A triumphant transformation of mediaeval mystery plays into radical political theatre Mistero Buffo, or The Comic Mysteries, recreates the irreverent vitality of the popular mediaeval theatre. It is based on careful research into the work of the strolling players of Italy in the middle ages. Essential to an understanding of the well-springs of Fo's remarkable genius, this is the first translation of the play into English."Fo is the determined enemy of pomp, ceremony and the material aspects of religion but what shines out of this exhilarating show is the love of humanity and truth." (Michael Billington, The Guardian)

'The quality that makes Fo uniquely powerful ...[is] the ability to wring wild laughter out of insidious corruption' Guardian 'Simon Nye's witty translation updates and relocates the play ...suitably close to contemporary England. Fo is that rare thing, a far-left playwright with a popular, comic touch. And his stinging attack upon the black arts of government cover-up, manipulation and mendacity could not be more timely' Evening Standard In its first two years of production, Dario Fo's controversial farce, Accidental Death of an Anarchist, was seen by over half a million people. It has since been performed all over the world and is widely recognised as a classic of modern drama. A sharp and hilarious satire on political corruption, it concerns the case of an anarchist railway worker who, in 1969, 'fell' to his death from a police headquarters window. This version of the play was premiered at the Donmar Warehouse, London, in February 2003. Commentary and notes by Joseph Farrell.

Dramatic Comedy / Characters: 5 male, 4 female

Scenery: Interior/Exterior

This classic imparts an indelible picture of Chekhov's Russia and of his rich, bittersweet and deeply human characters.

"Blessedly free both of Slavisms and of up-to-date colloquialisms." -New York Times

"Simply wonderful." -Boston Globe"Mamet's adaptation is true and faithful to the Russian master in both tone and content." -Cape Cod Times

Winner of the 1997 Nobel Prize for Literature, Dario Fo is one of the world's most important contemporary playwrights, forging subversive comedy, clowning, unusual linguistic experimentation, and brilliant playwriting into a comedy of complete originality. In a first-person monologue that bends and mutates language and historical fact, Johan Padan and the Discovery of the Americas is a brilliant, vividly imagined retelling of Christopher Columbus's voyage to America. Told by a last-minute conscript assigned to clean the shipboard pig stalls, who goes on to be adopted by a tribe of Indians and help them fight conquistadors, it posits a riotous alternate history in which the dynamics between native and white, male and female, history and comedy are never what they seem.

Mistero Buffo, or The Comic Mysteries, is based on research into mediaeval mystery plays; The Accidental Death of an Anarchist concerns the "accidental" (or not) death of an anarchist railwork who "fell" (or was pushed) to his death from a police headquarters window in 1969; Trumpets and Raspberries is "A deeply subversive farce" (The Guardian) in which the boss of Italy's biggest car manufacturer FIAT, is mistaken for a left wing terrorist.

In its first two years of production in Italy, Dario Fo's notorious Accidental Death of an Anarchist was seen by over half a million people. It has since been performed all over the world, and become a classic of twentieth-century drama. A sharp and hilarious satire on police corruption, it concerns the case of an anarchist railway worker who, in 1969, 'fell' to his death from a police headquarters window. 'I ought to warn you that the author of this sick little play, Dario Fo, has the traditional, irrational hatred of the police common to all narrowminded left-wingers and so I shall, no doubt, be the unwilling butt of endless anti-authoritarian jibes.' (Inspector Bertozzo, Central Italian Police HQ) 'A marvellous concept: a zany political farce.' (Michael Billington) This edition has been adapted by Gavin Richards from Gillian Hanna's translation and features an introduction by Stuart Hood and a preface by Dario Fo.

Winner of the Nobel Prize for Literature

In the words of his translator, Ron Jenkins: "The Nobel committee's decision to honor Fo as a master of literature is a historic tribute to the theatre, which is still viewed by many as literature's bastard child; it is also the first time that the Nobel for the literary arts has been awarded to an actor. This courageous and controversial choice indirectly expands the modern definition of literature to include the power of the spoken word."

Volume One includes:
"We Won't Pay! We Won't Pay!
Elizabeth
Archangels Don't Play Pinball
About Face"

"Mistero Buffo" is Dario Fo's one-man tour de force, in which he creates his own subversive version of Biblical stories. Infused with the rhythmic drive of a jazz improvisation, the immediacy of a newspaper headline, and the epic scope of a historical novel, Fo and his wife/collaborator Franca Rame have performed "Mistero Buffo" throughout the world to over 10 million people.

One of the major theatrical artists of the twentieth century, Italy's Dario Fo was awarded the 1997 Nobel Prize in Literature.

Ron Jenkins' translations of Dario Fo have been performed across the country. He is the theater department chair at Wesleyan University.

Winner of the Nobel Prize for Literature, Dario Fo is one of the world's most important contemporary playwrights, forging subversive wit and unusual linguistic experimentation into a comedy of complete originality. The Peasants' Bible is a collection of five monologues drawn from Italian folklore but filtered through Fo's delightfully singular lens-for example, an Adam and Eve who are passionately entwined like peas in a pod; a race between two classes of men struggling for power that resembles the legend of the Hare and the Tortoise-to form a Bible of the common man. In The Story of the Tiger, we find a Fourth Army soldier injured fighting Chiang Kai-shek's army, saved from starvation by being suckled by an enormous tiger, who then comes back to defeat Kai-shek by using model tigers in combat. Together the pieces are an extraordinary addition to Fo's body of work.

An uproarious new version of Dario Fo's frenetic farce Can't Pay? Won't Pay! which, although set in Italy, has an all too familiar ring to it. Housewives Antonia and Margherita, fed up with high prices in the supermarket, take matters into their own hands and start shoplifting. Keen to keep their light-fingered antics from their husbands, Giovanni and Luigi - not to mention the police - the women are forced to resort to more and more inventive hiding places, and more and more elaborate cover stories, in this legendary comedy. Nobel prize winner Dario Fo is Italy's leading contemporary playwright, renowned for his hilarious satires including Accidental Death of an Anarchist. He has re-written his classic farce Can't Pay? Won't Pay! to take into account the global banking crisis and this translation, by world-leading Fo scholar Joseph Farrell, hints at UK current affairs too, including the credit crunch and MPs' expenses scandal. Although first written in 1970, this updated farce is still very relevant to today's state of affairs.

"Adapted by Stephen Stenning Millionaire media boss, Diana Forbes-McKaye, is kidnapped - but this ruthless magnate proves more resourceful than her clumsy abductors. Are things what they seem? Who is in charge? Who masterminded the abduction? Who has the television rights to this premier media event? Into this cocktail of chaotic double-dealing, Fo adds a gun-toting priest, a deranged altar boy, a kidnapper hiding in the fridge, pyromania and an explosive climax. "

Twenty monologues for women

Twenty monologues in this volume which range from the deeply serious to the extravagantly comic and accessible to a wide range of audiences

"The pieces are comic, grotesque, on purpose. First of all because we women have been crying for two thousand years. So let's laugh now, even at ourselves" - Franca Rame

"Set at the point where reality and ideology rub up against each other, [these] monologues are vivid, concise and entertaining comments on the female condition...comic-but-angry, raw-but-precise" - Independent