In sixteenth-century England Robert Devereux, 2nd earl of Essex, enjoyed great domestic and international renown as a favourite of Elizabeth I. He was a soldier and a statesman of exceptionally powerful ambition. After his disastrous uprising in 1601 Essex fell from the heights of fame and favour, and ended his life as a traitor on the scaffold. This interdisciplinary account of the political culture of late Elizabethan England explores the ideological contexts of Essex's extraordinary career and fall from grace, and the intricate relationship between thought and action in Elizabethan England. By the late sixteenth century, fundamental political models and vocabularies that were employed to legitimise the Elizabethan polity were undermined by the strains of war, the ambivalence that many felt towards the church, continued uncertainty over the succession, and the perceived weaknesses of the rule of the aging Elizabeth. Essex's career and revolt threw all of these strains into relief. Alexandra Gajda examines the attitude of the earl and his followers to war, religion, the structures of the Elizabethan polity, and Essex's role within it. She also explores the classical and historical scholarship prized by Essex and his associates that gave shape and meaning to the earl's increasingly fractured relationship with the Queen and regime. She addresses contemporary responses to the earl, both positive and negative, and the earl's wider impact on political culture. Political and religious ideas in late sixteenth-century England had an important impact on political events in early modern England, and played a vital role in shaping the rise and fall of Essex's career.

A fascinating account of the history of the Great Lakes and the Long Ships that sailed them. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Hesperides Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork. Seas of Sweet Water-Mirage and the Mapmakers-The Five Sisters -Panorama from a Graveyard-The Big Sea Water - The Vanished Fleets - In a Handy Three-Master- Golden Cargo-Sawdust on the Wind-I Hear America Singing-Smoke Clouds Blowing-Wagon Wheels in the Rigging-Kingdom in the Lake Michigan - A Star to Steer by-The Fleet that Sailed on Land-Death in a Copper Country-Log off the Independence-The Iron Mountains-Coming of the Scootie-Nabbie-Quon - The Long Ships Passing-Deep Voices at the Soo-Boom Years on the Ranges-Fresh Water Ships-A Fleet was Frozen in-Fathoms Deep but not Forgotten-The Big Storm-Freshwater Men-From Duluth to Deep Water-Acknowledgments-Bibliography

Originally published in 1927, this is a detailed biography of the famous sea-faring man. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Hesperides Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork. Contents Include The Age of Adventure Smith goes Abroad Travels Across Europe In Single Combat The Wandering Warrior Slave of Slaves The Colonial Idea The Voyage Out The Founding of Jamestown Relations With The Indians Organization and Administration Exploring Virginia Problems of Pioneering The Corn Supply Dangers and Adversities The End of Endeavour At Sea again Smith comes Ashore Appendix Bibliography Index

The study of time, astronomy, and calendars, has been closely intertwined in the history of Western culture and, more particularly, Jewish tradition. Jewish interest in astronomy was fostered by the Jewish calendar, which was based on the courses of the sun and the moon, whilst astronomy, in turn, led to a better understanding of how time should be reckoned. Time, Astronomy, and Calendars in the Jewish Tradition, edited by Sacha Stern and Charles Burnett, presents a wide selection of original research in this multi-disciplinary field, ranging from Antiquity to the later Middle Ages. Its variety of approaches and sub-themes reflects the relevance of astronomy and calendars to many aspects of Jewish, and more generally ancient and medieval, culture and social history. Contributors include: Jonathan Ben-Dov, Reimund Leicht, Marina Rustow, Francois de Blois, Raymond Mercier, Philipp Nothaft, Josefina Rodriguez Arribas, Ilana Wartenberg, Israel Sandman, Justine Isserles, Anne C. Kineret Sittig, Katharina Keim, and Sacha Stern

From the early Middle Ages to the twentieth century, capital punishment in France, as in many other countries, was staged before large crowds of spectators. Paul Friedland traces the theory and practice of public executions over time, both from the perspective of those who staged these punishments as well as from the vantage point of the many thousands who came to "see justice done". While penal theorists often stressed that the fundamental purpose of public punishment was to strike fear in the hearts of spectators, the eagerness with which crowds flocked to executions and the extent to which spectators actually enjoyed the spectacle of suffering suggests that there was a wide gulf between theoretical intentions and actual experiences. Moreover, public executions of animals, effigies, and corpses point to an enduring ritual function that had little to do with exemplary deterrence. In the eighteenth century, when a revolution in sensibilities made it unseemly for individuals to take pleasure in or even witness the suffering of others, capital punishment became the target of reformers. From the invention of the guillotine, which reduced the moment of death to the blink of an eye, to the 1939 decree which moved executions behind prison walls, capital punishment in France was systematically stripped of its spectacular elements. Partly a history of penal theory, partly an anthropologically-inspired study of the penal ritual, Seeing Justice Done traces the historical roots of modern capital punishment, and sheds light on the fundamental "disconnect" between the theory and practice of punishment which endures to this day, not only in France but in the Western penal tradition more generally.

