To know how the West was really won, start with the exploits of these unsung mountain men who, like the legendary Jeremiah Johnson, were real buckskin survivalists. Preceded only by Lewis and Clark, beaver fur trappers roamed the river valleys and mountain ranges of the West, living on fish and game, fighting or trading with the Native Americans, and forever heading toward the untamed wilderness. In this story of rough, heroic men and their worlds, Laycock weaves historical facts and practical instruction with profiles of individual trappers, including harrowing escapes, feats of supreme courage and endurance, and sometimes violent encounters with grizzly bears and Native Americans.

Women and Gender in the Early Modern Low Countries, 1500-1750 brings together research on women and gender across the Low Countries, a culturally contiguous region that was split by the Eighty Years' War into the Protestant Dutch Republic in the North and the Spanish-controlled, Catholic Hapsburg Netherlands in the South. The authors of this interdisciplinary volume highlight women's experiences of social class, as family members, before the law, and as authors, artists, and patrons, as well as the workings of gender in art and literature. In studies ranging from microhistories to surveys, the book reveals the Low Countries as a remarkable historical laboratory for its topic and points to the opportunities the region holds for future scholarly investigations. Contributors: Martine van Elk, Martha Howell, Martha Moffitt Peacock, Sarah Joan Moran, Amanda Pipkin, Katlijne Van der Stighelen, Margit Thofner, and Diane Wolfthal.

Bartolome de las Casas, O.P.: History, Philosophy, and Theology in the Age of European Expansion marks a critical point in Lascasian scholarship. The result of the collaborative work of seventeen prominent scholars, contributions span the fields of history, Latin American studies, literary criticism, philosophy and theology. The volume offers to specialists and non-specialists alike access to a rich and thoughtful overview of nascent colonial Latin American and early modern Iberian studies in a single text. Contributors: Rolena Adorno; Matthew Restall; David Thomas Orique, O.P.; Rady Roldan-Figueroa; Carlos A. Jauregui; David Solodkow; Alicia Mayer; Claus Dierksmeier; Daniel R. Brunstetter; Victor Zorrilla; Luis Fernando Restrepo; David Lantigua; Ramon Dario Valdivia Gimenez; Eyda M. Merediz; Laura Dierksmeier; Guillaume Candela, and Armando Lampe.

`A shepstar's (dressmaker) son, hatched in Gutter lane', Davis became an Oxford scholar, a skilled mathematician. The story might have ended there, teaching at the University or schoolmastering. Instead he became a soldier and follower of the Earl of Essex and lost everything when he joined him in rebellion. He saved his life by turning government supergrass and in the process destroyed Essex's line of defence. His rehabilitation was tortuous, but he died a country gentleman. The book casts new light on the plotting that preceded the rebellion of 1601 and on the examinations and trial that followed it. It also describes the military career of a middle-ranking officer, who was a `conformable' Catholic, finally distinguishing him from so many others of the same name. Roger Ashley, like Davis, graduated from Worcester College (then Gloucester Hall) and has found Sir John persistently invading his spare time since postgraduate days.

Martin Luther was the architect and engineer of the Protestant Reformation, which transformed Germany five hundred years ago. In Martin Luther and the Arts, Andreas Loewe and Katherine Firth elucidate Luther's theory and practice, demonstrating the breadth, flexibility and rigour of Luther's use of the arts to reach audiences and convince them of his Reformation message using a range of strategies, including music, images and drama alongside sermons, polemical tracts, and his new translation of the Bible into German. Extensively based on German and English sources, including often neglected aspects of Luther's own writings, Loewe and Firth offer a valuable survey for theologians, historians, art historians, musicologists and literary studies scholars interested in interdisciplinary comparisons of Luther's work across the arts.

How can the concept of nostalgia illuminate the culturally specific ways in which societies understand the contested relationship between the past, present, and future? The word nostalgia was invented in the late seventeenth century to describe the debilitating effects of homesickness. Now widely defined as a sense of longing for a lost past, initially it was more closely linked with dislocation in space. By exploring some of its many textual, visual and musical manifestations in the tumultuous period between c. 1350 and 1800, this volume resists the assumption that nostalgia is a distinctive by-product of modernity. It also forges a fruitful link between three lively areas of current scholarly enquiry: memory, temporality, and emotion. The contributors deploy nostalgia as a tool for investigating perceptions of the passage of time and historical change, unsettling experiences of migration and geographical displacement, and the connections between remembering and forgetting, affect and imagination. Ranging across Europe and the Atlantic world, they examine the moments, sites and communities in which it arose, alongside how it was used to express both criticism and regret about the religious, political, social and cultural upheavals that shaped the early modern world. They approach it as a complex mixed feeling that opens a new window into individual subjectivities and collective mentalities.

