Against the backdrop of Covid-19, this edited volume will utilize a gendered lens to explore the United Nation’s Sustainable Development Goals (SDGs), with a clear focus on challenging the omission of sexuality in relation to the SDGs as well as analyzing the ways in which the SDGs are also equally relevant for Western countries. While acknowledging the importance of these goals, contributors unpack the exclusion of marginalized genders and sexualities as well as how popular media and social media contribute to the wider understanding of issues of gender and sexuality and the SDGs. This volume also dispels assumptions about the irrelevance of SDGs to countries in the West, with a particular focus on the UK. Chapters examine a variety of topics including: HIV/AIDS, sex work, global migration, climate change and environmental sustainability, poverty, education, and sexual harassment. This collection will be of interest to scholars, researchers, and students across Sociology, Gender & Sexuality Studies, Education, Development Studies and Sustainability Studies.

In a letter, Katherine Mansfield wrote: "I hate the sort of license that English people give themselves--to spread over and flop and roll about. I feel as fastidious as though I write with acid." This book explores Mansfield's idiosyncratic aesthetic by focusing on her position as an outsider in Britain: a New-Zealander, a woman writer, a Fauvist, and eventually a consumptive. Her sharp-edged fiction is discussed in relation to her involvement with Post-Impressionist painting and painters.

Explores written representations of First World War experience, produced by a variety of different women. Drawing on a wealth of unpublished material, in the form of diaries and letters, the book examines the way in which the variety of new roles undertaken by women triggered a search, conscious or otherwise, for appropriate new forms of expression. Through the twin approaches of literary criticism and historical exploration, the book contributes an important new strand to the scholarship of women and war. Expands current notions of how modernisms should be defined. This volume compliments Angela K. Smith's 1999 publication, Women's writing of the First World War: An anthology (MUP). -- .

This edited collection explores issues of gender equality in the global context. Campaigns to achieve gender equality throughout the twentieth century brought about huge changes in westernised countries. In particular, the achievements of second-wave feminism with regards to gender and sexual equality benefit many people today. The famous 'seven demands' of the second-wave movement form the basis of the chapters of this book, probing the advances made legally, socially and culturally. Contributors to this collection acknowledge the advances brought about by the second-wave movement, but highlight the work which still needs to be done in the twenty-first century, including the changes in society that have resulted in shifts in masculinity. Gender Equality in Changing Times is divided into two parts, following an overview of theoretical debates and social contexts that lead us to the current period of gender and sexual relations. Part One looks at gender equality by exploring the 'experience' of being part of a group where gender boundaries still exist, drawing on auto-ethnographies of those in key groups that are central to this debate, as well as interviews with members of such groups. Part Two investigates wider representations of these groups, offering an insight into the geopolitical world of gender relations in Saudi Arabia and China. Ultimately, this collection shows how much has been achieved, yet how far is also left to go. Students and scholars across a range of disciplines, including gender studies, history, education, sociology, media studies, politics, business studies, cultural studies and English literature and linguistics, will find this book of interest.

The Language of Journalism (2nd edition) provides lively and accessible tools to understand and analyse the language of journalism. The authors explain how language develops across divergent media platforms, old and new, by looking at the differences across various forms of journalism - including broadcast, magazine, newspaper, sports, radio, and online and citizen. As well as introducing the reader to the principles and methods of discourse analysis and how it can be applied to media, the book addresses the dynamic interplay between the emerging linguistic forms of social media and the journalistic field. With this new edition, the authors draw upon a range of international examples, including from the USA, India, Australia, China and the UK. They focus on an exploration of how social media is incorporated into the journalistic output of print media, with a particular focus on 'clickbait'. This edition also focuses on the global ambitions of online newspapers - such as the Daily Mail and the Guardian - which are UK based, but have Australian and US subsections.

