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This edited collection presents state-of-the-art reviews of the
latest developments in multisensory packaging design. Bringing
together leading researchers and practitioners working in the
field, the contributions consider how our growing understanding of
the human senses, as well as new technologies, will transform the
way in which we design, interact with, and experience food and
beverage, home and personal care, and fast-moving consumer products
packaging. Spanning all of the senses from colour meaning, imagery
and font, touch and sonic packaging, a new framework for
multisensory packaging analysis is outlined. Including a number of
case studies and examples, this book provides both practical
application and theoretical discussion to appeal to students,
researchers, and practitioners alike.
This collection of essays brings together research on sense
modalities in general and spatial perception in particular in a
systematic and interdisciplinary way. It updates a long-standing
philosophical fascination with this topic by incorporating
theoretical and empirical research from cognitive science,
neuroscience, and psychology. The book is divided thematically to
cover a wide range of established and emerging issues. Part I
covers notions of objectivity and subjectivity in spatial
perception and thinking. Part II focuses on the canonical distal
senses, such as vision and audition. Part III concerns the chemical
senses, including olfaction and gustation. Part IV discusses bodily
awareness, peripersonal space, and touch. Finally, the volume
concludes with Part V on multimodality. Spatial Senses is an
important contribution to the scholarly literature on the
philosophy of perception that takes into account important advances
in the sciences.
This collection of essays brings together research on sense
modalities in general and spatial perception in particular in a
systematic and interdisciplinary way. It updates a long-standing
philosophical fascination with this topic by incorporating
theoretical and empirical research from cognitive science,
neuroscience, and psychology. The book is divided thematically to
cover a wide range of established and emerging issues. Part I
covers notions of objectivity and subjectivity in spatial
perception and thinking. Part II focuses on the canonical distal
senses, such as vision and audition. Part III concerns the chemical
senses, including olfaction and gustation. Part IV discusses bodily
awareness, peripersonal space, and touch. Finally, the volume
concludes with Part V on multimodality. Spatial Senses is an
important contribution to the scholarly literature on the
philosophy of perception that takes into account important advances
in the sciences.
Driver inattention has been identified as one of the leading causes
for car accidents. The problem of distraction while driving is
likely to worsen, partly due to increasingly complex in-car
technologies. However, intelligent transport systems are being
developed to assist drivers and to ensure a safe road environment.
One approach to the design of ergonomic automobile systems is to
integrate our understanding of the human information processing
systems into the design process. This book aims to further the
design of ergonomic multisensory interfaces using research from the
fast-growing field of cognitive neuroscience. It focuses on two
aspects of driver information-processing in particular:
multisensory interactions and the spatial distribution of attention
in driving. The Multisensory Driver provides interface design
guidelines together with a detailed review of current cognitive
neuroscience and behavioural research in multisensory human
perception, which will help the development of ergonomic
interfaces. The discussion on spatial attention is particularly
relevant for car interface designers, but it will also appeal to
cognitive psychologists interested in spatial attention and the
applications of these theoretical research findings. Giving a
detailed description of a cohesive series of psychophysical
experiments on multisensory warning signals, conducted in both
laboratory and simulator settings, this book provides an approach
for those in the engineering discipline who wish to test their
systems with human observers.
Driver inattention has been identified as one of the leading causes
for car accidents. The problem of distraction while driving is
likely to worsen, partly due to increasingly complex in-car
technologies. However, intelligent transport systems are being
developed to assist drivers and to ensure a safe road environment.
One approach to the design of ergonomic automobile systems is to
integrate our understanding of the human information processing
systems into the design process. This book aims to further the
design of ergonomic multisensory interfaces using research from the
fast-growing field of cognitive neuroscience. It focuses on two
aspects of driver information-processing in particular:
multisensory interactions and the spatial distribution of attention
in driving. The Multisensory Driver provides interface design
guidelines together with a detailed review of current cognitive
neuroscience and behavioural research in multisensory human
perception, which will help the development of ergonomic
interfaces. The discussion on spatial attention is particularly
relevant for car interface designers, but it will also appeal to
cognitive psychologists interested in spatial attention and the
applications of these theoretical research findings. Giving a
detailed description of a cohesive series of psychophysical
experiments on multisensory warning signals, conducted in both
laboratory and simulator settings, this book provides an approach
for those in the engineering discipline who wish to test their
systems with human observers.
Cognitive neuroscientists have started to uncover the neural
substrates, systems, and mechanisms enabling us to prioritize the
processing of certain sensory information over other, currently
less-relevant, inputs. However, there is still a large gap between
the knowledge generated in the laboratory and its application to
real-life problems of attention as when, for example, interface
operators are multi-tasking. In this Element, laboratory studies on
crossmodal attention (both behavioural/psychophysical and cognitive
neuroscience) are situated within the applied context of driving.
