This captivating history exposes a clandestine world of family and community secrets -- incest, abortion, and infanticide -- in the early modern Venetian republic.

With the keen eye of a detective, Joanne M. Ferraro follows the clues in individual cases from the criminal archives of Venice and reconstructs each one as the courts would have done according to the legal theory of the day. Lawmakers relied heavily on the depositions of family members, neighbors, and others in the community to establish the veracity of the victims' claims. Ferraro recounts this often colorful testimony, giving voice to the field workers, spinners, grocers, servants, concubines, midwives, physicians, and apothecaries who gave their evidence to the courts, sometimes shaping the outcomes of the investigations.

Nefarious Crimes, Contested Justice also traces shifting attitudes toward illegitimacy and paternity from the late sixteenth through the eighteenth centuries. Both the Catholic Church and the Republic of Venice tried to enforce moral discipline and regulate sex and reproduction. Unmarried pregnant women were increasingly stigmatized for engaging in sex. Their claims for damages because of seduction or rape were largely unproven, and the priests and laymen they were involved with were often acquitted of any wrongdoing. The lack of institutional support for single motherhood and the exculpation of fathers frequently led to abortion, infant abandonment, or infant death.

In uncovering these hidden sex crimes, Ferraro exposes the further abuse of women by both the men who perpetrated these illegal acts and the courts that prosecuted them.

Known in early modern Europe by many names - the French Disease, the Bubas, and, eventually, syphilis - the Great Pox was a chronic disease that carried the stigma of sexuality and produced a slow and painful death. The main institution which treated it, the pox hospital, has come down to us as a stench-filled and overcrowded place that sought to treat the body and reform the soul. Using the sole surviving admissions book for Toledo, Spain's Hospital de Santiago, Cristian Berco reconstructs the lives of men and women afflicted with the pox by tracing their experiences before, during, and after their hospitalization. Through an innovative combination of medical, institutional, and notarial sources, he explores the physical and social lives of the patients. What were the social repercussions of living with a shameful disease? What did living with this chronic illness mean for careers and networks, love and families, and everyday relationships? From Body to Community is a textured analysis at once touched by the illness but not solely defined by it.

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"This powerful and lively package of primary materials and historical context will demonstrate how historical 'forces' play themselves out on the ground. Kierner's collection offers a fresh lens on a new world struggling into being and will inspire teachers and students of all ages alike."
--Catherine Allgor, author of "A Perfect Union: Dolley Madison and the Creation of the American Nation"

aThe Contrast makes a real contribution to the existing scholarship on this period, it has great appeal for classroom use, and it puts back in print an amusing play that is instrumental in understanding critical issues in the new nation. The play aThe Contrasta centers on gender roles, relations, and expectations, mocking the gender stereotypes of the day and is a rich source for understanding a host of political and social issues in the Early Republic. It is funnyaeven to a modern audienceaand replete with literary references.a
--Charlene M. Boyer Lewis, author of "Ladies and Gentlemen on Display: Planter Society at the Virginia Springs, 1790-1860"

aI can think of no other text of the period that lays out the drive toward transparency more clearly or denigrates coquettes and libertines more entertainingly. The play is a pivotal piece of American cultural history.a
--Norma Basch, author of "Framing American Divorce: From the Revolutionary Generation to the Victorians"

"The Contrast," which premiered at New York City's John Street Theater in 1787, was the first American play performed in public by a professional theater company. The play, written by New England-born, Harvard-educated, Royall Tyler was timely, funny, andextremely popular. When the play appeared in print in 1790, George Washington himself appeared at the head of its list of hundreds of subscribers.

Reprinted here with annotated footnotes by historian Cynthia A. Kierner, Tyler's play explores the debate over manners, morals, and cultural authority in the decades following American Revolution. Did the American colonists' rejection of monarchy in 1776 mean they should abolish all European social traditions and hierarchies? What sorts of etiquette, amusements, and fashions were appropriate and beneficial? Most important, to be a nation, did Americans need to distinguish themselves from Europeans -- and, if so, how?

Tyler was not the only American pondering these questions, and Kierner situates the play in its broader historical and cultural contexts. An extensive introduction provides readers with a background on life and politics in the United States in 1787, when Americans were in the midst of nation-building. The book also features a section with selections from contemporary letters, essays, novels, conduct books, and public documents, which debate issues of the era.

Routledge Library Editions: Colonialism and Imperialism is a 51-volume collection of previously out-of-print titles that examine the history, practice and implications of Western colonialism around the globe. From the earliest contact by European explorers to the legacies that remain today, these books look at various aspects of the topic that, taken together, form an essential reference collection. Two of the titles study colonialism in Southeast Asia by non-Western states, and provide a counterpoint in the European-focused study of worldwide colonialism.

The French kingdom dissolved into civil wars, known as the "wars of religion," for a generation from 1562 to 1598. This book examines the reactions of France's governing groups to that experience. Their major political endeavour was securing peace. They attempted to achieve it through a religious pluralism not envisaged in any other state on this scale in this period. Its achievement would only be fulfilled, however, alongside a reform of the kingdom's institutions and society. Peace and reform went hand in hand --a moral agenda for restoration.
France's notables drew on reservoirs of classical and Christian moral philosophy and wisdom to find practical answers to the difficult problems of governance that confronted them. The resulting public introspection and vocal debates are difficult to match anywhere else in Europe at this time. They were an essential part of the profound sense of crisis that France's governing elites experienced during the later sixteenth century.
Drawing extensively on manuscript and printed sources not hitherto examined, this book analyses for the first time the debates at the Estates General of Blois (1576-7) and the Assembly of Notables at Saint-Germain-en-Laye of 1583-4. It shows the French polity in a fresh light, presenting major issues of political thought in their public and practical context. And it re-examines the crucial and little-understood reign of Henri III, the last Valois king, suggesting how Bourbon France could have emerged very differently from the civil wars of the late sixteenth century.