Using extensive data - mostly gleaned from the National Archives - this book examines the way in which British widows of servicemen who died in the First World War were represented in society and by themselves, exploring the intertwining discourses of social welfare, national identity, and morality that can be identified in these texts. Focusing on two widows, the bookencourages their individual stories to emerge and gives a voice to an otherwise forgotten group of women whose stories have been lost under the literary tomes of middle-class writers such as Vera Brittain and May Wedderburn Cannon. The discussion is further informed by a wider reading of 300 other such files, which allows wider observations to be made about the nature of the discourses examined, and offers the most complete possible picture for such data. Offering a streamlined adaptation of the Discourse- Historical Approach to critical discourse analysis, Discourses Surrounding British Widows of the First World War demonstrates how this model of analysis can be used to investigate a large body of data from a wide variety of sources, covering a long period of time. As such it will be useful to all scholars in their analysis of historical corpa.

Why is rudeness such a prominent feature of contemporary broadcasting? If broadcasting is about the enactment of sociability, then how can we account for the fact that broadcasting has become a sphere of anger, humiliation, anger, dispute and upset? And to what extent does belligerence in broadcasting reflect broader social and cultural developments? This book reflects upon and analyses the development of 'belligerent broadcasting' beginning with an examination of belligerence in its historical context and as an aspect of wider cultural concerns surrounding the retreat of civility. With attention to the various relations of power expressed in the various forms of belligerent conduct across a range of media genres, the authors explore its manifestation in political interviews, in the form of 'confrontation' in talk shows, in makeover television, as an 'authentic' means of proffering opinion and as a form of sociability or banter. Richly illustrated with studies and examples of well-known shows from both sides of the Atlantic, including The Apprentice, The Fixer, American Idol, Gordon Ramsay's Kitchen Nightmares, DIY SOS, The Jeremy Kyle Show and Dragon's Den, this book reflects on the consequences and potentialities of belligerence in the media and public sphere. It will appeal to scholars and students of cultural and media studies, communication and popular culture.

Long after the death of Katherine Mansfield (1888-1923), Virginia Woolf (1882-1941) described being haunted by Mansfield in dreams. Through detailed comparative readings of their fiction, letters, and diaries, Smith explores the intense affinity between the two writers. Their particular inflection of modernism is interpreted through their shared experience as `threshold people', familiar with the liminal, for each of them a zone of transition and habitation. Writing at a time when the First World War and changing attitudes to empire problematized boundaries and definitions of foreignness, we see how the fiction of both Mansfield and Woolf is characterized by moments of disorienting suspension in which the perceiving consciousness sees the familiar made strange, the domestic made menacing.

Steel Drums and Steelbands: A History is a vivid account of the events that led to the "accidental" invention of the steel drum: the only acoustic musical instrument invented in the 20th century. Angela Smith walks readers through the evolution of the steel drum from an object of scorn and tool of violence to one of the most studied, performed, and appreciated musical instruments today. Smith explores the development of the modern steelband, from its roots in African slavery in early Trinidad to the vast array of experiments in technological innovation and to the current explosion of steelbands in American schools. The book offers insights directly from major contributors of the steelband movement with sections devoted exclusively to pioneers and innovators. Drawing on seven years of research, repeated trips to the birthplace of the steel drum, Trinidad, and interviews with steelband pioneers, Smith takes readers far beyond the sunny associations of the steel drum with island vacations, cruise ships, and multiple encores of "Yellow Bird." Digging deep into Trinidad's history-a tale of indigenous extermination and African slavery, of French settlement and Spanish and British colonialism before mid-century independence-Smith weaves an unforgettable narrative of talking drums, kalinda stick fights, tamboo bamboo bands, iron bands, calypso, Carnival, and the U. S. military. Together, all played major roles in the evolution of today's steelband and in the panman's journey from renegade to hero in the steelband's move from the panyards of Trinidad's poorest neighborhoods to the world's most prestigious concert halls. The reader will discover how an instrument created by teenage boys, descendants of African slaves, became a world musical phenomena. Steel Drums and Steelbands is the ideal introduction to the steel drum, steelbands, and their history.

