Caught in the grip of savage religious war, fear of sorcery and the devil, and a deepening crisis of epistemological uncertainty, the intellectual climate of late Renaissance France (c. 1550-1610) was one of the most haunted in European history. Although existing studies of this climate have been attentive to the extensive body of writing on witchcraft and demons, they have had little to say of its ghosts. Combining techniques of literary criticism, intellectual history, and the history of the book, this study examines a large and hitherto unexplored corpus of ghost stories in late Renaissance French writing. These are shown to have arisen in a range of contexts far broader than was previously thought: whether in Protestant polemic against the doctrine of purgatory, humanist discussions of friendship, the growing ethnographic consciousness of New World ghost beliefs, or courtroom wrangles over haunted property. Chesters describes how, over the course of this period, we also begin to see emerge characteristics recognisable from modern ghost tales: the setting of the 'haunted house', the eroticised ghost, or the embodied revenant. Taking in prominent literary figures including Rabelais, Ronsard, Montaigne, d'Aubigne, as well as forgotten demonological tracts and sensationalist pamphlets, Ghost Stories in Late Renaissance France sheds new light on the beliefs, fears, and desires of a period on the threshold of modernity. It will be of interest to any scholar or student working in the field of early modern European history, literature or thought.

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"This powerful and lively package of primary materials and historical context will demonstrate how historical 'forces' play themselves out on the ground. Kierner's collection offers a fresh lens on a new world struggling into being and will inspire teachers and students of all ages alike."
--Catherine Allgor, author of "A Perfect Union: Dolley Madison and the Creation of the American Nation"

aThe Contrast makes a real contribution to the existing scholarship on this period, it has great appeal for classroom use, and it puts back in print an amusing play that is instrumental in understanding critical issues in the new nation. The play aThe Contrasta centers on gender roles, relations, and expectations, mocking the gender stereotypes of the day and is a rich source for understanding a host of political and social issues in the Early Republic. It is funnyaeven to a modern audienceaand replete with literary references.a
--Charlene M. Boyer Lewis, author of "Ladies and Gentlemen on Display: Planter Society at the Virginia Springs, 1790-1860"

aI can think of no other text of the period that lays out the drive toward transparency more clearly or denigrates coquettes and libertines more entertainingly. The play is a pivotal piece of American cultural history.a
--Norma Basch, author of "Framing American Divorce: From the Revolutionary Generation to the Victorians"

"The Contrast," which premiered at New York City's John Street Theater in 1787, was the first American play performed in public by a professional theater company. The play, written by New England-born, Harvard-educated, Royall Tyler was timely, funny, andextremely popular. When the play appeared in print in 1790, George Washington himself appeared at the head of its list of hundreds of subscribers.

Reprinted here with annotated footnotes by historian Cynthia A. Kierner, Tyler's play explores the debate over manners, morals, and cultural authority in the decades following American Revolution. Did the American colonists' rejection of monarchy in 1776 mean they should abolish all European social traditions and hierarchies? What sorts of etiquette, amusements, and fashions were appropriate and beneficial? Most important, to be a nation, did Americans need to distinguish themselves from Europeans -- and, if so, how?

Tyler was not the only American pondering these questions, and Kierner situates the play in its broader historical and cultural contexts. An extensive introduction provides readers with a background on life and politics in the United States in 1787, when Americans were in the midst of nation-building. The book also features a section with selections from contemporary letters, essays, novels, conduct books, and public documents, which debate issues of the era.

The French kingdom dissolved into civil wars, known as the "wars of religion," for a generation from 1562 to 1598. This book examines the reactions of France's governing groups to that experience. Their major political endeavour was securing peace. They attempted to achieve it through a religious pluralism not envisaged in any other state on this scale in this period. Its achievement would only be fulfilled, however, alongside a reform of the kingdom's institutions and society. Peace and reform went hand in hand --a moral agenda for restoration.
France's notables drew on reservoirs of classical and Christian moral philosophy and wisdom to find practical answers to the difficult problems of governance that confronted them. The resulting public introspection and vocal debates are difficult to match anywhere else in Europe at this time. They were an essential part of the profound sense of crisis that France's governing elites experienced during the later sixteenth century.
Drawing extensively on manuscript and printed sources not hitherto examined, this book analyses for the first time the debates at the Estates General of Blois (1576-7) and the Assembly of Notables at Saint-Germain-en-Laye of 1583-4. It shows the French polity in a fresh light, presenting major issues of political thought in their public and practical context. And it re-examines the crucial and little-understood reign of Henri III, the last Valois king, suggesting how Bourbon France could have emerged very differently from the civil wars of the late sixteenth century.

