By the time readers encounter academic history in the form of books and articles, all that tends to be left of an author's direct experience with archives is pages of endnotes. Whether intentionally or not, archives have until recently been largely thought of as discrete collections of documents, perhaps not neutral but rarely considered to be historical actors. This book brings together top media scholars to rethink the role of the archive and historical record from the perspective of writing media history. Exploring the concept of the archive forces a reconsideration of what counts as historical evidence. In this analysis the archive becomes a concept that allows the authors to think about the acts of classifying, collecting, storing, and interpreting the sources used in historical research. The essays included in this volume, from Susan Douglas, Lisa Gitelman, John Nerone, Jeremy Packer, Paddy Scannell, Lynn Spigel, and Jonathan Sterne, focus on both the theoretical and practical ways in which the archive has affected how media is thought about as an object for historical analysis. This book was published as a special issue of The Communication Review.

Buckley's Hope is based on the true story of a young English convict named William Buckley who, on Boxing Day 1803, escaped from an abortive first settlement in Victoria, Australia, and then survived in the wilderness for 32 years, after he was adopted and helped by local Aboriginal tribes. In 1835, Buckley emerged with his tribal friends to meet Melbourne's founders, and quickly became an important guide and interpreter in the crucial first years of the European conquest of the Port Phillip region. Suddenly, trapped in the rapidly ensuing conflict between two vastly different societies, Buckley found himself mistrusted by his former black friends and by his white compatriots. He was so harshly reviled that his reputation has suffered to this day. With great sensitivity, and based on meticulous research, Craig Robertson has re-created the fateful encounter between Australia's 'wild white man' and the original inhabitants of the Australian continent. Remarkably, through Buckley's eyes we can see how much was at stake and how much was lost when two worlds collided.

In today's world of constant identification checks, it's difficult to recall that there was ever a time when "proof of identity" was not a part of everyday life. And as anyone knows who has ever lost a passport, or let one expire on the eve of international travel, the passport has become an indispensable document. But how and why did this form of identification take on such a crucial role?
In the first history of the passport in the United States, Craig Robertson offers an illuminating account of how this document, above all others, came to be considered a reliable answer to the question: who are you? Historically, the passport originated as an official letter of introduction addressed to foreign governments on behalf of American travelers, but as Robertson shows, it became entangled in contemporary negotiations over citizenship and other forms of identity documentation. Prior to World War I, passports were not required to cross American borders, and while some people struggled to understand how a passport could accurately identify a person, others took advantage of this new document to advance claims for citizenship. From the strategic use of passport applications by freed slaves and a campaign to allow married women to get passports in their maiden names, to the "passport nuisance" of the 1920s and the contested addition of photographs and other identification technologies on the passport, Robertson sheds new light on issues of individual and national identity in modern U.S. history.
In this age of heightened security, especially at international borders, Robertson's The Passport in America provides anyone interested in questions of identification and surveillance with a richly detailed, and often surprising, history of this uniquely important document.

WINNER OF THE CWA SHORT STORY DAGGER In Bloody Scotland a selection of Scotland's best crime writers use the sinister side of the country's built heritage in stories that are by turns gripping, chilling and redemptive. Stellar contributors Val McDermid, Chris Brookmyre, Denise Mina, Ann Cleeves, Louise Welsh, Lin Anderson, Doug Johnstone, Gordon Brown, Craig Robertson, E S Thomson, Sara Sheridan and Stuart MacBride explore the thrilling potential of Scotland's iconic sites and structures. From murder in an ancient broch and a macabre tale of revenge among the furious clamour of an eighteenth century mill, to a dark psychological thriller set within the tourist throng of Edinburgh Castle and a rivalry turning fatal in the concrete galleries of an abandoned modernist ruin, this collection uncovers the intimate - and deadly - connections between people and places. Prepare for a dangerous journey into the dark shadows of our nation's buildings - where passion, fury, desire and death collide.

James Carey is arguably the founder of the critical cultural study of communication and media in the United States. This volume brings together top communication and media scholars to revisit and engage key themes in Carey's groundbreaking work. This lively assortment of cutting-edge research provides a timely overview of Carey's impact on current scholarship in communication, cultural studies, and U.S. history. Also included is a wide-ranging two-part interview by Lawrence Grossberg in which Carey discusses his intellectual biography, revisits his classic essays, and argues for the urgent need for democratically motivated scholarship in the contemporary United States.