Why is rudeness such a prominent feature of contemporary broadcasting? If broadcasting is about the enactment of sociability, then how can we account for the fact that broadcasting has become a sphere of anger, humiliation, anger, dispute and upset? And to what extent does belligerence in broadcasting reflect broader social and cultural developments? This book reflects upon and analyses the development of 'belligerent broadcasting' beginning with an examination of belligerence in its historical context and as an aspect of wider cultural concerns surrounding the retreat of civility. With attention to the various relations of power expressed in the various forms of belligerent conduct across a range of media genres, the authors explore its manifestation in political interviews, in the form of 'confrontation' in talk shows, in makeover television, as an 'authentic' means of proffering opinion and as a form of sociability or banter. Richly illustrated with studies and examples of well-known shows from both sides of the Atlantic, including The Apprentice, The Fixer, American Idol, Gordon Ramsay's Kitchen Nightmares, DIY SOS, The Jeremy Kyle Show and Dragon's Den, this book reflects on the consequences and potentialities of belligerence in the media and public sphere. It will appeal to scholars and students of cultural and media studies, communication and popular culture.

This book explores the experiences of a range of women from the early days of 1914, through the big events of the war on the Eastern Front. Their diaries, letters, memoirs and journalism are used to investigate the extraordinary role played by British women during the fall of Serbia, the Russian Revolution and the final push, and their role in reconstruction following the Armistice. These women, and their writings, are examined through the multiple lenses of gender, nationality, patriotism, imperialism and legacy, but the book also tells the stories of individuals, and will appeal across audiences to students, researchers and general readers. This is the first book to examine the war in the East through the eyes of British women and as such makes an important contribution to First World War Studies. -- .

What does it mean to be naked in public? Approaching this question from across the disciplines, this book examines the evolution of female exhibitionism from criminal taboo to prime-time entertainment. Taking an interdisciplinary approach which brings together all fields of popular culture, including literature, media, film and linguistics, Claire Nally and Angela Smith offer an examination of gendered exhibitionism from the mid-twentieth century to the present day. They ask whether bodily exposure provides the liberation it professes to or restricts our most secret selves to the sanitised realm of socially-sanctioned gender roles. From the art of burlesque as a riotous kingdom of the imagination to reality TV which helps women to unearth their 'true' and buried feminine selves, Nally and Smith explore how the critical history and theory of exhibitionism intersects with the wider movement towards gender equality. Examining effects of second-wave feminism to problematise the naked female form, female and gender-transgressive performers from Bette Davis to Dita von Teese are placed in their cultural context. In order to demonstrate that female exhibitionism reamins at the heart of popular culture, this book also examines the works of Peter Ackroyd and the controversial playwright Sarah Kane, uncovering the contradictions behind evolving representations of public exposure. Within a post-feminist framework, the cultural constructions behind the repackaging of female exhibitionism are explored and the prominence of bodily exposure in popular culture examined, along with the implications of those artists who perform gender as a public masquerade. Finally, hit TV shows 'Ladette to Lady' and 'How to Look Good Naked' are interrogated to expose the buried contradictions behind this public unveiling: are women seizing control of their own identity, or is this revelation an illusion? Innovative, unflinching and pertinent, 'Naked Exhibitionism' explores naked bodies in the public gaze and critically reformulates the feminist and cultural debate around the performance of gender.

Women from across the social spectrum had their lives transformed by World War I. The literary culture of the early 20th century led a surprising number of women to write about their experiences, recording everything from their emotional responses and political impulses to their new experiences of the world of work. Writing by women as diverse as Sylvia Pankhurst, Virginia Woolf and Vesta Tilley are blended with extracts from the private diaries and letters of unknown women, to provide a sometimes tragic, sometimes comic testimony. From patriotic rhetoric to the gritty realism of the Front Line, this anthology juxtaposes fact and fiction and aims to present a rounded picture of World War I as it was lived and fought by women across Britain.

In 1942, drummer Viola Smith sent shock waves through the jazz world by claiming in Down Beat magazine that "hep girls" could sit in on any jam session and hold their own. In Women Drummers: A History from Rock and Jazz to Blues and Country, Angela Smith takes Viola at her word, offering a comprehensive look at the world of professional drumming and the women who had the courage and chops to break the barriers of this all-too-male field. Combining archival research with personal interviews of more than fifty female drummers representing more than eight decades in music history, Smith paints a vivid picture of their struggles to overcome discrimination-not only as professional musicians but in other parts of their lives. Women Drummers outlines the evolution of female drumming from pre-biblical times when women held important leadership roles to their silencing by the church during the Middle Ages to spearheading the fight for women's rights in the modern era. The stories and personal accounts of female drummers who bucked tradition and societal norms are told against the backdrop of the times in which they performed and the genres they represented, from rock and jazz to blues and country. Although women have proven time and time again that they can more than hold their own against their male counterparts, female drummers not only remain a minority, but their contributions have been obscured by the traditional chauvinistic attitudes in the music business and gender stereotypes that surround the drum itself as a "male" instrument. Women Drummers takes a major step forward in undoing this misconception by acknowledging the talent, contribution, and growing power of women drummers in today's music environment.