A full colour map showing London in about 1520 - its many churches, monasteries, legal inns, guild halls, and a large number of substantial private houses, in the context of the streets and alleyways that survived the Great Fire and can still be discovered. Dominating the city are the Tower of London in the east, the old St Paul's Cathedral in the west and London Bridge in the south. The city was largely contained within its medieval walls and ditches but shows signs of spilling out into the great metropolis it was destined to be. This is a second edition of a map first published in 2018, incorporating changes to the map as new information has become available. The map has been the Historic Towns Trust's number one best seller since publication and has been very well received. The new edition has a revised cover and illustrations.

Since the dawn of history people have used charms and spells to try to control their environment, and forms of divination to try to foresee the otherwise unpredictable chances of life. Many of these techniques were called "superstitious" by educated elites.
For centuries religious believers used "superstition" as a term of abuse to denounce another religion that they thought inferior, or to criticize their fellow-believers for practising their faith "wrongly." From the Middle Ages to the Enlightenment, scholars argued over what 'superstition' was, how to identify it, and how to persuade people to avoid it. Learned believers in demons and witchcraft, in their treatises and sermons, tried to make 'rational' sense of popular superstitions by blaming them on the deceptive tricks of seductive demons.
Every major movement in Christian thought, from rival schools of medieval theology through to the Renaissance, the Reformation, and the Enlightenment, added new twists to the debates over superstition. Protestants saw Catholics as superstitious, and vice versa. Enlightened philosophers mocked traditional cults as superstitions. Eventually, the learned lost their worry about popular belief, and turned instead to chronicling and preserving 'superstitious' customs as folklore and ethnic heritage.
Enchanted Europe offers the first comprehensive, integrated account of western Europe's long, complex dialogue with its own folklore and popular beliefs. Drawing on many little-known and rarely used texts, Euan Cameron constructs a compelling narrative of the rise, diversification, and decline of popular 'superstition' in the European mind.

At the center of Petrarch's vision, announcing a new way of seeing the world, was the individual, a sense of the self that would one day become the center of modernity as well. This self, however, seemed to be fragmented in Petrarch's work, divided among the worlds of philosophy, faith, and love of the classics, politics, art, and religion, of Italy, France, Greece, and Rome. In recent decades scholars have explored each of these worlds in depth. In this work, Giuseppe Mazzotta shows for the first time how all these fragmentary explorations relate to each other, how these separate worlds are part of a common vision.
Written in a clear and passionate style, "The Worlds of Petrarch" takes us into the politics of culture, the poetic imagination, into history and ethics, art and music, rhetoric and theology. With this encyclopedic strategy, Mazzotta is able to demonstrate that the self for Petrarch is not a unified whole but a unity of parts, and, at the same time, that culture emerges not from a consensus but from a conflict of ideas produced by opposition and dark passion. These conflicts, intrinsic to Petrarch's style of thought, lead Mazzotta to a powerful rethinking of the concepts of "fragments" and "unity" and, finally, to a new understanding of the relationship between them.
Essential to students of Medieval and Renaissance literature, this book will engage anyone interested in the development of modernity as it has evolved in culture and is understood today.

Modern religious identities are rooted in collective memories that are constantly made and remade across generations. How do these mutations of memory distort our picture of historical change and the ways that historical actors perceive it? Can one give voice to those whom history has forgotten? The essays collected here examine the formation of religious identities during the Reformation in Germany through case studies of remembering and forgetting-instances in which patterns and practices of religious plurality were excised from historical memory. By tracing their ramifications through the centuries, Archeologies of Confession carefully reconstructs the often surprising histories of plurality that have otherwise been lost or obscured.

"Explores colonial Spanish-Apache relations in the Southwest borderlands"

More than two centuries after the Coronado Expedition first set foot in the region, the northern frontier of New Spain in the late 1770s was still under attack by Apache raiders. Mark Santiago's gripping account of Spanish efforts to subdue the Apaches illuminates larger cultural and political issues in the colonial period of the Southwest and northern Mexico. To persuade the Apaches to abandon their homelands and accept Christian "civilization," Spanish officials employed both the mailed fist of continuous war and the velvet glove of the reservation system. "Hostiles" captured by the Spanish would be deported, while Apaches who agreed to live in peace near the Spanish presidios would receive support. Santiago's history of the deportation policy includes vivid descriptions of "colleras," the chain gangs of Apache prisoners of war bound together for the two-month journey by mule and on foot from the northern frontier to Mexico City. The book's arresting title, "The Jar of Severed Hands," comes from a 1792 report documenting a desperate break for freedom made by a group of Apache prisoners. After subduing the prisoners and killing twelve Apache men, the Spanish soldiers verified the attempted breakout by amputating the left hands of the dead and preserving them in a jar for display to their superiors.

Santiago's nuanced analysis of deportation policy credits both the Apaches' ability to exploit the Spanish government's dual approach and the growing awareness on the Spaniards' part that the peoples they referred to as Apaches were a disparate and complex assortment of tribes that could not easily be subjugated. "The Jar of Severed Hands" deepens our understanding of the dynamics of the relationship between Indian tribes and colonial powers in the Southwest borderlands.