By the time readers encounter academic history in the form of books and articles, all that tends to be left of an author's direct experience with archives is pages of endnotes. Whether intentionally or not, archives have until recently been largely thought of as discrete collections of documents, perhaps not neutral but rarely considered to be historical actors. This book brings together top media scholars to rethink the role of the archive and historical record from the perspective of writing media history. Exploring the concept of the archive forces a reconsideration of what counts as historical evidence. In this analysis the archive becomes a concept that allows the authors to think about the acts of classifying, collecting, storing, and interpreting the sources used in historical research. The essays included in this volume, from Susan Douglas, Lisa Gitelman, John Nerone, Jeremy Packer, Paddy Scannell, Lynn Spigel, and Jonathan Sterne, focus on both the theoretical and practical ways in which the archive has affected how media is thought about as an object for historical analysis. This book was published as a special issue of The Communication Review.

The fascinating, moving story of a friendship with an inmate on death row It was a clash of race, privilege, and circumstance when Alan Robertson first signed up through a church program to visit Cecil Johnson on Death Row, to offer friendship and compassion. Alan's wife Suzanne had no intention of being involved, but slowly, through phone calls and letters, she began to empathize and understand him. That Cecil and Suzanne eventually became such close friends-a white middle-class woman and a Black man who grew up devoid of advantage-is a testament to perseverance, forgiveness, and love, but also to the notion that differences don't have to be barriers. This book recounts a fifteen-year friendship and how trust and compassion were forged despite the difficult circumstances, and how Cecil ended up ministering more to Suzanne's family than they did to him. The story details how Cecil maintained inexplicable joy and hope despite the tragic events of his life and how Suzanne, Alan, and their two daughters opened their hearts to a man convicted of murder. Cecil Johnson was executed Dec. 2, 2009.

Don't miss WATCH HIM DIE, the latest edge-of-your-seat thriller that is 'truly difficult to put down' (Daily Mail) from Sunday Times bestselling author Craig Robertson - available to order now! A murder investigation frozen in time begins to melt . . . NOVEMBER 1993. Scotland is in the grip of an ice-cold winter and the Lake of Menteith is frozen over. A young man and woman walk across the ice to the historic island of Inchmahome which lies in the middle of the lake. Only the man returns. In the spring, as staff prepare the abbey ruins for summer visitors, they discover the body of a girl, her skull violently crushed. PRESENT DAY. Retired detective Alan Narey is still haunted by the unsolved crime. Desperate to relieve her ailing father's conscience, DS Rachel Narey risks her job and reputation by returning to the Lake of Menteith and unofficially reopening the cold case. With the help of police photographer Tony Winter, Rachel prepares a dangerous gambit to uncover the killer's identity - little knowing who that truly is. Despite the freezing temperatures, the ice cold case begins to thaw, and with it a tide of secrets long frozen in time are suddenly and shockingly unleashed. Brilliant crime fiction for fans of Stuart MacBride and Ian Rankin, Craig Robertson's latest thriller, Watch Him Die, was nominated for the McIlvanney Prize 2020 for Scottish Crime Book of the Year. Praise for Craig Robertson: 'Robertson is doing for Glasgow what Rankin did for Edinburgh' Mirror 'I can't recommend this book highly enough' MARTINA COLE 'Brace yourself to be horrified and hooked' EVA DOLAN 'Fantastic characterisation, great plotting, page-turning and gripping. The best kind of intelligent and moving crime fiction writing' LUCA VESTE 'Really enjoyed Murderabilia - disturbing, inventive, and powerfully and stylishly written. Recommended' STEVE MOSBY 'A great murder mystery witha brilliantly realised setting and deftly painted characters' JAMES OSWALD 'Takes a spine-tingling setting and an original storyline and adds something more' Scottish Daily Record 'A perfectly constrcuted police procedural with real psychological depth' Crimefictionlover

FROM THE BESTSELLING AUTHOR OF RANDOM AND MURDERABILIA - DS Rachel Narey must bring a serial killer to justice. Scotland 1972.Glasgow is haunted by a murderer nicknamed Red Silk - a feared serial killer who selects his victims in the city's nightclubs. The case remains unsolved but Archibald Atto, later imprisoned for other murders, is thought to be Red Silk. In modern-day Glasgow, DS Rachel Narey is called to a gruesome crime scene at the city's Necropolis. The body of a young woman lies stretched out over a tomb. Her body bears a three-letter message from her killer. Now retired, former detective Danny Neilson spots a link between the new murder and those he investigated in 1972 - details that no copycat killer could have known about. But Atto is still behind bars. Determined finally to crack the case, Danny, along with his nephew, police photographer Tony Winter, pays Atto a visit. But they soon discover that they are going to need the combined efforts of police forces past and present to bring a twisted killer to justice. Brilliant crime fiction for fans of Stuart MacBride and Ian Rankin, Craig Robertson's debut thriller Random was shortlisted for the CWA New Blood Dagger. Praise for Craig Robertson: 'Robertson is doing for Glasgow what Rankin did for Edinburgh' Mirror 'I can't recommend this book highly enough' MARTINA COLE 'Brace yourself to be horrified and hooked' EVA DOLAN 'Fantastic characterisation, great plotting, page-turning and gripping. The best kind of intelligent and moving crime fiction writing' LUCA VESTE 'Really enjoyed Murderabilia - disturbing, inventive, and powerfully and stylishly written. Recommended' STEVE MOSBY 'A great murder mystery witha brilliantly realised setting and deftly painted characters' JAMES OSWALD 'Takes a spine-tingling setting and an original storyline and adds something more' Scottish Daily Record 'A perfectly constrcuted police procedural with real psychological depth' Crimefictionlover