This handy book is a timeline guide to genealogical resources - what records are available and when they started - as well as an aide-memoire to significant historical events from 1066 to 2020; helping to put family ancestors into an historical context. Each page in this book has a main column with facts of genealogical relevance in the broadest sense; a side column makes mention of events of socio-cultural significance and events relating to the monarchy, the State and the Church. Entries cover historical and genealogical aspects of all four countries of the UK plus Ireland and the Channel Islands, as well as significant historical events in the wider world that had an impact here. The timeline is especially strong on the contribution of migration, extreme weather, disasters, epidemics, wars, non-conformist religions, taxation, transport, the armed services, famine, empire, organised labour, social writers, mapmakers, political unrest and scientific advances. Genealogically, there is information on changes to BMD certificates and the associated register entries, as well as to censuses and the facts they collected, plus much more. There are also references to earlier records that generated name indexes such as muster rolls and poll taxes, how complete they are and where they can be found. By being reasonably balanced across the centuries, the authors have resisted the temptation to include excessive detail on recent history. This book will help the family historian to construct a timeline for their ancestors, providing a fairly full set of historical events, developments and records likely to have had an impact on them, their family and community. It is a handy reference guide to a myriad of dates but is also a useful book to study when writing a family history as it offers plenty of contextual information. It should also prompt readers to search out new resources in tracing their ancestors.

Gender and warfare in the twentieth century is a collection of exciting, accessible and very readable essays that span the twentieth century, exploring the ways in which men and women have both represented warfare, and represented themselves as participants in warfare. A range of contributors from different disciplines explore these representations by examining a wide variety of sources: fiction, film, personal diaries, memoirs, non-fiction, letters, oral testimonies and more. The collection ranges from the trenches of the Western Front, through the shell-shocked inter-war years, the civil war in Spain and the disparate battle fronts of World War Two, to the complexities of Vietnam and the late century Hollywood workings and re-workings of these conflicts. The focus on gendered readings provides a thread that binds these essays together to create a comprehensive and interesting picture of the legacy of twentieth-century warfare at the beginning of the new millennium. -- .

British women of the Eastern Front explores the experiences of a range of women from the early days of 1914, through the big events of the war on the Eastern Front. Their diaries, letters, memoirs and journalism are used to investigate the extraordinary role played by British women during the fall of Serbia, the Russian Revolution and the final push, and their role in reconstruction following the Armistice. These women, and their writings, are examined through the multiple lenses of gender, nationality, patriotism, imperialism and legacy, but the book also tells the stories of individuals, and will appeal across audiences to students, researchers and general readers. This is the first book to examine the war in the East through the eyes of British women and as such makes an important contribution to First World War Studies. -- .

Spare Rib remains one of the most iconic symbols of Second Wave Feminism, its influence far out-living the span of its publication (1972-1993). This collection examines various aspects of the magazine - based on the digitised publication by the British Library in 2015 - in order to explore the ways in which it has influenced society in the twentieth and twenty-first centuries, as well as the lives of individual readers. By analysing several articles from a modern, post-feminist perspective, and using cross-generational interviews of Spare Rib readers and reflective accounts of reading the publication, the significance and endurance of the publication is demonstrated. Written by both academics, experienced researchers and independent scholars alike, the inter-disciplinary nature of the text results in a multi-dimensional reading of Spare Rib suitable for both an academic and general readership interested in cultural and media studies.

