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Books > History > World history > 1500 to 1750
The vanquished Taino Indians, the Spanish conquistadors, rebellious
slaves, common folk, foreign invaders, bloody dictators, gallant
heroes, charismatic politicians, and committed rebels - all have
left their distinct imprint on Dominican society and left behind
printed records. Nevertheless, the five-hundred-year history of the
people of the Dominican Republic has yet to be told through its
documents. Although there has been a considerable production of
documentary compilations in the Dominican Republic - particularly
during the Trujillo era - few of these are known outside the
country, and none has ever been translated into English. The
Dominican People: A Documentary History bridges this gap by
providing an annotated collection of documents related to the
history of the Dominican Republic and its people. The compilation
features annotated documents on some of the transcendental events
that have taken place on the island since pre-Columbian times: the
extermination of the Taino Indians, sugar and African slavery, the
establishment of French Saint Dominique, independence from Haiti
and from Spain, caudillo politics, U.S. interventionism, the
Trujillo dictatorship, and contemporary politics.
Norms beyond Empire seeks to rethink the relationship between law
and empire by emphasizing the role of local normative production.
While European imperialism is often viewed as being able to shape
colonial law and government to its image, this volume argues that
early modern empires could never monolithically control how these
processes unfolded. Examining the Iberian empires in Asia, it seeks
to look at norms as a means of escaping the often too narrow
concept of law and look beyond empire to highlight the ways in
which law-making and local normativities frequently acted beyond
colonial rule. The ten chapters explore normative production from
this perspective by focusing on case studies from China, India,
Japan, and the Philippines. Contributors are: Manuel Bastias
Saavedra, Marya Svetlana T. Camacho, Luisa Stella de Oliveira
Coutinho Silva, Romulo da Silva Ehalt, Patricia Souza de Faria,
Fupeng Li, Miguel Rodrigues Lourenco, Abisai Perez Zamarripa,
Marina Torres Trimallez, and Angela Barreto Xavier.
This collection of seventeen essays newly identifies contributions
to musical culture made by women before 1500 across Europe. You
will learn about repertoire from such diverse locations as Iceland,
Spain, and Italy, and encounter examples of musicianship from the
gender-fluid professional musicians at the Islamicate courts of
Syria to the nuns of Barking Abbey in England. The book shows that
women drove musical patronage, dissemination, composition, and
performance, including within secular and ecclesiastical contexts,
and also reflects on the reception of medieval women's musical
agency by both medieval poets and by modern recording artists.
Contributors are David Catalunya, Lisa Colton, Helen Dell, Annemari
Ferreira, Rachel Golden, Gillian L. Gower, Anna Kathryn Grau,
Carissa M. Harris, Louise McInnes, Lisa Nielson, Lauren
Purcell-Joiner, Megan Quinlan, Leah Stuttard, Claire Taylor Jones,
Melissa Tu, Angelica Vomera, and Anne Bagnall Yardley.
Renaissance Politics and Culture collects ten essays by eminent
scholars in Renaissance studies to celebrate the life and work of
Robert Black, who has made some of the most original and
significant contributions to the history of the Renaissance.
Reflecting his interdisciplinary interests and approaches, these
essays analyze education, humanism, political thought, printing,
and the visual arts during this key period in their development.
Contributors: James R. Banker, Jeremie Barthas, Davide Baldi
Bellini, Jane Black, Lorenz Boeninger, Jonathan Davies, James
Hankins, John Monfasani, John M. Najemy, and Brian Richardson.
Since antiquity, artists have visualized the known world through
the female (sometimes male) body. In the age of exploration,
America was added to figures of Europe, Asia, and Africa who would
come to inhabit the borders of geographical visual imagery. In the
abundance of personifications in print, painting, ceramics,
tapestry, and sculpture, do portrayals vary between hierarchy and
global human dignity? Are we witnessing the emergence of
ethnography or of racism? Yet, as this volume shows, depictions of
bodies as places betray the complexity of human claims and desires.
Bodies and Maps: Early Modern Personifications of the Continents
opens up questions about early modern politics, travel literature,
sexualities, gender, processes of making, and the mobility of forms
and motifs. Contributors are: Louise Arizzoli, Elisa Daniele,
Hilary Haakenson, Elizabeth Horodowich, Maryanne Cline Horowitz,
Ann Rosalind Jones, Paul H. D. Kaplan, Marion Romberg, Mark Rosen,
Benjamin Schmidt, Chet Van Duzer, Bronwen Wilson, and Michael
Wintle.
Mining the rich documentary sources housed in Tuscan archives and
taking advantage of the breadth and depth of scholarship produced
in recent years, the seventeen essays in this Companion to Cosimo I
de' Medici provide a fresh and systematic overview of the life and
career of the first Grand Duke of Tuscany, with special emphasis on
Cosimo I's education and intellectual interests, cultural policies,
political vision, institutional reforms, diplomatic relations,
religious beliefs, military entrepreneurship, and dynastic
concerns. Contributors: Maurizio Arfaioli, Alessio Assonitis,
Nicholas Scott Baker, Sheila Barker, Stefano Calonaci, Brendan
Dooley, Daniele Edigati, Sheila ffolliott, Catherine Fletcher,
Andrea Galdy, Fernando Loffredo, Piergabriele Mancuso, Jessica
Maratsos, Carmen Menchini, Oscar Schiavone, Marcello Simonetta, and
Henk Th. van Veen.
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