons were the pre-eminent literary publishers of the late seventeenth and early eighteenth centuries. It is difficult to estimate their contribution to the formation of English literature accurately. Nevertheless, it is clear that they carried Shakespeare into the eighteenth century and started the practice of modern editing of him. Without Rowe's life and without the Pope-Theobald controversy, the history of Shakespeare studies would have been different, perhaps much less illustrious. The same is true of Milton, a figure who through his political sympathies was in disrepute, but on whom Jacob Tonson the elder (and his nephew after him) decided to lavish the care, eventually including illustration and annotation, usually reserved for the classics. Later they issued an edition of Spenser by John Hughes, thus creating the triumvirate who for many years were to dominate the study of English renaissance literature. It is not unreasonable to claim that the house of Tonson invented English literature as matter for repeated reading and study. In addition, of course, the Tonsons were Dryden's main publisher, the first to publish Pope, and the consistent supporters of Addison and Steele and their early periodicals, while Jacob Tonson the elder had earlier shaped the miscellany, the translation of classical poetry into English, the pocket Elzevier series, and the luxury edition - practices carried on by the Tonson firm throughout the eighteenth century. They were at the forefront of the creation of a Whig literary culture and Jacob Tonson the elder was the founder of the famous Whig Kit-Cat Club which, it has been said, saved the nation. This edition brings together the correspondences of the Tonsons for the first time and represents a major intervention in the field of the history of the book and literary production. It includes 158 letters, with translations where necessary, from major authors, politicians, and men and women of letters of the period, discussing their work and the role that the Tonsons played in getting literature to the press and the reading nation. The letters are accompanied by generous and insightful annotation, as well as brief biographies of each of the Tonsons, and special sections on publishing, patronage, and retirement.

In this illuminating study of a vital but long overlooked aspect of Chinese religious life, Jimmy Yu reveals that in the sixteenth and seventeenth centuries, self-inflicted violence was an essential and sanctioned part of Chinese culture. He examines a wide range of practices, including blood writing, filial body-slicing, chastity mutilations and suicides, ritual exposure, and self-immolation, arguing that each practice was public, scripted, and a signal of certain cultural expectations. Yu shows how individuals engaged in acts of self-inflicted violence to exercise power and to affect society, by articulating moral values, reinstituting order, forging new social relations, and protecting against the threat of moral ambiguity. Self-inflicted violence was intelligible both to the person doing the act and to those who viewed and interpreted it, regardless of the various religions of the period: Buddhism, Daoism, Confucianism, and other religions. Self-inflicted violence as a category reveals scholarly biases that tend to marginalize or exaggerate certain phenomena in Chinese culture. Yu offers a groundbreaking contribution to scholarship on bodily practices in late imperial China, challenging preconceived ideas about analytic categories of religion, culture, and ritual in the study of Chinese religions.

On the accession of Louis XIII in 1610 following the assassination of his father, the Bourbon dynasty stood on unstable foundations. For all of Henri IV's undoubted achievements, he had left his son a realm that was still prey to the ambitions of an aristocracy that possessed independent military force and was prepared to resort to violence and vendetta in order to defend its interests and honour. To establish his personal authority, Louis XIII was forced to resort to conspiracy and murder, and even then his authority was constantly challenged. Yet a little over a century later, as the reign of Louis XIV drew to a close, such disobedience was impossible. Instead, a simple royal command expressing the sovereign's disgrace was sufficient to compel the most powerful men and women in the kingdom to submit to imprisonment or internal exile without a trial or an opportunity to justify their conduct, abandoning their normal lives, leaving families, careers, offices, and possessions behind in obedience to their sovereign. To explain that transformation, this volume examines the development of this new 'politics of disgrace', why it emerged, how it was conceptualised, the conventions that governed its use, and reactions to it, not only from the perspective of the monarch and his noble subjects, but also the great corporations of the realm and the wider public. Although that new model of disgrace proved remarkably successful, influencing the ideas and actions of the dominant social elites, it was nevertheless contested, and the critique of disgrace connects to the second aim of this work, which is to use shifting attitudes to the practice as a means of investigating the nature of Ancien Regime political culture and some of the dramatic and profound changes it experienced in the years separating Louis XIII's dramatic seizure of power from the French Revolution.

