The Oxford Handbook of the Age of Shakespeare presents a broad sampling of current historical scholarship on the period of Shakespeare's career that will assist and stimulate scholars of his poems and plays. Rather than merely attempting to summarize the historical 'background' to Shakespeare, individual chapters seek to exemplify a wide variety of perspectives and methodologies currently used in historical research on the early modern period that can inform close analysis of literature. Different sections examine political history at both the national and local levels; relationships between intellectual culture and the early modern political imagination; relevant aspects of religious and social history; and facets of the histories of architecture, the visual arts and music. Topics treated include the emergence of an early modern 'public sphere' and its relationship to drama during Shakespeare's lifetime; the role of historical narratives in shaping the period's views on the workings of politics; attitudes about the role of emotion in social life; cultures of honour and shame and the rituals and literary forms through which they found expression; crime and murder; and visual expressions of ideas of moral disorder and natural monstrosity, in printed images as well as garden architecture.

Improvement was a new concept in seventeenth-century England; only then did it become usual for people to think that the most effective way to change things for the better was not a revolution or a return to the past, but the persistent application of human ingenuity to the challenge of increasing the country's wealth and general wellbeing. Improvements in agriculture and industry, commerce and social welfare, would bring infinite prosperity and happiness. The word improvement was itself a recent coinage. It was useful as a slogan summarising all these goals, and since it had no equivalent in other languages, it gave the English a distinctive culture of improvement that they took with them to Ireland and Scotland, and to their possessions overseas. It made them different from everyone else. The Invention of Improvement explains how this culture of improvement came about. Paul Slack explores the political and economic circumstances which allowed notions of improvement to take root, and the changes in habits of mind which improvement accelerated. It encouraged innovation, industriousness, and the acquisition of consumer goods which delivered comfort and pleasure. There was a new appreciation of material progress as a process that could be measured, and its impact was publicised by the circulation of information about it. It had made the country richer and many of its citizens more prosperous, if not always happier. Drawing on a rich variety of contemporary literature, The Invention of Improvement situates improvement at the centre of momentous changes in how people thought and behaved, how they conceived of their environment and their collective prospects, and how they cooperated in order to change them.

Cette etude s'inscrit dans un courant de pensee tres actuel: la recherche d'un nouvel equilibre entre hommes et femmes provoque toute une efflorescence d'ouvrages et d'articles sur la question feminine, renouvelant en quelque sorte la 'Querelle des femmes'. Les dix-septieme et dix-huitieme siecles ont ete, depuis l'essor de la preciosite jusqu'a la Revolution, un moment d'intense reflexion sur la feminite. Cette enquete permet de mieux saisir les enjeux du debat contemporain: elle ne constitue pas un travail litteraire tourne vers le passe, mais surtout un travail qui est conscience accrue du present. Susceptible d'interesser tous ceux qui travaillent sur l'ecriture feminine, l'ouvrage s'interroge sur le statut de la femme dans la litterature utopique francaise de 1675 a 1795. Car l'existence meme de la femme est problematique en terre utopique: alors qu'on aurait pu penser que l'equilibre du classicisme conjugue a l'elan des Lumieres eut permis a la litterature utopique d'inventer une place progressiste a la femme dans une societe donnee, le feminin demeure le 'sexe second' - mere ou amante - selon l'expression de Retif de La Bretonne, voire disparait en tant que personne, absorbe par le masculin des etres androgynes crees par Foigny ou Casanova. Seules les marges de l'utopie narrative classique avec Sade et sa societe de bohemiens, ou l'utopie 'experimentale' de Du Laurens, Imirce ou la Fille de la nature, parviennent a effacer la part d'ombre qui recouvre la feminite. Un statut plus lumineux lui est alors offert, qui tend a abolir le conflit, constant en utopie, entre liberte individuelle ou recherche personnelle du bonheur, et gestion rationnelle et collective d'une societe. De ce fait, la feminite s'elabore en critique du systeme utopique dont elle indique le degre d'instabilite: l'etude des mythes qui sous-tendent l'imaginaire utopique est particulierement revelatrice de ce processus. L'enquete s'appuie prioritairement sur les utopies narratives de Foigny, Fenelon, Prevost, Rousseau, Casanova et Sade, theatrales de Marivaux, programmatiques de Retif et 'experimentale' de Du Laurens. Mais ce corpus implique des comparaisons avec d'autres utopies, comme celles de Veiras, de Diderot, ce qui fait du present ouvrage la premiere etude d'ensemble sur la femme dans les utopies francaises des dix-septieme et dix-huitieme siecles.

