Blanche, Augustine, and Genevieve found themselves in the hysteria ward of the Salpetriere Hospital in 1870s Paris, where their care was directed by the prominent neurologist Jean-Martin Charcot. They became medical celebrities: every week, eager crowds arrived at the hospital to observe their symptoms; they were photographed, sculpted, painted, and transformed into characters in novels. The remarkable story of their lives as patients in the clinic is a strange amalgam of intimate details and public exposure, science and religion, medicine and the occult, hypnotism, love, and theater. But who were Blanche, Augustine, and Genevieve? What role did they play in their own peculiar form of stardom? And what exactly were they suffering from? Hysteria with its dramatic seizures, hallucinations, and reenactments of past traumas may be an illness of the past, but the notions of femininity that lie behind it offer insights into disorders of the present."

A groundbreaking new book about the misogynistic nineteenth century obsession with hysteria, focusing on the renowned Salpetriere Hospital in Paris. 'Fascinating and beautifully written' Guardian 'Fascinating ... gives us a disturbing insight into the extent to which doctors, patients and diseases, both then and now, are products of their time' Sunday Times In 1862 the Salpetriere Hospital in Paris became the epicenter of the study of hysteria, the mysterious illness then thought to affect half of all women. There, prominent neurologist Jean-Martin Charcot's contentious methods caused furore within the church and divided the medical community. Treatments included hypnosis, piercing and the evocation of demons and, despite the controversy they caused, the experiments became a fascinating and fashionable public spectacle. Medical Muses tells the stories of the women institutionalised in the Salpetriere. Theirs is a tale of science and ideology, medicine and the occult, of hypnotism, sadism, love and theatre. Combining hospital records, municipal archives, memoirs and letters, Medical Muses sheds new light on a crucial moment in psychiatric history.

A fascinating account of the Na society, which functions without the institution of marriage. The Na of China, farmers in the Himalayan region, live without the institution of marriage. Na brothers and sisters live together their entire lives, sharing household responsibilities and raising the women's children. Because the Na, like all cultures, prohibit incest, they practice a system of sometimes furtive, sometimes conspicuous nighttime encounters at the woman's home. The woman's partners-she frequently has more than one-bear no economic responsibility for her or her children, and "fathers," unless they resemble their children, remain unidentifiable. This lucid ethnographic study shows how a society can function without husbands or fathers. It sheds light on marriage and kinship, as well as on the position of women, the necessary conditions for the acquisition of identity, and the impact of a communist state on a society that it considers backward.