In 1636, residents at the convent of Santa Chiara in Carpi in northern Italy were struck by an extraordinary illness that provoked bizarre behavior. Eventually numbering fourteen, the afflicted nuns were subject to screaming fits, throwing themselves on the floor, and falling abruptly into a deep sleep. When medical experts' cures proved ineffective, exorcists ministered to the women and concluded that they were possessed by demons and the victims of witchcraft. Catering to women from elite families, the nunnery suffered much turmoil for three years and, remarkably, three of the victims died from their ills. A maverick nun and a former confessor were widely suspected to be responsible, through witchcraft, for these woes. Based primarily on the exhaustive investigation by the Inquisition of Modena, The Scourge of Demons examines this fascinating case in its historical context. The travails of Santa Chiara occurred at a time when Europe witnessed peaks in both witch-hunting and in the numbers of people reputedly possessed by demons. Female religious figures appeared particularly prone to demonic attacks, and Counter-Reformation Church authorities were especially interested in imposing stricter discipline on convents. Watt carefully considers how the nuns of Santa Chiara understood and experienced alleged possession and witchcraft, concluding that Santa Chiara's diabolical troubles and their denouement -- involving the actions of nuns, confessors, inquisitorial authorities, and exorcists -- were profoundly shaped by the unique confluence of religious, cultural, judicial, and intellectual trends that flourished in the 1630s. Jeffrey R. Watt is professor of history at the University of Mississippi.

Voices of Conscience analyzes how the link between politics and conscience was articulated and shaped throughout the seventeenth century by confessors who acted as counsellors to monarchs. Against the backdrop of the momentous intellectual, theological, and political shifts that marked this period, the study examines comparatively how the ethical challenges of political action were confronted in Spain and France and how questions of conscience became a major argument in the hegemonic struggle between the two competing Catholic powers. As Nicole Reinhardt demonstrates, 'counsel of conscience' was not a peripheral feature of early-modern political culture, but fundamental for the definition of politics and conscience. Tracing the rise and fall of confessors as counsellors reveals the parallel transformation of both, approaching a historical understanding of the modernisation of politics with the idea of an 'individual conscience' at its heart. Placed at the junction of norms and practices, royal confessors, directly or in oblique reflection, shaped the ways in which the royal conscience was identified and scrutinized. By the same token, the royal confessors' expertise and activities remained a source of anxiety and conflict that triggered wide debate on the relationship between State and Church, religion and politics. The notion of 'counsel of conscience', of which this book provides the first in-depth analysis, allows the reader to re-examine and challenge fundamental historical paradigms such as the emergence of 'absolutism', individualisation, and the division of public and private. Putting theological concepts and religious dimensions back into political theory and practice sheds new light, not only on the importance of counselling for early modern statecraft, but also on the reconfiguration of the normative frameworks underlying it.

In Renaissance Rome, ancient ruins were preserved as often as they were mined for their materials. Although the question of what to preserve and how continued to be subject to debate, preservation acquired renewed force and urgency in the fifteenth and sixteenth centuries as the new papal capital rose upon the ruins of the ancient city. Preservation practices became more focused and effective in Renaissance Rome than ever before.
The Ruin of the Eternal City offers a new interpretation of the ongoing life of ancient buildings within the expanding early modern city. While historians and archaeologists have long affirmed that early modern builders disregarded the protection of antiquity, this study provides the first systematic analysis of preservation problems as perceived by the Renaissance popes, the civic magistrates, and ordinary citizens. Based on new evidence and recent conservation theory, this compelling study explores how civic officials balanced the defense of specific sites against the pressing demands imposed by population growth, circulation, and notions of urban decorum. Above all, the preservation of antiquity remained an indispensable tool to advance competing political agendas in the papal capital. A broad range of preservation policies and practices are examined at the half-ruined Colosseum, the intact Pantheon, and the little-known but essential Renaissance bridge known as the Ponte Santa Maria.
Rome has always incorporated change in light of its glorious past as well as in the more pragmatic context of contemporary development. Such an investigation not only reveals the complexity of preservation as a contested practice, but also challenges us to rethink the way people in the past understood history itself.

