In ten chapters, partly case-studies, this monograph analyzes the (new) ways in which cultural manifestations were used to create the necessary preconditions for (religious) policy and power in the Rome of Urban VIII (1623-1644). It was the intensified interaction between culture and power-politics that created what we now call 'the Baroque'. Based on a rich variety of, hitherto largely unexplored, primary sources, the book addresses the basic issues of papal power in the post-Tridentine period. It does not study actual papal politics, but rather the cultural forms that were essential to the representation and legitimatization of the papacy's power, both secular and religious and that (co-)determined the effectiviness of papal policy. Precisely during Urban's long pontificate, the manifold, always imaginative and often unexpected uses of power representation became, in the end, not so much a series of cultural forms as, in a sense, the structure of early modern (Roman) society.

Nation and Nurture in Seventeenth-Century English Literature connects changing seventeenth-century English views of maternal nurture to the rise of the modern nation, especially between 1603 and 1675. Maternal nurture gains new prominence in the early modern cultural imagination at the precise moment when England undergoes a major paradigm shift - from the traditional, dynastic body politic, organized by organic bonds, to the post-dynastic, modern nation, comprised of symbolic and affective relations. The book also demonstrates that shifting early modern perspectives on Judeo-Christian relations deeply inform the period's interlocking reassessments of maternal nurture and the nation, especially in the case of Milton. The book's five chapters analyze a wide range of reformed and traditional texts, including A pitiless Mother, William Gouge's Of Domesticall Duties, Shakespeare's Macbeth, Charles I's Eikon Basilike, and Milton's Paradise Lost, and Samson Agonistes. Equal attention is paid to such early modern visual images as The power of women (a late sixteenth-century Dutch engraving), William Marshall's engraved frontispiece to Richard Braithwaite's The English Gentleman and Gentlewoman (1641), and Peter Paul Rubens's painting of Pero and Cimon or Roman Charity (1630). The book argues that competing early modern figurations of the nurturing mother mediate in politically implicated ways between customary biblical models of English kingship and innovative Hebraic/Puritan paradigms of Englishness.

The fifteenth century was a critical juncture for the College of Cardinals. They were accused of prolonging the exile in Avignon and causing the schism. At the councils at the beginning of the period their very existence was questioned. They rebuilt their relationship with the popes by playing a fundamental part in reclaiming Rome when the papacy returned to its city in 1420. Because their careers were usually much longer than that of an individual pope, the cardinals combined to form a much more effective force for restoring Rome. In this book, shifting focus from the popes to the cardinals sheds new light on a relatively unknown period for Renaissance art history and the history of Rome. Dr. Carol M. Richardson has been awarded the Philip Leverhulme Prize (2008) in the field of History of Arts.

Naples was one of the largest cities in early modern Europe, and for about two centuries the largest city in the global empire ruled by the kings of Spain. Its crowded and noisy streets, the height of its buildings, the number and wealth of its churches and palaces, the celebrated natural beauty of its location, the many antiquities scattered in its environs, the fiery volcano looming over it, the drama of its people's devotions, the size and liveliness - to put it mildly - of its plebs, all made Naples renowned and at times notorious across Europe. The new essays in this volume aim to introduce this important, fascinating, and bewildering city to readers unfamiliar with its history. Contributors are: Tommaso Astarita, John Marino, Giovanni Muto, Vladimiro Valerio, Gaetano Sabatini, Aurelio Musi, Giulio Sodano, Carlos Jose Hernando Sanchez, Elisa Novi Chavarria, Gabriel Guarino, Giovanni Romeo, Peter Mazur, Angelantonio Spagnoletti, J. Nicholas Napoli, Gaetana Cantone, Anthony DelDonna, Sean Cocco, Melissa Calaresu, Nancy Canepa, David Gentilcore, Diana Carrio-Invernizzi, and Anna Maria Rao. The publisher, editor, and contributors mourn the passing of Gaetana Cantone, who died in April 2013.