In today's world of constant identification checks, it's difficult to recall that there was ever a time when "proof of identity" was not a part of everyday life. And as anyone knows who has ever lost a passport, or let one expire on the eve of international travel, the passport has become an indispensable document. But how and why did this form of identification take on such a crucial role? In the first history of the passport in the United States, Craig Robertson offers an illuminating account of how this document, above all others, came to be considered a reliable answer to the question: who are you? Historically, the passport originated as an official letter of introduction addressed to foreign governments on behalf of American travelers, but as Robertson shows, it became entangled in contemporary negotiations over citizenship and other forms of identity documentation. Prior to World War I, passports were not required to cross American borders, and while some people struggled to understand how a passport could accurately identify a person, others took advantage of this new document to advance claims for citizenship. From the strategic use of passport applications by freed slaves and a campaign to allow married women to get passports in their maiden names, to the "passport nuisance" of the 1920s and the contested addition of photographs and other identification technologies on the passport, Robertson sheds new light on issues of individual and national identity in modern U.S. history. In this age of heightened security, especially at international borders, Robertson's The Passport in America provides anyone interested in questions of identification and surveillance with a richly detailed, and often surprising, history of this uniquely important document.

FROM THE BESTSELLING AUTHOR OF RANDOM AND MURDERABILIA - John Callum is fleeing his past, but has run straight into danger. When John Callum arrives on the wild and desolate Faroe Islands, he vows to sever all ties with his previous life. He desperately wants to make a new start, and is surprised by how quickly he is welcomed into the close-knit community. But still, the terrifying, debilitating nightmares just won't stop. Then the solitude is shattered by an almost unheard of crime on the islands: murder. A specialist team of detectives arrives from Denmark to help the local police, who seem completely ill-equipped for an investigation of this scale. But as tensions rise, and the community closes rank to protect its own, John has to watch his back. But far more disquieting than that, John's nightmares have taken an even more disturbing turn, and he can't be certain about the one thing he needs to know above all else. Whether he is the killer ... Brilliant crime fiction for fans of Stuart MacBride and Ian Rankin, Craig Robertson's debut thriller Random was shortlisted for the CWA New Blood Dagger. Praise for Craig Robertson: 'Robertson is doing for Glasgow what Rankin did for Edinburgh' Mirror 'I can't recommend this book highly enough' MARTINA COLE 'Brace yourself to be horrified and hooked' EVA DOLAN 'Fantastic characterisation, great plotting, page-turning and gripping. The best kind of intelligent and moving crime fiction writing' LUCA VESTE 'Really enjoyed Murderabilia - disturbing, inventive, and powerfully and stylishly written. Recommended' STEVE MOSBY 'A great murder mystery witha brilliantly realised setting and deftly painted characters' JAMES OSWALD 'Takes a spine-tingling setting and an original storyline and adds something more' Scottish Daily Record 'A perfectly constrcuted police procedural with real psychological depth' Crimefictionlover

The history of how a deceptively ordinary piece of office furniture transformed our relationship with information The ubiquity of the filing cabinet in the twentieth-century office space, along with its noticeable absence of style, has obscured its transformative role in the histories of both information technology and work. In the first in-depth history of this neglected artifact, Craig Robertson explores how the filing cabinet profoundly shaped the way that information and data have been sorted, stored, retrieved, and used. Invented in the 1890s, the filing cabinet was a result of the nineteenth-century faith in efficiency. Previously, paper records were arranged haphazardly: bound into books, stacked in piles, curled into slots, or impaled on spindles. The filing cabinet organized loose papers in tabbed folders that could be sorted alphanumerically, radically changing how people accessed, circulated, and structured information. Robertson's unconventional history of the origins of the information age posits the filing cabinet as an information storage container, an "automatic memory" machine that contributed to a new type of information labor privileging manual dexterity over mental deliberation. Gendered assumptions about women's nimble fingers helped to naturalize the changes that brought women into the workforce as low-level clerical workers. The filing cabinet emerges from this unexpected account as a sophisticated piece of information technology and a site of gendered labor that with its folders, files, and tabs continues to shape how we interact with information and data in today's digital world.