Books > Arts & Architecture > History of art / art & design styles > 1400 to 1600 > Renaissance art
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Abject Eroticism in Northern Renaissance Art - The Witches and Femmes Fatales of Hans Baldung Grien (Paperback)
Loot Price: R1,246
Discovery Miles 12 460
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Abject Eroticism in Northern Renaissance Art - The Witches and Femmes Fatales of Hans Baldung Grien (Paperback)
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Hans Baldung Grien, the most famous apprentice and close friend of
German artist Albrecht Dürer, was known for his unique and highly
eroticised images of witches. In paintings and woodcut prints, he
gave powerful visual expression to late medieval tropes and
stereotypes, such as the poison maiden, venomous virgin, the Fall
of Man, ‘death and the maiden’ and other motifs and
eschatological themes, which mingled abject and erotic qualities in
the female body. Yvonne Owens reads these images against the
humanist intellectual milieu of Renaissance Germany, showing how
classical and medieval medicine and natural philosophy interpreted
female anatomy as toxic, defective and dangerously beguiling. She
reveals how Hans Baldung exploited this radical polarity to create
moralising and titillating portrayals of how monstrous female
sexuality victimised men and brought them low. Furthermore, these
images issued from—and contributed to—the contemporary
understanding of witchcraft as a heresy that stemmed from natural
‘feminine defect,’ a concept derived from Aristotle. Offering
new and provocative interpretations of Hans Baldung’s iconic
witchcraft imagery, this book is essential reading for historians
of art, culture and gender relations in the late medieval and early
modern periods.
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