In World Trade Systems of the East and West, Geoffrey C. Gunn profiles Nagasaki's historic role in mediating the Japanese bullion trade, especially silver exchanged against Chinese and Vietnamese silk. Founded in 1571 as the terminal port of the Portuguese Macau ships, Nagasaki served as Japan's window to the world over long time and with the East-West trade carried on by the Dutch and, with even more vigor, by the Chinese junk trade. While the final expulsion of the Portuguese in 1646 characteristically defines the "closed" period of early modern Japanese history, the real trade seclusion policy, this work argues, only came into place one century later when the Shogunate firmly grasped the true impact of the bullion trade upon the national economy.

The Reformation was about ideas and power, but it was also about real human lives. Alec Ryrie provides the first comprehensive account of what it actually meant to live a Protestant life in England and Scotland between c. 1530-1640, drawing on a rich mixture of contemporary devotional works, sermons, diaries, biographies, and autobiographies to uncover the lived experience of early modern Protestantism. Beginning from the surprisingly urgent, multifaceted emotions of Protestantism, Ryrie explores practices of prayer, of family and public worship, and of reading and writing, tracking them through the life course from childhood through conversion and vocation to the deathbed. He examines what Protestant piety drew from its Catholic predecessors and contemporaries, and grounds that piety in material realities such as posture, food and tears. This perspective shows us what it meant to be Protestant in the British Reformations: a meeting of intensity (a religion which sought authentic feeling above all, and which dreaded hypocrisy and hard-heartedness) with dynamism (a progressive religion, relentlessly pursuing sanctification and dreading idleness). That combination, for good or ill, gave the Protestant experience its particular quality of restless, creative zeal. The Protestant devotional experience also shows us that this was a broad-based religion: for all the differences across time, between two countries, between men and women, and between puritans and conformists, this was recognisably a unified culture, in which common experiences and practices cut across supposed divides. Alec Ryrie shows us Protestantism, not as the preachers on all sides imagined it, but as it was really lived.

Since the dawn of history people have used charms and spells to try to control their environment, and forms of divination to try to foresee the otherwise unpredictable chances of life. Many of these techniques were called "superstitious" by educated elites.
For centuries religious believers used "superstition" as a term of abuse to denounce another religion that they thought inferior, or to criticize their fellow-believers for practising their faith "wrongly." From the Middle Ages to the Enlightenment, scholars argued over what 'superstition' was, how to identify it, and how to persuade people to avoid it. Learned believers in demons and witchcraft, in their treatises and sermons, tried to make 'rational' sense of popular superstitions by blaming them on the deceptive tricks of seductive demons.
Every major movement in Christian thought, from rival schools of medieval theology through to the Renaissance, the Reformation, and the Enlightenment, added new twists to the debates over superstition. Protestants saw Catholics as superstitious, and vice versa. Enlightened philosophers mocked traditional cults as superstitions. Eventually, the learned lost their worry about popular belief, and turned instead to chronicling and preserving 'superstitious' customs as folklore and ethnic heritage.
Enchanted Europe offers the first comprehensive, integrated account of western Europe's long, complex dialogue with its own folklore and popular beliefs. Drawing on many little-known and rarely used texts, Euan Cameron constructs a compelling narrative of the rise, diversification, and decline of popular 'superstition' in the European mind.

Despite the fact that, if only by number, small and peripheral cities played an important role in fifteenth and sixteenth-century European print culture, book history has mainly been dominated by monographs on individual big book centres. Through a number of specific case studies, which deploy a variety of methods and a wide range of sources, this volume seeks to enhance our understanding of printing and the book trade in small and peripheral European cities in the fifteenth and sixteenth centuries, and to emphasize the necessity of new research for the study of print culture in such cities.