By exploring how Martin Luther, Martin Bucer, and John Calvin interpreted a set of eight messianic psalms (Psalms 2, 8, 16, 22, 45, 72, 110, 188), Sujin Pak elucidates key debates about Christological exegesis during the era of the Protestant reformation. More particularly, Pak examines the exegeses of Luther, Bucer, and Calvin in order to (a) reveal their particular theological emphases and reading strategies, (b) identify their debates over the use of Jewish exegesis and the factors leading to charges of 'judaizing' leveled against Calvin, and (c) demonstrate how Psalms reading and the accusation of judaizing serve distinctive purposes of confessional identity formation. In this way, she portrays the beginnings of those distinctive trends that separated Lutheran and Reformed exegetical principles.

Stephen C. Berkwitz's Buddhist Poetry and Colonialism examines five works by a single poet to demonstrate how Buddhism in Sri Lanka was shaped and transformed by encounters with Portuguese colonizers and missionaries in the sixteenth and seventeenth centuries. By following the written works of Alagiyavanna Mukaveti (1552-1625?) from the court of a powerful Sinhala king through the cultural upheavals of warfare and Christian missions and finally to his eventual conversion to Catholicism and employment under the Portuguese Crown, this book uses the poetry of a single author to reflect upon how Sinhala verse fashioned new visions of power and religious identity when many of the traditional Buddhist institutions were in retreat. Berkwitz traces the development of Alagiyavanna's poetry as a medium for celebrating the fame of rulers, devotion to the Buddha and his Dharma, morality and truth in the Buddha's religion, and the glories of Portuguese rule in Sri Lanka. Employing an interdisciplinary approach that combines Buddhist Studies, History, Literary Criticism, and Postcolonial Studies, the author constructs a picture of the effects of colonialism on Buddhist literature and culture at an early juncture in the history of the encounter between Asia and Europe.

In 1517, the Ottoman Sultan Selim "the Grim" conquered Egypt and brought his empire for the first time in history into direct contact with the trading world of the Indian Ocean. During the decades that followed, the Ottomans became progressively more engaged in the affairs of this vast and previously unfamiliar region, eventually to the point of launching a systematic ideological, military and commercial challenge to the Portuguese Empire, their main rival for control of the lucrative trade routes of maritime Asia.
The Ottoman Age of Exploration is the first comprehensive historical account of this century-long struggle for global dominance, a struggle that raged from the shores of the Mediterranean to the Straits of Malacca, and from the interior of Africa to the steppes of Central Asia. Based on extensive research in the archives of Turkey and Portugal, as well as materials written on three continents and in a half dozen languages, it presents an unprecedented picture of the global reach of the Ottoman state during the sixteenth century. It does so through a dramatic recounting of the lives of sultans and viziers, spies, corsairs, soldiers-of-fortune, and women from the imperial harem. Challenging traditional narratives of Western dominance, it argues that the Ottomans were not only active participants in the Age of Exploration, but ultimately bested the Portuguese in the game of global politics by using sea power, dynastic prestige, and commercial savoir faire to create their own imperial dominion throughout the Indian Ocean.

Today, the statement that Anglicans are fond of the Fathers and keen on patristic studies looks like a platitude. Like many platitudes, it is much less obvious than one might think. Indeed, it has a long and complex history. Jean-Louis Quantin shows how, between the Reformation and the last years of the Restoration, the rationale behind the Church of England's reliance on the Fathers as authorities on doctrinal controversies, changed significantly. Elizabethan divines, exactly like their Reformed counterparts on the Continent, used the Church Fathers to vindicate the Reformation from Roman Catholic charges of novelty, but firmly rejected the authority of tradition. They stressed that, on all questions controverted, there was simply no consensus of the Fathers. Beginning with the "avant-garde conformists" of early Stuart England, the reference to antiquity became more and more prominent in the construction of a new confessional identity, in contradistinction both to Rome and to Continental Protestants, which, by 1680, may fairly be called "Anglican." English divines now gave to patristics the very highest of missions. In that late age of Christianity--so the idea ran--now that charisms had been withdrawn and miracles had ceased, the exploration of ancient texts was the only reliable route to truth. As the identity of the Church of England was thus redefined, its past was reinvented. This appeal to the Fathers boosted the self-confidence of the English clergy and helped them to surmount the crises of the 1650s and 1680s. But it also undermined the orthodoxy that it was supposed to support.