We contrast the often idiosyncratic conditions favoured by much of
the laboratory research, typically using a few popular paradigms
involving simplified experimental conditions, with the noisy,
multisensory, real-world environments filled with complex,
intrinsically-meaningful stimuli. By drawing attention to the
differences between basic and applied studies in the context of
driving, we highlight a number of important issues and neglected
areas of research as far as the study of crossmodal attention is
concerned.
Many organisms possess multiple sensory systems, such as vision,
hearing, touch, smell, and taste. The possession of such multiple
ways of sensing the world offers many benefits. These benefits
arise not only because each modality can sense different aspects of
the environment, but also because different senses can respond
jointly to the same external object or event, thus enriching the
overall experience-for example, looking at an individual while
listening to them speak. However, combining the information from
different senses also poses many challenges for the nervous system.
In recent years, there has been dramatic progress in understanding
how information from different sensory modalities gets integrated
in order to construct useful representations of external space; and
in how such multimodal representations constrain spatial attention.
Such progress has involved numerous different disciplines,
including neurophysiology, experimental psychology, neurological
work with brain-damaged patients, neuroimaging studies, and
computational modelling. This volume brings together the leading
researchers from all these approaches, to present the first
integrative overview of this central topic in cognitive
neuroscience.
A ground-breaking book by the world-leading expert in sensory
science: Freakonomics for food 'Popular science at its best' -
Daniel Levitin Why do we consume 35% more food when eating with one
more person, and 75% more when with three? Why are 27% of drinks
bought on aeroplanes tomato juice? How are chefs and companies
planning to transform our dining experiences, and what can we learn
from their cutting-edge insights to make memorable meals at home?
These are just some of the ingredients of Gastrophysics, in which
the pioneering Oxford professor Charles Spence shows how our senses
link up in the most extraordinary ways, and reveals the importance
of all the 'off-the-plate' elements of a meal: the weight of
cutlery, the placing on the plate, the background music and much
more. Whether dining alone or at a dinner party, on a plane or in
front of the TV, he reveals how to understand what we're tasting
and influence what others experience. Mealtimes will genuinely
never be the same again. 'Truly accessible, entertaining and
informative. On every page there are ideas to set you thinking and
widen your horizons' - Heston Blumenthal, OBE 'His delight in weird
food facts is infectious...fascinating' - James McConnachie, Sunday
Times 'Gastrophysics is packed with such tasty factual morsels that
could be served up at dinner parties. If Spence can percolate all
these factual morsels to the mainstream, the benefits to all of us
would be obvious' - Nick Curtis, Daily Telegraph 'Spence allows
people to appreciate the multisensory experience of eating' - New
Yorker 'The scientist changing the way we eat' - Guardian
Multisensory Flavor Perception: From Fundamental Neuroscience
Through to the Marketplace provides state-of-the-art coverage of
the latest insights from the rapidly-expanding world of
multisensory flavor research. The book highlights the various types
of crossmodal interactions, such as sound and taste, and vision and
taste, showing their impact on sensory and hedonic perception,
along with their consumption in the context of food and drink. The
chapters in this edited volume review the existing literature, also
explaining the underlying neural and psychological mechanisms which
lead to crossmodal perception of flavor. The book brings together
research which has not been presented before, making it the first
book in the market to cover the literature of multisensory flavor
perception by incorporating the latest in psychophysics and
neuroscience.
Out of all the human senses, touch is the one that is most often
unappreciated, and undervalued. Yet, the surface of the human body,
the skin, is actually one huge sheet of tactile receptors. It
provides us with the means to connect with our surroundings.
Despite the important role that vision plays in our everyday lives,
it is the skin that constitutes both the oldest, and by far the
largest of our sense organs. The skin protects our body from the
external world and, at the same time, informs us about what occurs
on its surface. In Touch With The Future explores the science of
touch, bringing together the latest findings from cognitive
neuroscience about the processing of tactile information in humans.
The book provides a comprehensive overview of scientific knowledge
regarding themes such as tactile memory, tactile awareness
(consciousness), tactile attention, the role of touch in
interpersonal and sexual interactions, and the neurological
substrates of touch. It highlights the many ways in which our
growing understanding of the world of touch can, and in some cases
already are, being applied in the real world in everything from the
development of virtual reality (VR) environments, tablet PCs,
mobile phones, and even teledildonics - the ultimate frontier in
terms of adult entertainment. In addition, the book shows how the
cognitive neuroscience approach to the study of touch can be
applied to help improve the design of many real-world
applications/products as well as to many of our everyday
experiences, such as those related to the appreciation of food,
marketing, packaging design, the development of enhanced sensory
substitution systems, art, and man-machine interfaces. Crucially,
the authors makes a convincing argument for the view that one
cannot really understand touch, especially not in a real-world
context, without placing it in a multisensory context. That is, the
senses interact to influence tactile perception in everything -
from changing the feel of a surface or product by changing the
sound it makes or the fragrance it has. For students and
researchers in the brain sciences, this book presents a valuable
and fascinating exploration into one of our least understood senses
We perceive and understand our environment using many sensory
systems-vision, touch, hearing, taste, smell, and proprioception.