"Explores colonial Spanish-Apache relations in the Southwest borderlands"

More than two centuries after the Coronado Expedition first set foot in the region, the northern frontier of New Spain in the late 1770s was still under attack by Apache raiders. Mark Santiago's gripping account of Spanish efforts to subdue the Apaches illuminates larger cultural and political issues in the colonial period of the Southwest and northern Mexico. To persuade the Apaches to abandon their homelands and accept Christian "civilization," Spanish officials employed both the mailed fist of continuous war and the velvet glove of the reservation system. "Hostiles" captured by the Spanish would be deported, while Apaches who agreed to live in peace near the Spanish presidios would receive support. Santiago's history of the deportation policy includes vivid descriptions of "colleras," the chain gangs of Apache prisoners of war bound together for the two-month journey by mule and on foot from the northern frontier to Mexico City. The book's arresting title, "The Jar of Severed Hands," comes from a 1792 report documenting a desperate break for freedom made by a group of Apache prisoners. After subduing the prisoners and killing twelve Apache men, the Spanish soldiers verified the attempted breakout by amputating the left hands of the dead and preserving them in a jar for display to their superiors.

Santiago's nuanced analysis of deportation policy credits both the Apaches' ability to exploit the Spanish government's dual approach and the growing awareness on the Spaniards' part that the peoples they referred to as Apaches were a disparate and complex assortment of tribes that could not easily be subjugated. "The Jar of Severed Hands" deepens our understanding of the dynamics of the relationship between Indian tribes and colonial powers in the Southwest borderlands.

Before the Enlightenment, and before the imperialism of the later eighteenth century, how did European readers find out about the varied cultures of Asia? Orientalism in Louis XIV's France presents a history of Oriental studies in seventeenth-century France, revealing the prominence within the intellectual culture of the period that was given to studies of Arabic, Persian, Turkish, and Chinese texts, as well as writings on Mughal India. The Orientalist writers studied here produced books that would become sources used throughout the eighteenth century. Nicholas Dew places these scholars in their own context as members of the "republic of letters" in the age of the scientific revolution and the early Enlightenment.

In Encounters of the Opposite Coast Markus Vink provides a narrative of the first half century of cross-cultural interaction between the Dutch East India Company (VOC), one of the great northern European chartered companies, and Madurai, one of the 'great southern Nayakas' and successor-states of the Vijayanagara empire, in southeast India (c. 1645-1690). A shared interest in trade and at times converging political objectives formed the unstable foundations for a complex relationship fraught with tensions, a mixture of conflict and coexistence typical of the 'age of contained conflict'. Drawing extensively on archival materials, Markus Vink covers a topic neglected by both Company historians and their Indian counterparts and sheds important light on a 'black hole in South Indian history'.

Paul Cavill offers a major reinterpretation of early Tudor constitutional history. In the grand "Whig" tradition, the parliaments of Henry VII were a disappointing retreat from the onward march towards parliamentary democracy. The king was at best indifferent and at worst hostile to parliament; its meetings were cowed and quiescent, subservient to the royal will. Yet little research has tested these assumptions.
Drawing on extensive archival research, Cavill challenges existing accounts and revises our understanding of the period. Neither to the king nor to his subjects did parliament appear to be a waning institution, fading before the waxing power of the crown. For a ruler in Henry's vulnerable position, parliament helped to restore royal authority by securing the good governance that legitimated his regime. For his subjects, parliament served as a medium through which to communicate with the government and to shape--and, on occasion, criticize--its policies. Because of the demands parliament made, its impact was felt throughout the kingdom, among ordinary people as well as among the elite. Cooperation between subjects and the crown, rather than conflict, characterized these parliaments.
While for many scholars parliament did not truly come of age until the 1530s, when-freed from its medieval shackles-the modern institution came to embody the sovereign nation state, in this study Henry's reign emerges as a constitutionally innovative period. Ideas of parliamentary sovereignty were already beginning to be articulated. It was here that the foundations of the "Tudor revolution in government" were being laid.