This work offers a series of linked studies of European print culture in the sixteenth century, focusing particularly on France and the regional, provincial experience of print. France, in the sixteenth century, was one of the great centres of the European publishing industry. But in the second half of the century the established dominance of Paris and Lyon was increasingly challenged by other new printing centres, stimulated in part by the religious and political crisis of the French Wars of Religion. Drawing on the data collected by the St Andrews French book project, the author reconstructs the enigmatic history of a number of previously unstudied printers. The focus throughout is on popular print, and the growth of mass market for news, entertainment and religious instruction. Customers interested in this title may also be interested in French Vernacular Books, edited by Andrew Pettegree, Malcolm Walsby and Alexander Wilkinson.

Color has recently become the focus of scholarly discussion in many fields, but the categories of art, craft, science and technology, unreflectively defined according to modern disciplines, have not been helpful in understanding color in the early modern period. 'Color worlds', consisting of practices, concepts and objects, form the central category of analysis in this volume. The essays examine a rich variety of 'color worlds', and their constituent engagements with materials, productions and the ordering and conceptualization of color. Many color worlds appear to have intersected and cross-fertilized at the beginning of the seventeenth century; the essays focus especially on the creation of color languages and boundary objects to communicate across color worlds, or indeed when and why this failed to happen. Contributors include: Tawrin Baker, Barbara H. Berrie, Fokko Jan Dijksterhuis, Karin Leonhard, Andrew Morrall, Doris Oltrogge, Valentina Pugliano, Anna Marie Roos, Romana Sammern (Filzmoser) and Simon Werrett.

In The Jesuit Order as a Synagogue of Jews the author explains how Christians with Jewish family backgrounds went within less than forty years from having a leading role in the foundation of the Society of Jesus to being prohibited from membership in it. The author works at the intersection to two important historical topics, each of which attracts considerable scholarly attention but that have never received sustained and careful attention together, namely, the early modern histories of the Jesuit order and of Iberian "purity of blood" concerns. An analysis of the pro- and anti-converso texts in this book (both in terms of what they are claiming and what their limits are) advance our understanding of early modern, institutional Catholicism at the intersection of early modern religious reform and the new racism developing in Spain and spreading outwards.

This is the first comprehensive study of Gangraena, an intemperate anti-sectarian polemic written by a London Presbyterian Thomas Edwards and published in three parts in 1646. These books, which bitterly opposed any moves to religious toleration, were the most notorious and widely debated texts in a Revolution in which print was crucial to political moblization. They have been equally important to later scholars who have continued the lively debate over the value of Gangraena as a source for the ideas and movements its author condemned. This study includes a thorough assessment of the usefulness of Edwards's work as a historical source, but goes beyond this to provide a wide-ranging discussion of the importance of Gangraena in its own right as a lively work of propaganda, crucial to Presbyterian campaigning in the mid-1640s. Contemporary and later readings of this complex text are traced through a variety of methods, literary and historical, with discussions of printed responses, annotations and citation. Hughes's work thus provides a vivid and convincing picture of revolutionary London and a reappraisal of the nature of 1640s Presbyterianism, too often dismissed as conservative. Drawing on the newer histories of the book and of reading, Hughes explores the influence of Edwards's distasteful but compelling book.

This book examines the important themes of sexuality, gender, love, and marriage in stage, literary, and film treatments of Shakespeare's plays. The theme of sexuality is often integral to Shakespeare's works and therefore merits a thorough exploration. Sexuality in the Age of Shakespeare begins with descriptions of sexuality in ancient Greece and Rome, medieval England, and early-modern Europe and England, then segues into examinations of the role of sexuality in Shakespeare's plays and poetry, and also in film and stage productions of his plays. The author employs various theoretical approaches to establish detailed interpretations of Shakespeare's plays and provides excerpts from several early-modern marriage manuals to illustrate the typical gender roles of the time. The book concludes with bibliographies that students of Shakespeare will find invaluable for further study. Includes excerpts of four English early-modern marriage manuals A bibliography contains sources regarding Greek, Roman, medieval, and early-modern European sexuality as well as Shakespearean criticism A glossary clarifies unfamiliar terms

