In this book, scholars from across the world explore the appearance, portrayal and significance of the suburb on film. By the mid-20th Century, supported by changes in transportation, suburbs became the primary location of entire national populations and films about the suburbs began to concertedly reflect those suburbs' significance as well as their increasingly lively cultures! Suburbia very soon became filmurbia, as films of the suburbs and those made in the suburbs reflected both the positive and the negative aspects of burgeoning suburban life. Film-makers explored the existences of new suburbanites, their interests, their newly emerging neighbourhood practices, their foibles, their fantasies and their hopes. Whether depicting love, ambition, commerce, family, home or horror, whether traveling to or living in suburban spaces, whether exhibiting beauty, brazenness or brutality, the films of suburbia capture human life in all its diverse guises.

Ken Loach's 1969 drama Kes, considered one of the finest examples of British social realism, tells the story of Billy, a working class boy who finds escape and meaning when he takes a fledgling kestrel from its nest. David Forrest’s study of the film examines the genesis of the original novel, Barry Hines’ A Kestrel for a Knave (1968), the eventual collaboration that brought it to the screen, and the film's funding and production processes. He provides an in depth analysis of key scenes and draws on archival sources to shed new light on the film’s most celebrated moments. He goes on to consider the film’s lasting legacy, having influenced films like Ratcatcher (1999) and This is England (2006), both in terms of its contribution to film history and as a document of political and cultural value. He makes a case for the film's renewed relevance in our present era of systemic economic (and regional) inequality, alienated labour, increasingly narrow educational systems, toxic masculinity, and ecological crisis. Kes endures, he argues, because it points towards the possibility for emancipation and fulfilment through a more responsive and nurturing approach to education, a more delicate and symbiotic relationship with landscape and the non-human, and an emotional articulacy and sensitivity shorn of the rigid expectations of gender.

Reception studies have made film audiences increasingly visible, while surveys track trends and policymakers gather information about audience preferences and demographics. But little attention has been paid to the specific contextual relationships and interactions between films and individuals that generate and sustain audiences. This monograph develops the idea of audiences as interactive and relational, introducing three innovative concepts: 'personal film journeys', five types of audience formations and five geographies of film provision. A major challenge of audience research is how to capture the richness of people's social and cultural engagement with film. To achieve this, the book uses an innovative mixed-methods research and computational ontology. It develops ground-breaking theory and concepts and an innovative methodology based on an extensive data-set derived from the under-researched area of British regional film audiences. -- .

With the widespread use of PDAs, wireless internet, Internet-based GIS, and 3G and 4G telecommunications, the technology supporting mobile GIS is rapidly gaining popularity and effectiveness. Dynamic and Mobile GIS: Investigating Changes in Space and Time addresses Web GIS, mobile GIS, and the modeling, processing, and representation of dynamic events, as well as current demands to update GIS representations. Providing a comprehensive overview of this emerging technology, this book highlights innovations, new ways of modeling both spatial objects and dynamic processes affecting them, and advances in visualization. Featuring contributions from established GIS workers, it begins with an introduction of extant technology and previews future developments. The book examines challenges to security and privacy and presents practical solutions to these problems while focusing on modeling approaches and exploring the need to display an appropriate level of information in a mobile environment. Concluding with a study of mobility, the book also contains practical examples of applications of mobile devices for disaster management and environmental monitoring. Dynamic and Mobile GIS: Investigating Changes in Space and Time offers detailed cases of successful applications and identifies the current cutting-edge aspects of mobile and dynamic GIS. The book also looks to the future, investigating important research directions and potential challenges.

This collection is a wide-ranging exploration of contemporary British television drama and its representations of social class. Through early studio-set plays, soap operas and period drama, the volume demonstrates how class provides a bridge across multiple genres and traditions of television drama. The authors trace this thematic emphasis into the present day, offering fascinating new insights into the national conversation around class and identity in Britain today. The chapters engage with a range of topics including authorial explorations of Stephen Poliakoff and Jimmy McGovern, case studies of television performers Maxine Peake and Jimmy Nail, and discussions of the sitcom genre and animation form. This book offers new perspectives on popular British television shows such as Goodnight Sweetheart and Footballers' Wives, and analysis of more recent series such as Peaky Blinders and This is England.