The Allure of the Ancient investigates how the ancient Middle East was imagined and appropriated for artistic, scholarly, and political purposes in the seventeenth and eighteenth centuries. Bringing together scholars of the ancient and early modern worlds, the volume approaches reception history from an interdisciplinary perspective, asking how early modern artists and scholars interpreted ancient Middle Eastern civilizations-such as Egypt, Babylonia, and Persia-and how their interpretations were shaped by early modern contexts and concerns. The volume's chapters cross disciplinary boundaries in their explorations of art, philosophy, science, and literature, as well as geographical boundaries, spanning from Europe to the Caribbean to Latin America. Contributors are: Elisa Boeri, Mark Darlow, Nirit Ben-Aryeh Debby, Florian Ebeling, Margaret Geoga, Diane Greco Josefowicz, Andrea L. Middleton, Julia Prest, Felipe Rojas Silva, Maryam Sanjabi, Michael Seymour, John Steele, and Daniel Stolzenberg.

Baker and Milsom's Sources of English Legal History is the definitive source book on the development of English private law. This new edition has been comprehensively revised and udpated to incorporate new sources discovered since the original publication in 1986, and to reflect developments in recent scholarship.
All the sources included are translated into modern English, offering an accessible inroad to the leading primary materials for students of the history of the common law.
The sources themselves - revealing the operation of courts across a wide range of personal and economic disputes - offer a rich resource for historians researching the development of the English government, society, and economy. Their significance in shaping the common law spans beyond England, and ensures the collection is an essential reference point for all those interested in the history of the common law in any jurisdiction.

Peter Anstey presents a thorough and innovative study of John Locke's views on the method and content of natural philosophy. Focusing on Locke's Essay concerning Human Understanding, but also drawing extensively from his other writings and manuscript remains, Anstey argues that Locke was an advocate of the Experimental Philosophy: the new approach to natural philosophy championed by Robert Boyle and the early Royal Society who were opposed to speculative philosophy.
On the question of method, Anstey shows how Locke's pessimism about the prospects for a demonstrative science of nature led him, in the Essay, to promote Francis Bacon's method of natural history, and to downplay the value of hypotheses and analogical reasoning in science. But, according to Anstey, Locke never abandoned the ideal of a demonstrative natural philosophy, for he believed that if we could discover the primary qualities of the tiny corpuscles that constitute material bodies, we could then establish a kind of corpuscular metric that would allow us a genuine science of nature. It was only after the publication of the Essay, however, that Locke came to realize that Newton's Principia provided a model for the role of demonstrative reasoning in science based on principles established upon observation, and this led him to make significant revisions to his views in the 1690s.
On the content of Locke's natural philosophy, it is argued that even though Locke adhered to the Experimental Philosophy, he was not averse to speculation about the corpuscular nature of matter. Anstey takes us into new terrain and new interpretations of Locke's thought in his explorations of his mercurialist transmutational chymistry, his theory of generation by seminal principles, and his conventionalism about species.

Healers in the Making investigates medical instruction at the University of Bologna using the lens of practical medicine, focusing on both anatomical and surgical instruction and showing that teaching medicine between the late thirteenth and mid-sixteenth centuries was a consciously constructed and vigorous project that required ongoing local political and cultural negotiations beyond books and curriculum. Using municipal, institutional, and medical texts, Kira Robison examines the outward structures of academic and civic power involved in the formation of medical authority and illuminates the innovations in practical medical pedagogy that occurred during this era. In this way, Robison re-examines academic medicine, the professors, and students, returning them to the context of the medical marketplace within a dynamic and flourishing urban landscape. See inside the book.

Color has recently become the focus of scholarly discussion in many fields, but the categories of art, craft, science and technology, unreflectively defined according to modern disciplines, have not been helpful in understanding color in the early modern period. 'Color worlds', consisting of practices, concepts and objects, form the central category of analysis in this volume. The essays examine a rich variety of 'color worlds', and their constituent engagements with materials, productions and the ordering and conceptualization of color. Many color worlds appear to have intersected and cross-fertilized at the beginning of the seventeenth century; the essays focus especially on the creation of color languages and boundary objects to communicate across color worlds, or indeed when and why this failed to happen. Contributors include: Tawrin Baker, Barbara H. Berrie, Fokko Jan Dijksterhuis, Karin Leonhard, Andrew Morrall, Doris Oltrogge, Valentina Pugliano, Anna Marie Roos, Romana Sammern (Filzmoser) and Simon Werrett.