Thomas Wyatt (1504?-42) may have written the first sonnet in English. His translation from Plutarch's Moralia was the first publication of a classical moral essay in English. He introduced continental forms such as ottava rima to the language, and his paraphrase of the Penitential Psalms sparked a century of popular psalm translations. Yet while decades of criticism have centered on a handful of his best-known poems, many others are poorly understood, in part because we lack an authoritative edition. This volume-the first in a planned two-volume collection of Wyatt's complete works-comprises scholarly editions of 35 letters or memoranda, Wyatt's Declaration from the Tower and his Defence speech against treason charges. It also includes the first scholarly edition of The Quyete of Mynde. Each text is extensively annotated, each letter has a prefacing headnote, and each grouping of texts is separately introduced. The recipient of one letter is identified here for the first time from new archival discoveries. Two letters of instruction from Henry VIII are included along with four appendices containing related documents. Biographical entries (totalling 17,000 words) identify and introduce 64 persons related to Wyatt's diplomatic service, including every known member of Wyatt's diplomatic household.

England on Edge deals with the collapse of the government of Charles I, the disintegration of the Church of England, and the accompanying cultural panic that led to civil war. Focused on the years 1640 to 1642, it examines stresses and fractures in social, political, and religious culture, and
the emergence of an unrestrained popular press. Hundreds of people not normally seen in historical surveys make appearances here, in a drama much larger than the struggle of king and parliament. Historians commonly assert that royalists and parliamentarians parted company over issues of principle,
constitutional scruples, and religious belief, but a more complex picture emerges from the environment of anxiety, mistrust, and fear.
Rather than seeing England's revolutionary transformation as a product of the civil war, as has been common among historians, David Cressy finds the world turned upside down in the two years preceding the outbreak of hostilities. The humbling of Charles I, the erosion of the royal prerogative, and
the rise of an executive parliament were central features of the revolutionary drama of 1640-1642. The collapse of the Laudian ascendancy, the splintering of the established church, the rise of radical sectarianism, and the emergence of an Anglican resistance all took place in these two years before
the beginnings of bloodshed. The world of public discourse became rapidly energized and expanded, in counterpoint with an exuberantly unfettered press and a deeply traumatized state.
These linked processes, and the disruptive contradictions within them, made this a time of shaking and of prayer. England's elite encountered multiple transgressions, some moreimagined than real, involving lay encroachments on the domain of the clergy, lowly intrusions into matters of state, the
city clashing with the court, the street with institutions of government, and women undermining the territories of men. The simultaneity, concatenation, and cumulative, compounding effect of these disturbances added to their ferocious intensity, and helped to bring down England's ancien regime. This
was the revolution before the Revolution, the revolution that led to civil war.

Six leading experts have contributed their insights into the 16th century in this volume. The economy, politics, society, and secular and religious thought all receive careful thematic treatment and analysis. Many history textbook cliches emerge transformed from their accounts."

There is a striking similarity between Marian devotional songs and secular love songs of the Late Middle Ages and Renaissance. Two disparate genres-one sacred, the other secular; one Latin, the other vernacular-both praise an idealized, impossibly virtuous woman. Each does so through highly stylized derivations of traditional medieval song forms - Marian prayer derived from earlier Gregorian chant, and love songs and lyrics from medieval courtly song. Yet despite their obvious similarities, the two musical and poetic traditions have rarely been studied together. Author David Rothenberg takes on this task with remarkable success, producing a useful and broad introduction to Marian music and liturgy, and then coupling that with an incisive comparative analysis of this devotional form with the words and music of secular love songs of the period. The Flower of Paradise examines the interplay of Marian devotional and secular poetics within polyphonic music from c. 1200 to c. 1500. Through case studies of works that demonstrate a specific symbolic resonance between Marian devotional and secular song, the book illustrates the distinctive ethos of this period in European culture. Rothenberg makes use of an impressive command of liturgical and religious studies, literature and poetry, and art history to craft a study with wide application across disciplinary boundaries. With its broad scope and unique, incisive analysis, this book is suited for scholars, students, and general readers alike. Undergraduate and graduate students of musicology, Medieval and Renaissance studies, comparative literature, art history, Western reglious history, and music history-especially that of the Middle Ages, Renaissance, and sacred music-will find this book a useful and informative resource on the period. The Flower of Paradise is also of interest to those with a particular dedication to any of its diverse subject areas. For individuals involved in religious organizations or those who frequent Medieval or Renaissance cultural sites and museums, this book will deepen their knowledge and open up new ways of thinking about the history and development of secular and sacred music and the Marian tradition.