A Companion to the Reformation in Geneva describes the course of the Protestant Reformation in the city of Geneva from the sixteenth to the eighteenth centuries. It explores the beginnings of reform in the city, the struggles the reformers encountered when seeking to teach, minister to, educate, and discipline the inhabitants of Geneva, and the methods employed to overcome these obstacles. It examines Geneva's relations with nearby cities and how Geneva handled the influx of immigrants from France. The volume focuses on the most significant aspects of life in the city, examines major theological and liturgical subjects associated with the Genevan Reformation, and describes the political, social, and cultural consequences of the Reformation for Geneva. Contributors include: Jon Balserak, Sara Beam, Erik de Boer, Michael Bruening, Mathieu Caesar, Jill Fehleison, Emanuele Fiume, Herve Genton, Anja Silvia Goeing, Christian Grosse, Scott Manetsch, Elsie McKee, Graeme Murdock, William G. Naphy, Peter Opitz, Jennifer Powell McNutt, Jameson Tucker, Theodore G. Van Raalte, and Jeffrey R. Watt. "This volume is a scholarly and very accessible introduction to the Genevan Reformation that covers history, religious developments, and impact, balancing the perspectives of both historians and theologians. The contributors present an extraordinarily well-rounded view of Geneva during the Reformation. It will be a tremendous aid to scholarship and the book that the next generation of scholars will use both as a handy reference and as the starting point for future work." Amy Nelson Burnett, University of Nebraska-Lincoln

The World of the Siege examines relations between the conduct and representations of early modern sieges. The volume offers case studies from various regions in Europe (England, France, the Low Countries, Germany, the Balkans) and throughout the world (the Chinese, Ottoman and Mughal Empires), from the 15th century into the 18th. The international contributors analyse how siege narratives were created and disseminated, and how early modern actors as well as later historians made sense of these violent events in both textual and visual artefacts. . The volume's chronological and geographical breadth provides insight into similarities and differences of siege warfare and military culture across several cultures, countries and centuries, as well as its impact on both combatants and observers. See inside the book.

This book investigates a puzzling and neglected phenomenon - the rise of English Arminianism during the decade of puritan rule. Throughout the 1650s, numerous publications, from scholarly folios to popular pamphlets, attacked the doctrinal commitments of Reformed Orthodoxy. This anti-Calvinist onslaught came from different directions: episcopalian royalists (Henry Hammond, Herbert Thorndike, Peter Heylyn), radical puritan defenders of the regicide (John Goodwin and John Milton), and sectarian Quakers and General Baptists. Unprecedented rejection of Calvinist soteriology was often coupled with increased engagement with Catholic, Lutheran and Remonstrant alternatives. As a result, sophisticated Arminian publications emerged on a scale that far exceeded the Laudian era. Cromwellian England therefore witnessed an episode of religious debate that significantly altered the doctrinal consensus of the Church of England for the remainder of the seventeenth century. The book will appeal to historians interested in the contested nature of 'Anglicanism' and theologians interested in Protestant debates regarding sovereignty and free will. Part One is a work of religious history, which charts the rise of English Arminianism across different ecclesial camps - episcopal, puritan and sectarian. These chapters not only introduce the main protagonists but also highlight a surprising range of distinctly English Arminian formulations. Part Two is a work of historical theology, which traces the detailed doctrinal formulations of two prominent divines - the puritan John Goodwin and the episcopalian Henry Hammond. Their Arminian theologies are set in the context of the Western theological tradition and the soteriological debates, that followed the Synod of Dort. The book therefore integrates historical and theological enquiry to offer a new perspective on the crisis of 'Calvinism' in post-Reformation England.

Between the fifteenth and the eighteenth century, princely courts dominated the Italian political scene. These courts were effervescent centers of cultural production. As such, they became a model for European monarchies who imported Italian courtly forma del vivere ('style of life') to legitimize their power and to define social status. This phenomenon included architecture and painting, theater and music, manners and aesthetics, and all the objects, behaviors and beliefs that contributed to homogenize European culture in the age of the Old Regime. It involved a hemorrhage of art and a continuous circulation of people, texts and symbols. The foundational material for this process was classicism and its purpose was political. This delineates a new geography and chronology of a truly European cultural history. It also provides the key traits for the European cultural identity.

This book investigates perceptions, modes, and techniques of Venetian rule in the early modern Eastern Mediterranean (1400-1700) between colonial empire, negotiated and pragmatic rule; between soft touch and exploitation; in contexts of former and continuous imperial belongings; and with a focus on representations and modes of rule as well as on colonial daily realities and connectivities.

