Christopher Ben Simpson tells the story of modern Christian theology against the backdrop of the history of modernity itself. The book tells the many ways that theology became modern while seeing how modernity arose in no small part from theology. These intertwined stories progress through four parts. In Part I, Emerging Modernity, Simpson goes from the beginnings of modernity in the late Middle Ages through the Protestant Reformation and Renaissance Humanism to the creative tension between Enlightenments and Awakenings of the eighteenth-century. Part II, The Long Nineteenth-Century, presents the great movements and figures arising out of these creative tension - from Romanticism and Schleiermacher to Ritschlianism and Vatican I. Part III, Twentieth-Century Crisis and Modernity, proceeds through the revolutionary theologies of period of the World Wars such as that of Karl Barth or novuelle theologie; this part includes a thorough section on modern Eastern Orthodox theology. Finally, Part IV, The Late Modern Supernova, lays out the diverse panoply of recent theologies - from the various liberation theologies to the revisionist, the secular, the postliberal, and the postsecular. Designed for classroom use, this volume includes the following features: - boxes/chart/diagrams/visual organizations of the information presented included throughout: e.g. lists of key points, visual organizations of systematic ideas in a given thinker, lists of significant works, lists of significant dates, brief outlines of the basic structure of some major theological works - both a one-page chapter title table of the contents and an expanded(multipage) table of contents - chapter at-a-glance overview/outline at the beginning of each chapter - specific references to secondary works and key primary works in Enqlish translation at the end of chapters

In William Desmond and Contemporary Theology, Christopher Simpson and Brendan Sammon coordinate, through a collection of scholarly essays, a timely exploration of William Desmond's work on theology and metaphysics, bringing the disciplines of philosophy and theology together in new and vital ways. The book examines the contribution that Desmond's metaphysics makes to contemporary theological discourse and to the renewal of metaphysics. A central issue for the contributors is the renewal of metaphysics within the post-metaphysical, or anti-metaphysical, context of late modernity. This volume not only capably demonstrates the viability of the metaphysical tradition but also illuminates its effectiveness and value in dealing with the many issues in contemporary theological conversation. William Desmond and Contemporary Theology presents Desmond's contemporary, yet historically aware, continental metaphysics as able to provide revealing insights for the discussion of the relation between philosophy and theology. Simpson and Sammon argue, moreover, that Desmond's contribution to linking these two fields makes his an important voice in the academic conversation. Students and scholars of Desmond, contemporary philosophy, theology, and literature will find much to provoke thought in this collection. Contributors: John R. Betz, Christopher R. Brewer, Patrick X. Gardner, Joseph K. Gordon, Renee Koehler-Ryan, D. Stephen Long, John Panteleimon Manoussakis, Cyril O'Regan, Brendan Thomas Sammon, D. C. Schindler, Christopher Ben Simpson, and Corey Benjamin Tutewiler.

Known especially for his original system of metaphysics in a trilogy of books published between 1995 and 2008, and for his scholarship on Hegel, William Desmond has left his mark on the philosophy of religion, ethics, and aesthetics. "The William Desmond Reader" provides for the first time in a single book a point of entry into his original and constructive philosophy, including carefully chosen selections of his works that introduce the key ideas, perspectives, and contributions of his philosophy as a whole. Also featured is an original essay by Desmond himself reflecting synthetically on the topics covered, as well as an interview by Richard Kearney.