In this book the pre-eminent historian of Cromwellian England takes a fresh approach to the literary biography of the two great poets of the Puritan Revolution, John Milton and Andrew Marvell. Blair Worden reconstructs the political contexts within which Milton and Marvell wrote, and reassesses their writings against the background of volatile and dramatic changes of public mood and circumstance. Two figures are shown to have been prominent in their minds. First there is Oliver Cromwell, on whose character and decisions the future of the Puritan Revolution and of the nation rested, and whose ascent the two writers traced and assessed, in both cases with an acute ambivalence. The second is Marchamont Nedham, the pioneering journalist of the civil wars, a close friend of Milton and a man whose writings prove to be intimately linked to Marvell's. The high achievements of Milton and Marvell are shown to belong to world of pressing political debate which Nedham's ephemeral publications helped to shape. The book follows Marvell's transition from royalism to Cromwellianism. In Milton's case we explore the profound effect on his outlook brought by the execution of King Charles I in 1649; his difficult and disillusioning relationship with the successive regimes of the Interregnum; and his attempt to come to terms, in his immortal poetry of the Restoration, with the failure of Puritan rule.

Jacob Arminius (1559-1609) is one of the few theologians in the history of Christianity who has lent his name to a significant theological movement. The dissemination of his thought throughout Europe, Great Britain, and North America, along with the appeal of his ideas in current Protestant evangelical spheres (whether rightly understood or misunderstood), continue to attract both scholarly and popular attention. Keith Stanglin and Thomas McCall's Jacob Arminius offers a constructive synthesis of the current state of Arminius studies. There is a chasm separating technical, scholarly discussions of Arminius and popular-level appeals to his thought. The authors seek to bridge the scholarly and general discussions, providing an account based on interaction with all the primary sources and latest secondary research that will be helpful to the scholar as well as comprehensible and relevant to the undergraduate student. The authors describe key elements of Arminius' theology with careful attention to its proper context; they also explore the broader theological implications of his views.

In The Reformation of Feeling, Susan Karant-Nunn looks beyond and beneath the formal doctrinal and moral demands of the Reformation in Germany to examine the emotional tenor of the programs that the emerging creeds-revised Catholicism, Lutheranism, and Calvinism/Reformed theology-developed for their members. As revealed by the surviving sermons from this period, preaching clergy of each faith both explicitly and implicitly provided their listeners with distinct models of a mood to be cultivated. To encourage their parishioners to make an emotional investment in their faith, all three drew upon rhetorical elements that were already present in late medieval Catholicism and elevated them into confessional touchstones.
Looking at archival materials containing direct references to feeling, Karant-Nunn focuses on treatments of death and sermons on the Passion. She amplifies these sources with considerations of the decorative, liturgical, musical, and disciplinary changes that ecclesiastical leaders introduced during the period from the late fifteenth to the end of the seventeenth century. Within individual sermons, Karant-Nunn also examines topical elements-including Jews at the crucifixion, the Virgin Mary's voluminous weeping below the Cross, and struggles against competing denominations-that were intended to arouse particular kinds of sentiment. Finally, she discusses surviving testimony from the laity in order to assess at least some Christians' reception of these lessons on proper devotional feeling.
This book is exceptional in its presentation of a cultural rather than theological or behavioral study of the broader movement to remake Christianity. As Karant-Nunn conclusively demonstrates, in the eyes of the Reformation's formative personalities strict adherence to doctrine and upright demeanor did not constitute an adequate piety. The truly devout had to engage their hearts in their faith.

The first major study of the early Reformation and the Polish monarchy for over a century, this volume asks why Crown and church in the reign of King Sigismund I (1506-1548) did not persecute Lutherans. It offers a new narrative of Luther's dramatic impact on this monarchy - which saw violent urban Reformations and the creation of Christendom's first Lutheran principality by 1525 - placing these events in their comparative European context. King Sigismund's realm appears to offer a major example of sixteenth-century religious toleration: the king tacitly allowed his Hanseatic ports to enact local Reformations, enjoyed excellent relations with his Lutheran vassal duke in Prussia, allied with pro-Luther princes across Europe, and declined to enforce his own heresy edicts. Polish church courts allowed dozens of suspected Lutherans to walk free. Examining these episodes in turn, this study does not treat toleration purely as the product of political calculation or pragmatism. Instead, through close analysis of language, it reconstructs the underlying cultural beliefs about religion and church (ecclesiology) held by the king, bishops, courtiers, literati, and clergy - asking what, at heart, did these elites understood 'Lutheranism' and 'catholicism' to be? It argues that the ruling elites of the Polish monarchy did not persecute Lutheranism because they did not perceive it as a dangerous Other - but as a variant form of catholic Christianity within an already variegated late medieval church, where social unity was much more important than doctrinal differences between Christians. Building on John Bossy and borrowing from J.G.A. Pocock, it proposes a broader hypothesis on the Reformation as a shift in the languages and concept of orthodoxy.