This book reveals the fundamental role rape played in promoting Dutch solidarity from 1609-1725. Through the identification of particular enemies, it directed attention away from competing regional, religious, and political loyalties. Patriotic Protestant authors highlighted atrocities committed by the Spanish and lower-class criminals. They conversely cast Dutch men as protectors of their wives and daughters - an appealing characterization that allowed the Dutch to take pride in a sense of moral superiority and justify the Dutch Revolt. After the conclusion of peace with Spain in 1648, marginalized authors, including Catholic priests and literary women, employed depictions of rape to subtly advance their own agendas without undermining political stability. Rape was thus essential in the development and preservation of a common identity that paved the way for the Dutch defeat of the mighty Spanish empire and their rise to economic pre-eminence in Europe.

William Stephens was Secretary of the Province of Georgia from 1737 to 1750 and was President from 1741 for ten years. He was sent to America by the Trustees of Georgia, who resided in London, to keep them informed on conditions in the colony. Besides writing numerous letters to the Trustees, Stephens kept a journal which he sent to them periodically. The journal down to 1741 was printed by the Trustees. Here in this volume (and the volume for 1741-1743) the continuation of the journal is published for the first time. Through his journal Stephens undertook to inform the Trustees of everything which happened in Georgia, from the most trivial to the most important. This close-up view of Georgia, the details of the everyday life of the people, and the record of significant development in the colony all make his journal a valuable document in American colonial history.

'Englishmen Transplanted' challenges the widely accepted view of seventeenth-century Barbados planters as reckless fortune seekers who failed to create a viable society in the tropics. Rather, it argues they were settlers eager to transplant what was familiar to them: political and religious institutions, the nuclear family, and traditional views about social order, housing, and apparel.

Four generations of the aristocratic Barberini family and its "vassals" clashed over how the early modern Roman countryside should be governed. Villagers sometimes cultivated noble interference, but they frequently resisted it through the strategies of adversarial literacy, political ways of reading and writing that challenged noble hegemony in the village.

A great victory and humiliating defeat
The War of 1812, fought between the emergent United States of America and its former master Britain was a scrappy indecisive affair in which both sides could legitimately claim significant victories. It was overshadowed-so far as the British were concerned-by the struggle to defeat Napoleon's First Empire principally in Europe but in a conflict which had global implications including the real threat of invasion. At the first restoration of the Bourbon monarchy several British regiments-previously part of Wellington's Peninsular Army-were sent to America to continue the fight. The war included an abortive attempt to invade Canada and the burning of Washington, but the American forces under Jackson were by 1815 strongly established in a defensive position before New Orleans. There, as a result of fine leadership and resolution on the part of the Americans and poor generalship but no lack of courage on behalf of the British, Andrew Jackson and his amateur soldiers inflicted a bloody defeat on the assaulting 'professional' redcoats which set-since it was essentially the final major engagement-the tone of the entire war.

Reformation Fictions rehabilitates some twenty polemical dialogues published in Elizabethan England, for the first time giving them a literary, historicist and, to a lesser extent, theological reading. By juxtaposing these Elizabethan publications with key Lutheran and Calvinist dialogues, theological tracts, catechisms, sermons, and dramatic interludes, Antoinina Bevan Zlatar explores how individual dialogists exploit the fictionality of their chosen genre.
Writers like John Veron, Anthony Gilby, George Gifford, John Nicholls, Job Throckmorton, and Arthur Dent, to name the most prolific, not only understood the dialogue's didactic advantages over other genres, they also valued it as a strategic defence against the censor. They were convinced, as Erasmus had been before them, that a cast of lively characters presented antithetically, often with a liberal dose of Lucianic humour, worked wonders with carnal readers. Here was an exemplary way to make doctrine entertaining and memorable, here was the honey to make the medicine go down. They knew too that these dialogues, particularly their use of manifestly imaginary interlocutors and a plot of conversion, licensed the delivery of singularly radical messages.
What comes to light is a body of literature, often scurrilous, always serious, that gives us access to early modern concepts of fiction, rhetoric, and satire. It showcases the imagery of Protestant polemic against Catholicism, and puritan invective against the established Elizabethan Church, all the while triggering the frisson that comes from the illusion of eavesdropping on early modern conversations.

