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Charles Dickens and the Image of Women (Hardcover, New)
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Charles Dickens and the Image of Women (Hardcover, New)
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How successful is Dickens in his portrayal of women? Dickens has
been represented (along with William Blake and D. H. Lawrence) as
one who championed the life of the emotions that belong to the
"feminine". Yet some of his most important heroines are simply
bearers of the household keys and the basket of domesticity or are
totally submissive and docile. Dickens, of course, had to accept
the conventions of his time. Clearly the Victorian problem - which
was man's problem as much as it was woman's - was that of bringing
the ideal woman and the libidinal woman together. It is obvious,
argues Holbrook, that Dickens idealized the father-daughter
relationship, and indeed, any such relationship that was unsexual,
like that of Tom Pinch and his sister, but why? And why, for
example, is the image of woman so often associated with death, as
in Great Expectations? Dickens's own struggles over relationships
with women have been documented, but much less has been said about
the unconscious elements behind these problems. Using recent
developments in psychoanalytic object-relations theory, David
Holbrook offers new insight into the way in which the novels of
Dickens - particularly Bleak House, Little Dorrit, and Great
Expectations - both uphold emotional needs and at the same time
represent the limitations of this view of women and that of his
time. Holbrook pays tribute to Stephen Marcus's observation that
Dickens was haunted by the Primal Scene and expands this diagnosis,
suggesting how Dickens's residual dread about sexual intercourse
deformed all Dickens's dealings with female characters, despite his
eminent goodwill and delight in the image of woman.
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