In medieval Europe hostages were given, not taken. They were a means of guarantee used to secure transactions ranging from treaties to wartime commitments to financial transactions. In principle, the force of the guarantee lay in the threat to the life of the hostage if the agreement were broken but, while violation of agreements was common, execution of hostages was a rarity. Medieval hostages are thus best understood not as simple pledges, but as a political institution characteristic of the medieval millennium, embedded in its changing historical contexts. In the Early Middle Ages, hostageship was principally seen in warfare and diplomacy, operating within structures of kinship and practices of alliance characteristic of elite political society. From the eleventh century, hostageship diversified, despite the spread of a legal and financial culture that would seem to have made it superfluous. Hostages in the Middle Ages traces the development of this institution from Late Antiquity through the period of the Hundred Years War, across Europe and the Mediterranean World. It explores the logic of agreements, the identity of hostages, and the conditions of their confinement, while shedding light on a wide range of subjects, from sieges and treaties, to captivity and ransom, to the Peace of God and the Crusades, to the rise of towns and representation, to political communication and shifting gender dynamics. The book closes by examining the reasons for the decline of hostageship in the Early Modern era, and the rise the modern variety of hostageship that was addressed by the Nuremberg tribunals and the United Nations in the twentieth century.

Volume XXI/2 of History of Universities contains the customary mix of learned articles, book reviews, conference reports, and bibliographical information, which makes this publication such an indispensable tool for the historian of higher education. Its contributions range widely geographically, chronologically, and in subject-matter. The volume is, as always, a lively combination of original research and invaluable reference material.

Healers in the Making investigates medical instruction at the University of Bologna using the lens of practical medicine, focusing on both anatomical and surgical instruction and showing that teaching medicine between the late thirteenth and mid-sixteenth centuries was a consciously constructed and vigorous project that required ongoing local political and cultural negotiations beyond books and curriculum. Using municipal, institutional, and medical texts, Kira Robison examines the outward structures of academic and civic power involved in the formation of medical authority and illuminates the innovations in practical medical pedagogy that occurred during this era. In this way, Robison re-examines academic medicine, the professors, and students, returning them to the context of the medical marketplace within a dynamic and flourishing urban landscape. See inside the book.

This book charts the lives of (suspected) thieves, illegitimate mothers and vagrants in early modern Frankfurt. The book highlights the gender differences in recorded criminality and the way that they were shaped by the local context. Women played a prominent role in recorded crime in this period, and could even make up half of all defendants in specific European cities. At the same time, there were also large regional differences. Women's crime patterns in Frankfurt were both similar and different to those of other cities. Informal control within the household played a significant role and influenced the prosecution patterns of authorities. This impacted men and women differently, and created clear distinctions within the system between settled locals and unsettled migrants.

"And no marvel; for Satan himself is transformed into an angel of light." (2 Corinthians 11:14) Paul's warning of false apostles and false righteousness struck a special chord in the period of the European Reformations. At no other time was the need for the discernment of spirits felt as strongly as in this newly confessional age. More than ever, the ability to discern was a mark of holiness and failure the product of demonic temptation. The contributions to this volume chart individual responses to a problem at the heart of religious identity. They show that the problem of discernment was not solely a Catholic concern and was an issue for authors and artists as much as for prophets and visionaries.