The late seventeenth century Netherlands have traditionally been viewed as the intellectual entrepot of Europe in general, and for Scotland in particular. Scottish students flocked in large numbers to the Dutch universities, bringing back ideas and books which influenced Scottish learning well into the eighteenth century. This book is the first full-length study of Scots in the United Provinces between 1650 and 1750. It analyses their numbers at the Dutch universities, the education they received and the impact this had on Scottish learning, on the eve of the Enlightenment, showing that the Scottish-Dutch relationship provided the infrastructure, which allowed Scotland to take part in a wider Republic of Letters and that its culture was increasingly characterised by it.

This book examines the political and social impact of English overseas merchants during the upheavals of the late seventeenth and early eighteenth centuries. It explores the merchant societies of London, York, and Liverpool, and illuminates the growing prominence of the overseas trader in the press and in Parliament.

The execution of Charles I in 1649, followed by the proclamation of a Commonwealth, was an extraordinary political event. It followed a bitter Civil War between parliament and the king, and their total failure to negotiate a subsequent peace settlement.

Why the king was defeated and executed has been a central question in English history, being traced back to the Reformation and forward to the triumph of parliament in the eighteenth century. The old answers, whether those of the Victorian narrative historian S.R. Gardiner or of Lawrence Stone's diagnosis of a fatal long-term rift in English society, however, no longer satisfy, while the newer ones of local historians and 'revisionists' often leave readers unclear as to why the Civil War happened at all.

In "Why Was Charles I Executed?" Clive Holmes supplies clear answers to eight key questions about the period, ranging from why the king had to summon the Long Parliament to whether there was in fact an English Revolution.

In this work, the third volume of essays dealing with many understudied aspects of the Hundred Years War, American, British, and European scholars deal with the varied sources that reveal the lives of soldiers in the conflict as well as the development of strategy and generalship in the many theaters of the war. The authors also focus on real heroes and villains of the conflict as well as the war's impact on regions as scattered as Wales, the Low Countries, Italy, Scotland and Spain. Contributors are Adrian Bell, Anne Curry, Adam Chapman, Andy King, David Simpkin, Christopher Candy, Donald Kagay, William Caferro, David Hoornstra, Elena Odio, Daniel Franke, David Green, Philip Morgan, Sean McGlynn, Wendy Turner, Andrew Villalon, Aleksandra Pfau, Kelly DeVries, and Sergio Boffa. Winner of the 2014 Verbruggen Prize of De Re Militari (the Society for the Study of Medieval Military History) given annually for the best book on medieval military history.

Camillo Agrippa's widely influential "Treatise on the Science of Arms" was a turning point in the history of fencing. The author - an engineer by trade and not a professional master of arms - was able to radically re-imagine teaching the art of fencing. Agrippa's treatise is the fundamental text of Western swordsmanship. Just as earlier swordsmanship can be better understood from Agrippa's critiques, so too was his book the starting point for the rapier era. Every other treatise of the early-modern period had to deal explicitly or implicitly with Agrippa's startling transformation of the art and science of self-defense with the sword. Likewise, all of the fundamental ideas that are still used today - distance, time, line, blade opposition, counterattacks and countertime - are expressed in this paradigm-shifting treatise. This is a work that should be on the bookshelf of anyone interested in the history, practice or teaching of fencing. His treatise was also a microcosm of sixteenth-century thought. It examines the art, reduces it to its very principles, and reconstructs it according to a way of thinking that incorporated new concepts of art, science and philosophy. Contained within this handy volume are concrete examples of a new questioning of received wisdom and a turn toward empirical proofs, hallmarks of the Enlightenment. The treatise also presents evidence for a redefinition of elite masculinity in the wake of the military revolution of the sixteenth century. At the same time, is offers suggestive clues to the place of the hermetic tradition in the early-modern intellectual life and its implications for the origins of modern science. Camillo Agrippa's "Treatise on the Science of Arms" was first published in Rome in 1553 by the papal printer Antonio Blado. The original treatise was illustrated with 67 engravings that belong to the peak of Renaissance design. They are reproduced here in full. "Mondschein has at last made available to English-speaking readers one of the most important texts in the history of European martial arts. Agrippa marks a turning point in the intellectual history of these arts.... Mondschein's introduction to his work helps the reader understand Agrippa - and the martial practices themselves - as pivotal agents in the evolving cultural and intellectual systems of the sixteenth century. Above all, Mondschein's translation is refreshingly clean and idiomatic, rendering the systematic clarity of the Italian original into equally clear modern English - evidence of the author's familiarity with modern fencing and understanding of the physical realities that his author is trying to express. Mondschein's contextualization of his topic points the way for future scholarly exploration, and his translation will doubtless be valued by both students of cultural history and practitioners of modern sword arts." - Dr. Jeffrey L. Forgeng, Paul S. Morgan Curator -Higgins Armory Museum, Adj. Assoc. Prof. of Humanities, Worcester Polytechnic Institute First English translation. Hardcover, 234 pages, 67 illustrations, introduction, bibliography, glossary, appendix, index."

