For much of her own century, Elizabeth Gaskell was recognized as
a voice of Victorian convention&emdash;-the loyal wife, good
mother, and respected writer&emdash;-a reputation that led to
her steady decline in the view of twentieth-century literary
critics. Recent scholars, however, have begun to recognize that
Mrs. Gaskell's high standing in Victorian society allowed her to
effect change in conventional ideology. Linda K. Hughes and Michael
Lund focus this reevaluation on issues pertaining to the Victorian
literary marketplace.
Victorian Publishing and Mrs. Gaskell's Work portrays an elusive
and self-aware writer whose refusal to grant authority to a single
perspective even while she recirculated the fundamental assumptions
and debates of her era enabled her simultaneously to fulfill and
deflect the expectations of the literary marketplace. While she
wrote for money, producing periodical fiction, major novels, and
nonfiction, Mrs. Gaskell was able to maintain a tone of warmth and
empathy that allowed her to imagine multiple social and
epistemological alternatives. Writing from within the established
rubrics of gender, narrative, and publication format, she
nevertheless performed important cultural work.
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