David Hillman's new book focuses on a vital area of contemporary
Renaissance scholarship - that of Early Modern notions of
embodiment and selfhood. The book imagines the Shakespearean corpus
from the inside out: it explores the preoccupation with the body's
interior spaces in several of Shakespeare's plays, focussing on how
these plays address questions of knowledge and acknowledgement: on
the ways characters imagine being within the body of the other, or
having one's own body inhabited or possessed by another.
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