This Norton Critical Edition of Richard III is based on the First
Quarto (1597) edition of the play with interpolations from the
First Folio (1623). The play is accompanied by a preface,
explanatory annotations, A Note on the Text, a list of Textual
Variants, and eighteen illustrations of seminal scenes from major
dramatic productions and film versions of the play.
Contexts provides readers with the sources and analogues that
informed Shakespeare s composition of Richard III. These include
excerpts from Robert Fabyan s New Chronicles of England and France,
Thomas More s The History of King Richard III, Edward Hall s The
Union of the Two Noble and Illustre Families of Lancaster and York,
A Mirror for Magistrates, and The True Tragedy of Richard III. A
selection from Colley Cibber s eighteenth-century adaptation
records the compromised form in which Richard III held the stage
for approximately two hundred years before twentieth-century
editors brought it back into recognizable shape. A representative
selection of commentary on stage and film reproductions of Richard
III is also provided, ranging from reviews of nineteenth-century
productions by William Hazlitt and George Bernard Shaw, a survey of
stage performances by Scott Colley, and in-depth analyses of
twentieth-century film adaptations by Saskia Kossak, Barbara
Hodgdon, and Peter S. Donaldson.
Criticism collects eight major pieces of scholarship, including
early accounts of the play s major themes by William Richardson and
Edward Dowden, modern critical assessments by Wilbur Sanders, Elihu
Pearlman, Linda Charnes, Katherine Maus, and Ian Moulton, and an
essay by Harry Berger Jr. especially commissioned for this
volume.
A Selected Bibliography is also included."
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