These multiple sensory modalities not only give us complementary
sources of information about the environment but also an
understanding that is richer and more complex than one modality
alone could achieve. As adults, we integrate the multiple signals
from these sense organs into unified functional representations.
However, the ease with which we accomplish this feat belies its
computational complexity. Not only do the senses convey information
about the environment in different neural codes, but the
relationship between the senses frequently changes when, for
example, the body changes posture (e.g. when the eyes move in their
sockets), or indeed shape, when the body grows across development.
These computational problems prompt an important question which
represents the key focus of this book: How do we develop the
ability to integrate the senses? While there is a considerable
literature on the development of single senses, such as vision or
hearing, few books have considered the development of all our
senses, and more importantly, how they develop the ability to work
with each other.
This book is unique in exploring this extraordinary feat of human
nature - how we develop the ability to integrate our senses. It
will be an important book for all those in the fields of cognitive
and developmental neuroscience.
Title: From the Braes of the Carse: poems and songs ... Edited by
J. M. Strachan.Publisher: British Library, Historical Print
EditionsThe British Library is the national library of the United
Kingdom. It is one of the world's largest research libraries
holding over 150 million items in all known languages and formats:
books, journals, newspapers, sound recordings, patents, maps,
stamps, prints and much more. Its collections include around 14
million books, along with substantial additional collections of
manuscripts and historical items dating back as far as 300 BC.The
POETRY & DRAMA collection includes books from the British
Library digitised by Microsoft. The books reflect the complex and
changing role of literature in society, ranging from Bardic poetry
to Victorian verse. Containing many classic works from important
dramatists and poets, this collection has something for every lover
of the stage and verse. ++++The below data was compiled from
various identification fields in the bibliographic record of this
title. This data is provided as an additional tool in helping to
insure edition identification: ++++ British Library Spence,
Charles; Strachan, James; null 4 . 11651.l.45.
This scarce antiquarian book is a selection from Kessinger
Publishing's Legacy Reprint Series. Due to its age, it may contain
imperfections such as marks, notations, marginalia and flawed
pages. Because we believe this work is culturally important, we
have made it available as part of our commitment to protecting,
preserving, and promoting the world's literature. Kessinger
Publishing is the place to find hundreds of thousands of rare and
hard-to-find books with something of interest for everyone!
This is an EXACT reproduction of a book published before 1923. This
IS NOT an OCR'd book with strange characters, introduced
typographical errors, and jumbled words. This book may have
occasional imperfections such as missing or blurred pages, poor
pictures, errant marks, etc. that were either part of the original
artifact, or were introduced by the scanning process. We believe
this work is culturally important, and despite the imperfections,
have elected to bring it back into print as part of our continuing
commitment to the preservation of printed works worldwide. We
appreciate your understanding of the imperfections in the
preservation process, and hope you enjoy this valuable book.
This is an EXACT reproduction of a book published before 1923. This
IS NOT an OCR'd book with strange characters, introduced
typographical errors, and jumbled words. This book may have
occasional imperfections such as missing or blurred pages, poor
pictures, errant marks, etc. that were either part of the original
artifact, or were introduced by the scanning process. We believe
this work is culturally important, and despite the imperfections,
have elected to bring it back into print as part of our continuing
commitment to the preservation of printed works worldwide. We
appreciate your understanding of the imperfections in the
preservation process, and hope you enjoy this valuable book.
This scarce antiquarian book is a selection from Kessinger
PublishingAcentsa -a centss Legacy Reprint Series. Due to its age,
it may contain imperfections such as marks, notations, marginalia
and flawed pages. Because we believe this work is culturally
important, we have made it available as part of our commitment to
protecting, preserving, and promoting the world's literature.
Kessinger Publishing is the place to find hundreds of thousands of
rare and hard-to-find books with something of interest for e
This is a reproduction of a book published before 1923. This book
may have occasional imperfections such as missing or blurred pages,
poor pictures, errant marks, etc. that were either part of the
original artifact, or were introduced by the scanning process. We
believe this work is culturally important, and despite the
imperfections, have elected to bring it back into print as part of
our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in
the preservation process, and hope you enjoy this valuable book.
This is an EXACT reproduction of a book published before 1923. This
IS NOT an OCR'd book with strange characters, introduced
typographical errors, and jumbled words. This book may have
occasional imperfections such as missing or blurred pages, poor
pictures, errant marks, etc. that were either part of the original
artifact, or were introduced by the scanning process. We believe
this work is culturally important, and despite the imperfections,
have elected to bring it back into print as part of our continuing
commitment to the preservation of printed works worldwide. We
appreciate your understanding of the imperfections in the
preservation process, and hope you enjoy this valuable book.
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