Christopher Ben Simpson tells the story of modern Christian theology against the backdrop of the history of modernity itself. The book tells the many ways that theology became modern while seeing how modernity arose in no small part from theology. These intertwined stories progress through four parts. In Part I, Emerging Modernity, Simpson goes from the beginnings of modernity in the late Middle Ages through the Protestant Reformation and Renaissance Humanism to the creative tension between Enlightenments and Awakenings of the eighteenth-century. Part II, The Long Nineteenth-Century, presents the great movements and figures arising out of these creative tension - from Romanticism and Schleiermacher to Ritschlianism and Vatican I. Part III, Twentieth-Century Crisis and Modernity, proceeds through the revolutionary theologies of period of the World Wars such as that of Karl Barth or novuelle theologie; this part includes a thorough section on modern Eastern Orthodox theology. Finally, Part IV, The Late Modern Supernova, lays out the diverse panoply of recent theologies - from the various liberation theologies to the revisionist, the secular, the postliberal, and the postsecular. Designed for classroom use, this volume includes the following features: - boxes/chart/diagrams/visual organizations of the information presented included throughout: e.g. lists of key points, visual organizations of systematic ideas in a given thinker, lists of significant works, lists of significant dates, brief outlines of the basic structure of some major theological works - both a one-page chapter title table of the contents and an expanded(multipage) table of contents - chapter at-a-glance overview/outline at the beginning of each chapter - specific references to secondary works and key primary works in Enqlish translation at the end of chapters

About the Contributor(s): Christopher Ben Simpson is Associate Professor of Philosophy and Theology at Lincoln Christian University.

What can a theologian do with Deleuze? While using philosophy as a resource for theology is nothing new, Gilles Deleuze (1925-1995) presents a kind of limit-case for such a theological appropriation of philosophy: a thoroughly "modern" philosophy that would seem to be fundamentally hostile to Christian theology--a philosophy of atheistic immanence with an essentially chaotic vision of the world. Nonetheless, Deleuze's philosophy can generate many potential intersections with theology opening onto a field of configurations: a fractious middle between radical Deleuzian theologies that would think through theology and reinterpret it from the perspective of some version of Deleuzian philosophy and other theologies that would seek to learn from and respond to Deleuze from the perspective of confessional theology--to take from the encounter with Deleuze an opportunity to clarify and reform an orthodox Christian self-understanding.

In The Truth Is the Way, Christopher Ben Simpson presents Kierkegaard's work as a theologia viatorum, a theology to guide one on life's way. Thistruth that is the way is at once existential, metaphysical, and theological - the highest truth is a living in accord with reality that is revealed to us and enabled in us by Jesus Christ. This picture ofKierkegaard's thought, drawing on the whole of his published corpus, presents his perspectives (by way of prolegomena) on the nature oftruth, of communication and of faith and (more substantially) his guiding vision of the world, God, humanity, and Christ, culminating in Kierkegaard's understanding of the manner of life lived in light of this vision - of a journey walked in the virtues of patience, faith, hope, and love toward a life of joy in the midst of suffering, of communion withoneself, with God, with others.

William Desmond s original and creative work in metaphysics is attracting more and more attention from philosophers of religion. Putting Desmond in conversation with John D. Caputo, an important philosopher of religion from the Continental tradition, Christopher Ben Simpson casts new light on Desmond s complex, multifaceted, and nuanced thought. The comparative approach allows Simpson to get at the core of recent debates in the philosophy of religion. He develops a rich understanding of how ethics and religion are informed by metaphysics, and contrasts this approach to the decidedly anti-metaphysical stance in Continental philosophy. Religion, Metaphysics, and the Postmodern presents a systematic analysis of Desmond's thought as it advances work on Caputo s thinking and on the philosophy of religion."

The philosophical contributions of French phenomenologist, Maurice Merleau-Ponty, carry great untapped potential for theologians thinking through some of the central affirmations of the Christian faith. This exploration is structured against the background of the fundamental interrelation between three "bodies" in Merleau-Ponty's thought and in Christian theology: the material as such or "nature" (the corporeal), the human body as a living body (the corporal), and the social body (the corporate-including language and tradition). Merleau-Ponty's philosophy offers a finessed and non-reductionistic understanding of the relations between these orders of bodies. Appropriating Merleau-Ponty's thought helps one think through Christian doctrines of creation, theological anthropology, Christology, ecclesiology, and eschatology.