The FIMS Team Physician Manual is the official sports medicine handbook of the International Federation of Sports Medicine (FIMS), the world's oldest sports medicine organization. Now in a fully revised and updated third edition, the book offers a complete guide to the background knowledge, practical techniques and professional skills required to become a successful medical practitioner working in sport. Well illustrated, with clear step-by-step guidance, plus text boxes and checklists for quick reference, the Team Physician Manual covers every key area of activity and intervention, from the preparticipation examination to rehabilitation. The book surveys every classification of sports injury, offering clear advice on fieldside assessment, diagnosis and treatment, as well as examining best practice in general aspects of sports medicine, such as prevention and the psychology of injury. Written by a team of world-leading physicians from North and South America, Europe, Africa and Asia, this book is a 'must have' reference for any doctor, physical therapist, or medical professional working in sport.

The FIMS Team Physician Manual is the official sports medicine handbook of the International Federation of Sports Medicine (FIMS), the world's oldest sports medicine organization. Now in a fully revised and updated third edition, the book offers a complete guide to the background knowledge, practical techniques and professional skills required to become a successful medical practitioner working in sport. Well illustrated, with clear step-by-step guidance, plus text boxes and checklists for quick reference, the Team Physician Manual covers every key area of activity and intervention, from the preparticipation examination to rehabilitation. The book surveys every classification of sports injury, offering clear advice on fieldside assessment, diagnosis and treatment, as well as examining best practice in general aspects of sports medicine, such as prevention and the psychology of injury. Written by a team of world-leading physicians from North and South America, Europe, Africa and Asia, this book is a 'must have' reference for any doctor, physical therapist, or medical professional working in sport.

In a letter, Katherine Mansfield writes: 'I hate the sort of licence that English people give themselves - to spread over and flop and roll about. I feel as fastidious as though I write with acid'. This book explores Mansfield's idiosyncratic aesthetic by focusing on her position as an outsider in Britain: a New-Zealander, a woman writer, a Fuavist, and eventually a consumptive. Her sharp-edged fiction is discussed in relation to her involvement with Post-Impressionist painting and painters.

In 1942, drummer Viola Smith sent shock waves through the jazz world by claiming in Down Beat magazine that “hep girls” could sit in on any jam session and hold their own. In Women Drummers: A History from Rock and Jazz to Blues and Country, Angela Smith takes Viola at her word, offering a comprehensive look at the world of professional drumming and the women who had the courage and chops to break the barriers of this all-too-male field. Combining archival research with personal interviews of more than fifty female drummers representing more than eight decades in music history, Smith paints a vivid picture of their struggles to overcome discrimination—not only as professional musicians but in other parts of their lives. Women Drummers outlines the evolution of female drumming from pre-biblical times when women held important leadership roles to their silencing by the church during the Middle Ages to spearheading the fight for women’s rights in the modern era. The stories and personal accounts of female drummers who bucked tradition and societal norms are told against the backdrop of the times in which they performed and the genres they represented, from rock and jazz to blues and country. Although women have proven time and time again that they can more than hold their own against their male counterparts, female drummers not only remain a minority, but their contributions have been obscured by the traditional chauvinistic attitudes in the music business and gender stereotypes that surround the drum itself as a “male” instrument. Women Drummers takes a major step forward in undoing this misconception by acknowledging the talent, contribution, and growing power of women drummers in today’s music environment.

This edited collection explores issues of gender equality in the global context. Campaigns to achieve gender equality throughout the twentieth century brought about huge changes in westernised countries. In particular, the achievements of second-wave feminism with regards to gender and sexual equality benefit many people today. The famous 'seven demands' of the second-wave movement form the basis of the chapters of this book, probing the advances made legally, socially and culturally. Contributors to this collection acknowledge the advances brought about by the second-wave movement, but highlight the work which still needs to be done in the twenty-first century, including the changes in society that have resulted in shifts in masculinity. Gender Equality in Changing Times is divided into two parts, following an overview of theoretical debates and social contexts that lead us to the current period of gender and sexual relations. Part One looks at gender equality by exploring the 'experience' of being part of a group where gender boundaries still exist, drawing on auto-ethnographies of those in key groups that are central to this debate, as well as interviews with members of such groups. Part Two investigates wider representations of these groups, offering an insight into the geopolitical world of gender relations in Saudi Arabia and China. Ultimately, this collection shows how much has been achieved, yet how far is also left to go. Students and scholars across a range of disciplines, including gender studies, history, education, sociology, media studies, politics, business studies, cultural studies and English literature and linguistics, will find this book of interest.