In this book, scholars from across the world explore the appearance, portrayal and significance of the suburb on film. By the mid-20th Century, supported by changes in transportation, suburbs became the primary location of entire national populations and films about the suburbs began to concertedly reflect those suburbs' significance as well as their increasingly lively cultures! Suburbia very soon became filmurbia, as films of the suburbs and those made in the suburbs reflected both the positive and the negative aspects of burgeoning suburban life. Film-makers explored the existences of new suburbanites, their interests, their newly emerging neighbourhood practices, their foibles, their fantasies and their hopes. Whether depicting love, ambition, commerce, family, home or horror, whether traveling to or living in suburban spaces, whether exhibiting beauty, brazenness or brutality, the films of suburbia capture human life in all its diverse guises.

Sport has enjoyed steadily increasing prominence and economic importance since the Millennium. But threats to its integrity appear to have grown in parallel, undermining the very sense of innocence and fun which is an important part of its appeal. Threats to the spirit of sport come from internal, external and even state actors, who seek either to manipulate events on the field or to exploit the institutions of sport for their own ends. As the reputation of sport becomes more tarnished as a result, its sustainability as a significant part of the entertainment industry is called into question and loss of reputation may even result in decline in recreational play. In this wide-ranging collection of essays, the international team of contributors explores the structural economic sources of the problems that beset sport and address the question of 'what is to be done?' through economic reasoning. Specific topics covered include doping, match-fixing for betting or sporting gain, the role of forensic statistics in detecting nefarious activity, issues related to club ownership, corruption in the awarding of mega-events and within sports governing bodies, and the role of the law and the Court of Arbitration for Sport. In the final chapter, the Editors pull together the various strands and propose that policy to mitigate the threat to fair play should be built around two themes: improving sports governance and designing incentives to help actors in sport choose honest over manipulative behaviour. The book will appeal to practitioners from sport management as well as to academics including students and researchers.

With the widespread use of PDAs, wireless internet, Internet-based GIS, and 3G and 4G telecommunications, the technology supporting mobile GIS is rapidly gaining popularity and effectiveness. Dynamic and Mobile GIS: Investigating Changes in Space and Time addresses Web GIS, mobile GIS, and the modeling, processing, and representation of dynamic events, as well as current demands to update GIS representations. Providing a comprehensive overview of this emerging technology, this book highlights innovations, new ways of modeling both spatial objects and dynamic processes affecting them, and advances in visualization. Featuring contributions from established GIS workers, it begins with an introduction of extant technology and previews future developments. The book examines challenges to security and privacy and presents practical solutions to these problems while focusing on modeling approaches and exploring the need to display an appropriate level of information in a mobile environment. Concluding with a study of mobility, the book also contains practical examples of applications of mobile devices for disaster management and environmental monitoring. Dynamic and Mobile GIS: Investigating Changes in Space and Time offers detailed cases of successful applications and identifies the current cutting-edge aspects of mobile and dynamic GIS. The book also looks to the future, investigating important research directions and potential challenges.

Examining the work of social justice groups in Minneapolis following the 2008 recession Since the Great Recession, even as protest and rebellion have occurred with growing frequency, many social justice organizers continue to displace as much as empower popular struggles for egalitarian and emancipatory change. In A Voice but No Power, David Forrest explains why this is the case and explores how these organizers might better reach their potential as advocates for the abolition of exploitation, discrimination, and other unjust conditions. Through an in-depth study of post-2008 Minneapolis-a center of progressive activism-Forrest argues that social justice organizers so often fall short of their potential largely because of challenges they face in building what he calls "contentious identities," the public identities they use to represent their constituents and counteract stigmatizing images such as the "welfare queen" or "the underclass." In the process of assembling, publicizing, and legitimating contentious identities, he shows, these organizers encounter a series of political hazards, each of which pushes them to make choices that weaken movements for equality and freedom. Forrest demonstrates that organizers can achieve better outcomes, however, by steadily working to remake their hazardous political terrain. The book's conclusion reflects on the 2020 uprising that followed the police killing of George Floyd, assessing what it means for the future of social justice activism. Ultimately, Forrest's detailed analysis contributes to leading theories about organizing and social movements and charts possibilities for further emboldening grassroots struggles for a fairer society.