This book traces the shift from medieval to modern institutions in English agriculture. It explores their importance for productivity growth, income distribution, and the contribution of agriculture to British economic development. Robert C. Allen's pioneering study shows that, contrary to the assumption of many historians, small-scale farmers in the open-field system were responsible for a considerable proportion of the productivity growth achieved between the middle ages and the nineteenth century. The process of enclosure and the replacement of these yeomen by large-scale tenant farming relying on wage labour had relatively little impact on the agricultural contribution to economic development during the industrial revolution. Enclosures and large farms enriched landowners without benefiting consumers, workers, or farmers. Thoroughly grounded in the archival sources, and underpinned by rigorous economic analysis, Enclosure and the Yeoman is a scholarly and challenging reassessment of the history of English agriculture. It will be indispensable reading for all historians concerned with the making of modern Britain.

In 1589 the Privy Council encouraged the Archbishop of Canterbury to take steps to control the theatres, which had offended authority by putting on plays which addressed 'certen matters of Divinytie and of State unfitt to be suffred'.
How had questions of divinity and state become entangled? The Reformation had invested the English Crown with supremacy over the Church, and religious belief had thus been transformed into a political statement. In the plentiful chronicle literature of the sixteenth-century, questions of monarchical legitimacy and religious orthodoxy became intertwined as a consequence of that demand for a usable national past created by the high political developments of the 1530s.
Divinity and State explores the consequences of these events in the English historiography and historical drama of the sixteenth century. It is divided into four parts. In the first, the impact of reformed religion on narratives of the national past is measured and described. Part II examines how the entanglement of the national past and reformed religion was reflected in historical drama from Bale to the early years of James I, and focuses on two paradigmatic characters: the sanctified monarch and the martyred subject. Part III considers Shakespeare's history plays in the light of the preceding discussion, and finds that Shakespeare's career as a historical dramatist shows him eventually re-shaping the history play with great audacity. Part IV corroborates this reading of Shakespeare's later history plays by reference to the dramatic ripostes they provoked.

This book examines the importance of the Glorious Revolution and the passing of the Toleration Act to the development of religious and intellectual freedom in England. Most historians have considered these events to be of little significance in this connection. From Persecution to Toleration focuses on the importance of the Toleration Act for contemporaries, and also explores its wider historical context and impact. Taking its point of departure from the intolerance of the sixteenth century, the book goes on to emphasize what is here seen to be the very substantial contribution of the Toleration Act for the development of religious freedom in England. It demonstrates that his freedom was initially limited to Protestant Nonconformists, immigrant as well as English, and that it quickly came in practice to include Catholics, Jews, and anti-Trinitarians. Contributors: John Bossy, Patrick Collinson, John Dunn, Graham Gibbs, Mark Goldie, Ole Peter Grell, Robin Gwynn, Jonathan I. Israel, David S. Katz, Andrew Pettegree, Richard H. Popkin, Hugh Trevor-Roper, Nicholas Tyacke, and B. R. White.

Although puritans in 17th-century New England lived alongside both Native Americans and Africans, the white New Englanders imagined their neighbors as something culturally and intellectually distinct from themselves. Legally and practically, they saw people of color as simultaneously human and less than human, things to be owned. Yet all of these people remained New Englanders, regardless of the color of their skin, and this posed a problem for puritans. In order to fulfill John Winthrop's dream of a "city on a hill," New England's churches needed to contain all New Englanders. To deal with this problem, white New Englanders generally turned to familiar theological constructs to redeem not only themselves and their actions (including their participation in race-based slavery) but also to redeem the colonies' Africans and Native Americans. Richard A. Bailey draws on diaries, letters, sermons, court documents, newspapers, church records, and theological writings to tell the story of the religious and racial tensions in puritan New England.