From 1649-1660 England was ruled by a standing army for the only time in its history. In The Army in Cromwellian England Henry Reece describes, for the first time, the nature of that experience, both for members of the army and for civilian society.
Split into three parts, the first section looks at the size of the army, its material needs, promotion structure, and political engagement to provide a sense of the day-to-day reality of being part of a standing army. The second part considers the impact of the military presence on society by establishing where soldiers were quartered, how they were paid, the material burden that they represented, the divisive effects of the army's patronage of religious radicals, and the extensive involvement of army officers in the government of the localities. The final section re-evaluates the army's role in the political events from Cromwell's death to the restoration of the Stuart monarchy, and explains why the army crumbled so pitifully in the last months of the Commonwealth.

Music and the Commedia dell'Arte narrates the story of the most famous commedia dell'arte troupe of the late Renaissance, focusing in particular on the representation of women on stage and on the role of music-making in their craft. It provides a rich context for the study of musical-theatrical performance before the advent of opera and re-defines our perceptions of women, music and theatre in the Renaissance.

William Stephens was Secretary of the Province of Georgia from 1737 to 1750 and was President from 1741 for ten years. He was sent to America by the Trustees of Georgia, who resided in London, to keep them informed on conditions in the colony. Besides writing numerous letters to the Trustees, Stephens kept a journal which he sent to them periodically. The journal down to 1741 was printed by the Trustees. Here in this volume (and the volume for 1743-1745) the continuation of the journal is published for the first time. Through his journal Stephens undertook to inform the Trustees of everything which happened in Georgia, from the most trivial to the most important. This close-up view of Georgia, the details of the everyday life of the people, and the record of significant development in the colony all make his journal a valuable document in American colonial history.

This volume presents one of the most important historical sources for medieval Islamic scholarship: The Compendium of Chronicles, written by the vizier to the Mongol Ilkhans of Iran, Rashiduddin Fazlullah. It includes a valuable survey of the Turkic and Mongolian peoples, a history of Genghis Khan's ancestors, and a detailed account of his conquests. Distinguished linguist and orientalist, Wheeler M. Thackston, provides a lucid, annotated translation that makes this key material accessible to a wide range of scholars.

This pioneering study is the first to examine all the English settlements attempted in Ireland during the years 1580-1650. The author looks at the arguments in favour of a "plantation" policy and Irish responses to it in practice. He places what happened in Ireland in the context of events in England, Scotland, Continental Europe, and England's Atlantic colonies.

This volume explores the transition from the old regime to modern forms of sovereignty in the Middle East. By rereading Tocqueville's classic, "The Old Regime and the French Revolution," through an Ottoman prism this study probes the unresolved paradoxes in his analysis of institutional change while documenting an old regime that has remained in the shadows of modern history. Each section of the book explores a specific dimension of Ottoman sovereignty - space, hierarchy, and vernacular governance - through a detailed examination of a particular 18th century document. An Ottoman perspective on the eighteenth century not only furnishes critical pieces of the old-regime puzzle. It also illustrates how an uncritical reception of Tocqueville's model of modernization has obscured the ongoing interaction between the "Eurasian" and Westphalian state systems and parallel processes of sociopolitical change.