Of late many classic titles - including the Bible - have been
turned into manga, in a 21st-century version of the venerable
Classics Illustrated comics. This take on the Bard boils his play
down to approximately 20 words per page, drastically abridging the
text, though keeping intact the original language and meter. A
fully colored dramatis personae reduces the characters to sound
bites and shines in comparison to the flat, gray-toned images that
murkily tell the story itself. As drawn by Brown, the characters
are decidedly more Western-looking in their styling than is typical
to most manga, and the adaptor's choice of setting is an
anachronistic mishmash of quasi-antique and modern, a choice that
will leave sophisticated readers knowledgeable with the text
slightly puzzled. The Tempest (ISBN: 978-0-8109-9476-8), drawn by
Paul Duffield, follows an identical template. These attempts to
convert Shakespeare into visual language fall flat, although the
slick manga styling alone may attract some new readers to these
works. (plot summary, author's biography) (Graphic fiction. 13
& up) (Kirkus Reviews)
Our Signet Classic Shakespeare Series was extensively revised in
1998. We offer the best of everything -- unforgettable works edited
by eminent Shakespeare scholars, comprehensive notes on the text,
an essay on Shakespeare's life and times, source material, critical
commentaries, extensive bibliographies, and footnotes. And there's
more
-- Grow with the times by including both historical and thoroughly
contemporary critical commentary on such issues as feminist,
political, and theatrical interpretations of the plays -- with
recent full-length essays by such respected scholars as Frank
Kermode, Carolyn Heilbrun, Michael Goldman, Linda Bamber, and many
others.
-- Provide more bibliographic listings and more up-to-date and
relevant listings of pertinent books and articles in the Suggested
Reference Section than the competition offers.
-- Feature essays on the Performance or Stage History of each play,
written by Sylvan Barnet.
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