Spirits, ghosts and ghouls dance their macabre fortunes in the pages of this thrilling new book. From cemeteries and abandoned mansions, battered tenement buildings and ice-cold chambers to the desert wastelands of Arabia, this new collection gathers stories from open submissions and surrounds them with the ghastly emanations of H.P. Lovecraft, M.R. James, Mary Elizabeth Braddon, Amelia Edwards and the frightful tales of Le Fanu, Charlotte Riddell and Elizabeth Gaskell. New, contemporary and notable writers featured are: Stewart C. Baker, Rebecca Brothers, Ramsey Campbell, Georgia Cook, Gina Easton, Bruce Golden, Caye Gowyn, John Linwood Grant, Rayne Hall, Vanessa C. Hawkins, Jennifer Hudak, Brianna Ishii-McFaull, Dylan Kingsley, Amanda Cecelia Lang, Fiona Lehn, Samuel Marzioli, S.R. Masters, Bret Nelson, Lena Ng, Sam W. Pisciotta, Josephine Queen, Erica Ruppert, C.R. Serajeddini, Evelyn Teng, and Wen Wen Yang. The gorgeous, deluxe edition Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories, the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.

This book examines how African, Asian, Middle Eastern and Latin American diasporas use media to communicate among themselves and to integrate into European countries. Whereas migrant communities continue employing print and broadcasting technologies, the rapidly growing applications of Internet platforms like social media have substantially enriched their interactions. These communication practices provide valuable insights into how diasporas define themselves. The anthology investigates varied uses of media by Ecuadorian, Congolese, Moroccan, Nepalese, Portugal, Somali, Syrian and Turkish communities residing in Belgium, Germany, Italy, the Netherlands, Spain, Sweden and the UK. These studies are based on research methodologies including big data analysis, content analysis, focus groups, interviews, surveys and visual framing, and they make a strong contribution to the emerging theory of diasporic media.

This book offers empirical insight into the way Muslims reacted online towards various controversial issues related to Islam. The book examines four cases studies: The Muhammed's cartoons, the burning of the Quran controversies, Fitna and the Innocence of Muslims' films. The issues of online religion, social movements and extremism are discussed, as many of the cases in question created both uproar and unity among many YouTubers. These case studies - in some instances - led to the expression of extremist views by some users, and the volume argues that they helped contribute to the growth of extremism due to the utilization of these events by some terrorist groups in order to recruit new members. In the concluding chapter, social network and sentiment analyses are presented in order to investigate all the collected comments and videos, while a critical discussion of freedom of expression and hate speech is offered, with special regards to the growing online influence of far right groups and their role in on-going YouTube debates.

This book examines how African, Asian, Middle Eastern and Latin American diasporas use media to communicate among themselves and to integrate into European countries. Whereas migrant communities continue employing print and broadcasting technologies, the rapidly growing applications of Internet platforms like social media have substantially enriched their interactions. These communication practices provide valuable insights into how diasporas define themselves. The anthology investigates varied uses of media by Ecuadorian, Congolese, Moroccan, Nepalese, Portugal, Somali, Syrian and Turkish communities residing in Belgium, Germany, Italy, the Netherlands, Spain, Sweden and the UK. These studies are based on research methodologies including big data analysis, content analysis, focus groups, interviews, surveys and visual framing, and they make a strong contribution to the emerging theory of diasporic media.

Ethnic minority groups in Canada have set up their own communication infrastructure that has evolved over time from the analog to the digital age, and continues to remain relevant across generations. Offering a reassessment of contemporary media outlets, The Handbook of Ethnic Media in Canada asks how ethnic media have changed, why they continue to be relevant, and what impact this media sector has on ethnocultural communities as well as broader society. Building on past studies that highlight particular functions of ethnic media – publishing information that is vital to settlement and civic engagement and providing an alternative to mainstream media, among others – this volume generates insights on new dynamics of the ethnic media sector that are prevalent in the digital age. Contributors re-examine theoretical and methodological approaches to ethnic media research, explore the practices of ethnic media along cultural, linguistic, and religious lines, and interrogate the policies that affect ethnic media production and consumption. At its core, the question of how Canadians engage with ethnic media is a question about what this media sector means for the sociocultural, economic, and political integration of Canadians, both majority and minority, and Canada’s race relations. The Handbook of Ethnic Media in Canada provides a rich resource for anyone concerned about the role media plays in the complex relationship between ethnicity, race, belonging, and marginality.