At the turn of the nineteenth century, the Gaza province of Mozambique is drowning in a torrent of war. Imani, a fifteen-year-old girl, struggles with her cultural identity as she is torn between her VaChopi roots and the occupying Portuguese. Her life becomes further fractured as her family is broken apart amid the conflict. Germano, a sergeant wrestling with guilt and grandeur, attempts to subdue one of the last African kingdoms, but meanwhile falls in love with Imani and loses himself to an infectious madness. In this vivid and enchanting novel, Mia Couto masterfully interweaves history with folklore and has managed to create a work of rare originality and imagination.

This new research in English on the work of the Mozambican writer Mia Couto provides a comprehensive introduction to the critical terrain of Couto's literary thought. Already well-established in the Lusophone world, Mia Couto is increasingly acknowledged as a major voice in World literature. Winner of the Camoes Prize for Literature in 2013, the most prestigious literary prize honouring Lusophone writers, he was awarded the Neustadt International Prize for Literature in 2014, and in 2015 was shortlisted for the Man Booker International Prize. Yet, despite this high profile there are very few full-length critical studiesin English about his writing. Mia Couto is known for his imaginative re-working of Portuguese, making it distinctively Mozambican in character. This book brings together some of the key scholars of his work such as Phillip Rothwell, Luis Madureira, and his long-time English translator David Brookshaw. Contributors examine not only his early works, which were written in the context of the 16-year post-independence civil war in Mozambique, but alsothe wide span of Couto's contemporary writing as a novelist, short story writer, poet and essayist. There are contributions on his work in ecology, theatre and journalism, as well as on translation and Mozambican nationalist politics. Most importantly the contributors engage with the significance of Couto's writing to contemporary discussions of African literature, Lusophone studies and World literature. Grant Hamilton is Associate Professor of English literature at the Chinese University of Hong Kong. He is the editor of Reading Marechera (James Currey, 2013). David Huddart is Associate Professor of English literature at the Chinese University of Hong Kongand is author of Involuntary Associations: World Englishes and Postcolonial Studies (Liverpool University Press, 2014]

Mariano, who has lived in the city from an early age, is summoned back to his village to attend his grandfather's funeral. But when he arrives, he discovers two things: firstly, that he has been nominated by his grandfather to take over the running of the family affairs, secondly that his grandfather has not died completely, but is in that frontier space between life and death. In traditional belief, he has died 'badly', and something must happen in order for him to be laid to rest. Mariano starts to receive letters supposedly written by his grandfather, telling him about the family. It is through this strange relationship that he discovers the secret of his own birth, while also cleansing his grandfather's conscience. The novel contains a blend of picturesque and sometimes comic characters and situations.

Set against the backdrop of the war between the Kingdom of Gaza, one of the last great pre-colonial African kingdoms, and the Portuguese colonialists, a young African woman Imani and the Portuguese sergeant Germano de Melo have shared an unexpected love. While Germano is left behind in Africa, serving with the Portuguese military, Imani is enlisted to serve as interpreter to the imprisoned emperor of Gaza, Ngungunyane, on the long voyage to Lisbon. For Ngungunyane and his seven wives, it will be a journey of no return. Whereas Imani will come back only after a decade-long odyssey through the Portuguese empire at the turn of the nineteenth century. In the third novel of his acclaimed Sands of the Emperor trilogy, Couto supplies a voice to those silenced by the horrors of colonialism. As he depicts the beauty and terror of war and love, and reveals the devastation of a profoundly unequal clash of cultures, he gives a uniquely personal voice to a little-known period of history.

An old man and a young boy, refugees from a civil war, seek shelter in a burnt out bus. Among the effects of a dead passenger, they discover a set of notebooks that tell of his life. As the boy reads the story to his elderly companion, the tale gradually becomes part of their own lives. Sleepwalking Land, Mia Couto?s first novel, was an immediate success, and judged at the Zimbabwe Bookfair 2001 to be one of the 12 best African books of the 20th century. Set in the author?s native Mozambique, the novel examines the effects of war and devastation on a newly independent African nation. A sombre book, it reflects a moment in the history of Mozambique when the country could only go forward after settling its account with the bloody past. Deftly exploring the relationship between oral tradition and the written word, truth and fiction, memory and invention, this is a memorable book that captures a critical moment in Africa?s history.

Book 2 in the reports series on the Upper Tisza Project, north-eastern Hungary. This volume investigates the settlement patterns in the Bodrogkoz Block. Contents: 1) Introduction to the Upper Tisza Project (John Chapman & Jozsef Laszlovszky); 2) The environment of the Bodrogkoz Block (Robert Shiel, Eniko Magyari, Basil Davis & John Chapman); 3) Land use potential of the Bodrogkoz Block (Robert Shiel); 4) The Gazetteer (John Chapman, Mark Gillings, Steve Leyland, Leanne Stowe & Denise Telford); 5) Analysis and interpretation of field survey data (John Chapman, Mark Gillings, Robert Shiel & Steve Leyland); 6) Summary of main results, Bodrogkoz Block (John Chapman, Mark Gillings & Steve Leyland).

Book 3 in the reports series on the Upper Tisza Project, north-eastern Hungary. This volume investigates the settlement patterns in the Zemplen Block. Contents: 1) Introduction to the Upper Tisza Project (John Chapman); 2) The environment of the Zemplen Block (Robert Shiel & Eniko Magyari); 3) Land use potential of the Zemplen Block (Robert Shiel); 4) The Gazetteer (John Chapman, Mark Gillings, Denise Telford & Steve Cousins); 5) Interpretation of prehistoric field survey data (John Chapman, Mark Gillings, Katalin Biro & Karen Hardy); 6) Interpretation of Early Modern forest prospection (John Chapman & Mark Gillings); 7) Summary of main results, Zemplen Block (John Chapman & Mark Gillings).

A RADIO FRANCE-CULTURE/TELERAMA BEST WORK OF FICTION
BY THE WINNER OF THE 2013 CAMOES PRIZE
AND THE WINNER OF THE 2014 NEUSTADT PRIZE
"Quite unlike anything else I have read from Africa.""--Doris Lessing
"By meshing the richness of African beliefs . . . into the Western framework of the novel, he creates a mysterious and surreal epic."--Henning Mankell
Mwanito was eleven when he saw a woman for the first time, and the sight so surprised him he burst into tears.
Mwanito has been living in a former big-game park for eight years. The only people he knows are his father, his brother, an uncle, and a servant. He's been told that the rest of the world is dead, that all roads are sad, that they wait for an apology from God. In the place his father calls Jezoosalem, Mwanito has been told that crying and praying are the same thing. Both, it seems, are forbidden.
The eighth novel by the internationally bestselling Mia Couto, "The Tuner of Silences" is the story of Mwanito's struggle to reconstruct a family history that his father is unable to discuss. With the young woman's arrival in Jezoosalem, however, the silence of the past quickly breaks down, and both his father's story and the world are heard once more.
"The Tuner of Silences" has been published to acclaim in more than half a dozen countries. Now in its first English translation, this story of an African boy's quest for the truth endures as a magical, humanizing confrontation between one child and the legacy of war.
PRAISE FOR MIA COUTO
"On almost every page ... we sense Couto's delight in those places where language slips officialdom's asphyxiating grasp."--"The New York Times"
"Even in translation, his prose is suffused with striking images."--"The Washington Post"
PRAISE FOR DAVID BROOKSHAW
"David Brookshaw dexterously renders the novel's often colloquial, pithy Portuguese into lively English. Brookshaw's task is made more exacting by the particular quality of Couto's brilliance."--"The New York Times"