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David Hillman's new book focuses on a vital area of contemporary
Renaissance scholarship - that of Early Modern notions of
embodiment and selfhood. The book imagines the Shakespearean corpus
from the inside out: it explores the preoccupation with the body's
interior spaces in several of Shakespeare's plays, focussing on how
these plays address questions of knowledge and acknowledgement: on
the ways characters imagine being within the body of the other, or
having one's own body inhabited or possessed by another.
Shakespeare's Entrails explores the connections between embodiment,
knowledge and acknowledgement in Shakespeare's plays. Hillman sets
out a theory of the emergence of modern subjectivity in the context
of a world that was increasingly coming to see the human body as a
closed system.
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