During a period of tumultuous change in English political, religious and cultural life, music signified the unspeakable presence of the divine in the world for many. What was the role of music in the early modern subject's sensory experience of divinity? While the English intellectuals Peter Sterry (1613-72), Richard Roach (1662-1730), William Stukeley (1687-1765) and David Hartley (1705-57), have not been remembered for their 'musicking', this book explores how the musical reflections of these individuals expressed alternative and often uncustomary conceptions of God, the world, and the human psyche. Music is always potentially present in their discourse, emerging as a crucial form of mediation between states: exoteric and esoteric, material and spiritual, outer and inner, public and private, rational and mystical. Dixon shows how Sterry, Roach, Stukeley and Hartley's shared belief in truly universal salvation was articulated through a language of music, implying a feminising influence that set these male individuals apart from contemporaries who often strictly emphasised the rational-i.e. the supposedly masculine-aspects of religion. Musical discourse, instead, provided a link to a spiritual plane that brought these intellectuals closer to 'ultimate reality'. Theirs was a discourse firmly rooted in the real existence of contemporary musical practices, both in terms of the forms and styles implied in the writings under discussion and the physical circumstances in which these musical genres were created and performed. Through exploring ways in which the idea of music was employed in written transmission of elite ideas, this book challenges conventional classifications of a seventeenth-century 'Scientific Revolution' and an eighteenth-century 'Enlightenment', defending an alternative narrative of continuity and change across a number of scholarly disciplines, from seventeenth-century English intellectual history and theology, to musicology and the social history of music.

CHOICE Outstanding Academic Title 2016 Food and Health in Early Modern Europe is both a history of food practices and a history of the medical discourse about that food. It is also an exploration of the interaction between the two: the relationship between evolving foodways and shifting medical advice on what to eat in order to stay healthy. It provides the first in-depth study of printed dietary advice covering the entire early modern period, from the late-15th century to the early-19th; it is also the first to trace the history of European foodways as seen through the prism of this advice. David Gentilcore offers a doctor's-eye view of changing food and dietary fashions: from Portugal to Poland, from Scotland to Sicily, not forgetting the expanding European populations of the New World. In addition to exploring European regimens throughout the period, works of materia medica, botany, agronomy and horticulture are considered, as well as a range of other printed sources, such as travel accounts, cookery books and literary works. The book also includes 30 illustrations, maps and extensive chapter bibliographies with web links included to further aid study. Food and Health in Early Modern Europe is the essential introduction to the relationship between food, health and medicine for history students and scholars alike.

Exploring the nexus of music and religious education involves fundamental questions regarding music itself, its nature, its interpretation, and its importance in relation to both education and the religious practices into which it is integrated. This cross-disciplinary volume of essays offers the first comprehensive set of studies to examine the role of music in educational and religious reform and the underlying notions of music in early modern Europe. It elucidates the context and manner in which music served as a means of religious teaching and learning during that time, thereby identifying the religio-cultural and intellectual foundations of early modern European musical phenomena and their significance for exploring the interplay of music and religious education today.

Japan's Private Spheres: Autonomy in Japanese History, 1600-1930 traces the shifting nature of autonomy in early modern and modern Japan. In this far-reaching, interdisciplinary study, W. Puck Brecher explores the historical development of the private and its evolving relationship with public authority, a dynamic that evokes stereotypes about an alleged dearth of individual agency in Japanese society. It does so through a montage of case studies. For the early modern era, case studies examine peripheral living spaces, boyhood, and self-interrogation in the arts. For the modern period, they explore strategic deviance, individuality in Meiji education, modern leisure, and body-maintenance. Analysis of these disparate private realms illuminates evolving conceptualizations of the private and its reciprocal yet often-contested relationship to the state.

Early modern England was a nation alive with intense religious debate, with often violent results. Central to these debates were questions of prayer, questions powerful enough to splinter the English church and to fuel a ferocious civil war. This collection of thirteen newly commissioned essays traces the controversy and value given to the performance of prayer, through the body, the spoken word and written text, as well as its representation on stage. Through close readings of the works of Christopher Marlowe, William Shakespeare, John Donne, John Milton and Henry Vaughan amongst others, this book examines the performative aspects of prayer in a range of literary modes. This broad range of study is expanded further with chapters focussing on the private religious diaries of men and women throughout the seventeenth century, and the convergence of music and prayer in the work of William Byrd.

The present volume is the last in the Entangled Balkans series and marks the end of several years of research guided by the transnational, "entangled history" and histoire croisee approaches. The essays in this volume address theoretical and methodological issues of Balkan or Southeast European regional studies-not only questions of scholarly concepts, definitions, and approaches but also the extra-scholarly, ideological, political, and geopolitical motivations that underpin them. These issues are treated more systematically and by a presentation of their historical evolution in various national traditions and schools. Some of the essays deal with the articulation of certain forms of "Balkan heritage" in relation to the geographical spread and especially the cultural definition of the "Balkan area." Concepts and definitions of the Balkans are thus complemented by (self-)representations that reflect on their cultural foundations.