This study of clothing during British colonial America examines items worn by the well-to-do as well as the working poor, the enslaved, and Native Americans, reconstructing their wardrobes across social, economic, racial, and geographic boundaries. Clothing through American History: The British Colonial Era presents, in six chapters, a description of all aspects of dress in British colonial America, including the social and historical background of British America, and covering men's, women's, and children's garments. The book shows how dress reflected and evolved with life in British colonial America as primitive settlements gave way to the growth of towns, cities, and manufacturing of the pre-Industrial Revolution. Readers will discover that just as in the present day, what people wore in colonial times represented an immediate, visual form of communication that often conveyed information about the real or intended social, economic, legal, ethnic, and religious status of the wearer. The authors have gleaned invaluable information from a wide breadth of primary source materials for all of the colonies: court documents and colonial legislation; diaries, personal journals, and business ledgers; wills and probate inventories; newspaper advertisements; paintings, prints, and drawings; and surviving authentic clothing worn in the colonies.

The Oxford University Studies in the Enlightenment series, previously known as SVEC (Studies on Voltaire and the Eighteenth Century), has published over 500 peer-reviewed scholarly volumes since 1955 as part of the Voltaire Foundation at the University of Oxford. International in focus, Oxford University Studies in the Enlightenment volumes cover wide-ranging aspects of the eighteenth century and the Enlightenment, from gender studies to political theory, and from economics to visual arts and music, and are published in English or French.

Published to mark the fiftieth anniversary of SVEC, this collection of essays examines the current state of eighteenth-century French studies; it revisits a familiar canon, investigates more recently discovered fields of enquiry, and explores new perspectives for research. Eighteenth-century studies today are characterised above all by their re-examination of categories and boundaries. We are witnessing a progressive broadening of the canon, not least in our rediscovery of women's writing, and a reinvestigation of apparently 'minor' works by apparently 'familiar' authors. There has been path-breaking research, too, in areas which reflect our broadening conception of eighteenth-century studies, from literature of travel to post-colonial writing, translation to the press, popular literature to clandestine manuscripts. Different perspectives on eighteenth-century writing have been opened up by new ways of reading which draw on research in cultural studies, history of the book or rhetorical analysis. New insights have emerged from studying the interaction of text and image, word and music, the points of contact between the worlds of science and the arts, of politics, philosophy and literature, exchanges across national and linguistic boundaries, or across the artificial divisions of 'one' century. Inclusive, interdisciplinary and international, this volume embodies the principles which inspired the creation of SVEC by Theodore Besterman in 1955; it investigates our changing images of writers and writing to the categories in which we may try to confine them, from 'Voltaire' to the 'eighteenth century'. The Eighteenth century now suggests our sense of identification with the period, the vibrancy of present research in both individual and collaborative projects, and the promise of immediacy and exchange in the electronic age. But it also evokes the boundaries which remain, financial, institutional, intellectual, and which present the challenge of the future. Its aim is as much to provoke thought as to provide answers, to stimulate as well as to celebrate.

This is a major study of Charles I's relationship with the English aristocracy. Rejecting the traditional emphasis on the 'Crisis of the Aristocracy', Professor Richard Cust highlights instead the effectiveness of the King and the Earl of Arundel's policies to promote and strengthen the nobility. He reveals how the peers reasserted themselves as the natural leaders of the political nation during the Great Council of Peers in 1640 and the Long Parliament. He also demonstrates how Charles deliberately set out to cultivate his aristocracy as the main bulwark of royal authority, enabling him to go to war against the Scots in 1639 and then build the royalist party which provided the means to fight parliament in 1642. The analysis is framed throughout within a broader study of aristocratic honour and the efforts of the heralds to stabilise the social order.