Villa Madama, Raphael's late masterwork of architecture, landscape, and decoration for the Medici popes, is a paradigm of the Renaissance villa. The creation of this important, unfinished complex provides a remarkable case study for the nature of architectural invention. Drawing on little known poetry describing the villa while it was on the drawing board, as well as ground plans, letters, and antiquities once installed there, Yvonne Elet reveals the design process to have been a dynamic, collaborative effort involving humanists as well as architects. She explores design as a self-reflexive process, and the dialectic of text and architectural form, illuminating the relation of word and image in Renaissance architectural practice. Her revisionist account of architectural design as a process engaging different systems of knowledge, visual and verbal, has important implications for the relation of architecture and language, meaning in architecture, and the translation of idea into form.

The Allure of the Ancient investigates how the ancient Middle East was imagined and appropriated for artistic, scholarly, and political purposes in the seventeenth and eighteenth centuries. Bringing together scholars of the ancient and early modern worlds, the volume approaches reception history from an interdisciplinary perspective, asking how early modern artists and scholars interpreted ancient Middle Eastern civilizations-such as Egypt, Babylonia, and Persia-and how their interpretations were shaped by early modern contexts and concerns. The volume's chapters cross disciplinary boundaries in their explorations of art, philosophy, science, and literature, as well as geographical boundaries, spanning from Europe to the Caribbean to Latin America. Contributors are: Elisa Boeri, Mark Darlow, Nirit Ben-Aryeh Debby, Florian Ebeling, Margaret Geoga, Diane Greco Josefowicz, Andrea L. Middleton, Julia Prest, Felipe Rojas Silva, Maryam Sanjabi, Michael Seymour, John Steele, and Daniel Stolzenberg.

York illustrates how Revolutionary Americans founded an empire as well as a nation, and how they saw the two as inseparable. While they had rejected Britain and denounced power politics, they would engage in realpolitik and mimic Britain as they built their empire of liberty. England had become Great Britain as an imperial nation, and Britons believed that their empire promised much to all fortunate enough to be part of it. Colonial Americans shared that belief and sense of pride. But as clashing interests and changing identities put them at odds with the prevailing view in London, dissident colonists displaced Anglo-American exceptionalism with their own sense of place and purpose, an American vision of manifest destiny.

Revolutionary Americans wanted to believe that creating a new nation meant that they had left behind the old problems of empire. What they discovered was that the basic problems of empire unavoidably came with them into the new union. They too found it difficult to build a union in the midst of rival interests and competing ideologies. Ironically, they learned that they could only succeed by aping the balance of power politics used by Britain that they had only recently decried.

It is an often ignored but fundamental fact that in the Ottoman world as in most empires, there were 'first-class' and 'second class' subjects. Among the townspeople, peasants and nomads subject to the sultans, who might be Muslims or non-Muslims, adult Muslim males were first-class subjects and all others, including Muslim boys and women, were of the second class. As for the female members of the elite, while less privileged than the males, in some respects their life chances might be better than those of ordinary women. Even so, they shared the risks of pregnancy, childbirth and epidemic diseases with townswomen of the subject class and to a certain extent, with village women as well. Women also made up a sizeable share of the enslaved, belonging to the sultans, to elite figures but often to members of the subject population as well. Thus, the study of Ottoman women is indispensable for understanding Ottoman society in general. In this book, the experiences of women from a diverse range of class, religious, ethnic, and geographic backgrounds are woven into the social history of the Ottoman Empire, from the early-modern period to its dissolution in 1922. Its thematic chapters first introduce readers to the key sources for information about women's lives in the Ottoman Empire (qadi registers, petitions, fetvas, travelogues authored by women). The first section of the book then recounts urban, non-elite women's experiences at the courts, family life, and as slaves. Paying attention to the geographic diversity of the Ottoman Empire, this section also considers the social history of women in the Arab provinces of Baghdad, Cairo and Aleppo. The second section charts the social history of elite women, including that of women in the Palace system, writers and musicians and the history of women's education. The final section narrates the history of women at the end of the empire, during the Great War and Civil War. The first introductory social history of women in the Ottoman Empire, Women in the Ottoman Empire will be essential reading for scholars and students of Ottoman history and the history of women in the Middle East.