Examining the work of social justice groups in Minneapolis following the 2008 recession Since the Great Recession, even as protest and rebellion have occurred with growing frequency, many social justice organizers continue to displace as much as empower popular struggles for egalitarian and emancipatory change. In A Voice but No Power, David Forrest explains why this is the case and explores how these organizers might better reach their potential as advocates for the abolition of exploitation, discrimination, and other unjust conditions. Through an in-depth study of post-2008 Minneapolis-a center of progressive activism-Forrest argues that social justice organizers so often fall short of their potential largely because of challenges they face in building what he calls "contentious identities," the public identities they use to represent their constituents and counteract stigmatizing images such as the "welfare queen" or "the underclass." In the process of assembling, publicizing, and legitimating contentious identities, he shows, these organizers encounter a series of political hazards, each of which pushes them to make choices that weaken movements for equality and freedom. Forrest demonstrates that organizers can achieve better outcomes, however, by steadily working to remake their hazardous political terrain. The book's conclusion reflects on the 2020 uprising that followed the police killing of George Floyd, assessing what it means for the future of social justice activism. Ultimately, Forrest's detailed analysis contributes to leading theories about organizing and social movements and charts possibilities for further emboldening grassroots struggles for a fairer society.

The tradition of British realism has changed dramatically over the last 20 years, where films by directors such as Duane Hopkins, Joanna Hogg, Andrea Arnold, Shane Meadows and Clio Barnard have suggested a markedly poetic turn. This new realism rejects the instrumentalism and didacticism of filmmakers like Ken Loach in favour of lyrical and often ambiguous encounters with place, where the physical processes of lived experience interacts with the rhythms of everyday life. Taking these 5 filmmakers as case studies, this book seeks to explore in depth this new tradition of British cinema - and in the process, it reignites debates over realism that have concerned scholars for decades.

Through detailed contextualised analysis of films by five distinctive key contemporary directors Andrea Arnold, Clio Barnard, Joanna Hogg, Duane Hopkins and Shane Meadows Dave Forrest makes a highly persuasive and cogent case for their work constituting a new model of realist filmmaking in 21st century British cinema which is no less politically charged for its poetic and haptic qualities. This insightful book is essential reading for anyone interested in film realism or contemporary British cinema.'Melanie Williams University of East AngliaThe tradition of British realism has changed dramatically over the last 20 years, where films by directors such as Duane Hopkins, Joanna Hogg, Andrea Arnold, Shane Meadows and Clio Barnard have suggested a markedly poetic turn. This new realism rejects the instrumentalism and didacticism of filmmakers like Ken Loach in favour of lyrical and often ambiguous encounters with place, where the physical processes of lived experience interacts with the rhythms of everyday life. Taking these 5 filmmakers as case studies, this book seeks to explore in depth this new tradition of British cinema and in the process, it reignites debates over realism that have concerned scholars for decades.

Doctoral studies in music and arts education in Spain and Portugal: View and journey is the first time that a group of music educators from universities in Spain and Portugal has reflected on their doctoral journey.

This collection on doctoral research in art complements previous work on undertaking doctoral research in music education and arts education. The contributions are commentaries and reflections by educators who have completed doctoral research in art.

Joyride is a heartwarming memoir of how a young man reconnects with his journalist mother both before and after her death through the archives of her weekly newspaper columns. Author Craig Forrest's life in print began when he was only five years old. His mother, Libby, wrote a humor column in the local newspaper in America's oldest seashore resort town, Cape May, New Jersey. Craig and his brother, Keith, became frequent subjects of their mother's Erma Bombeck-like writings. Their mother's other topics came from the news she gathered while riding around the shore on her three-wheeled bicycle. Her column, appropriately titled Joyride, featured useful insights, humorous encounters, and the wit and wisdom that comes from living each day and raising a family. As he grew up, Craig learned more about his mother by rereading her work. When he returned home to care for Libby in the final ravages of Lou Gehrig's disease, Craig spent the evenings reliving his childhood through her columns. The writings comforted him as he watched his mother waste away, and gave him the strength he needed to come to grips with the possibility of his own death from Hodgkin's disease. mother-a poignant story reminiscent of Tuesdays with Morrie and The Color of Water.

This book presents a radical reappraisal of one of the most persistent and misunderstood aspects of British cinema: social realism. Through means of close textual analysis, David Forrest advances the case that social realism has provided British national culture with a consistent and distinctive art cinema, arguing that a theoretical re-assessment of the mode can enable it to be located within the context of broader traditions of global cinema. The book begins with the documentary movement and British wartime cinema, before moving to the British new wave and social problem cycle; the films of Ken Loach; the films of Mike Leigh; realism in the 1980s, specifically the work of Stephen Frears and Alan Clarke; before concluding with a discussion of contemporary realist cinema, specifically the work of Shane Meadows, Andrea Arnold and other recent exponents of the mode. These case studies give a thorough platform to explore the most prominent and diverse examples of realist practice in Britain over the last 80 years. The construction and critical analysis of this `social realist canon' creates the conditions to reassess and look anew at this most British of cinematic traditions.