Then, she looked at me assiduously, "What is it that you do exactly?"
I replied, savoring my last sip of coffee, with all the sass of a gypsy, "A novelist."
How to write a novel? Where to find inspiration? What is it that novels do for us? What is the nature of love? And most importantly, how and where to find it? Embarking on a literary and romantic journey, an aspiring novelist guides the reader through the streets of Damascus to bookstores, libraries, historical landmarks, caf s, and neighborhoods that carry the traces of history and the possibilities of the future. Mining the rich and divergent histories, narratives, texts, memories, and people that occupy the narrator's mind and everyday life, Writing Love casts a critical eye on contemporary society and offers a playful testament to the tangential nature of writing and the many ways to fall in love.
Writing Love was awarded the Naguib Mahfouz Medal for Literature.

Situated in the fields of contemporary literary and cultural studies, the ten essays collected in Generations of Dissent shed light on the artistic creativity, cultural production, intellectual movements, and acts of political dissidence across the Middle East and North Africa. Born of the contributors' research on dissidence and state co-option in a variety of artistic and creative fields, the volume's core themes reflect the notion that the recent Arab uprisings did not appear in a cultural, political, or historical vacuum. Rather than focus on how protestors "finally" broke the walls of fear created by authoritarian regimes in the region, these essays show that the uprisings were rooted in multiple generations and various acts of resistance decades prior to 2010-11. Firat and Taleghani's volume maps the complicated trajectories of artistic and creative dissent across time and space, showing how artists have challenged institutions and governments over the past six decades.

Situated in the fields of contemporary literary and cultural studies, the ten essays collected in Generations of Dissent shed light on the artistic creativity, cultural production, intellectual movements, and acts of political dissidence across the Middle East and North Africa. Born of the contributors' research on dissidence and state co-option in a variety of artistic and creative fields, the volume's core themes reflect the notion that the recent Arab uprisings did not appear in a cultural, political, or historical vacuum. Rather than focus on how protestors "finally" broke the walls of fear created by authoritarian regimes in the region, these essays show that the uprisings were rooted in multiple generations and various acts of resistance decades prior to 2010-11. Firat and Taleghani's volume maps the complicated trajectories of artistic and creative dissent across time and space, showing how artists have challenged institutions and governments over the past six decades.