This book presents a radical reappraisal of one of the most
persistent and misunderstood aspects of British cinema: social
realism. Through means of close textual analysis, David Forrest
advances the case that social realism has provided British national
culture with a consistent and distinctive art cinema, arguing that
a theoretical re-assessment of the mode can enable it to be located
within the context of broader traditions of global cinema. The book
begins with the documentary movement and British wartime cinema,
before moving to the British new wave and social problem cycle; the
films of Ken Loach; the films of Mike Leigh; realism in the 1980s,
specifically the work of Stephen Frears and Alan Clarke; before
concluding with a discussion of contemporary realist cinema,
specifically the work of Shane Meadows, Andrea Arnold and other
recent exponents of the mode. These case studies give a thorough
platform to explore the most prominent and diverse examples of
realist practice in Britain over the last 80 years. The
construction and critical analysis of this `social realist canon'
creates the conditions to reassess and look anew at this most
British of cinematic traditions.
General
Imprint: |
Cambridge Scholars Publishing
|
Country of origin: |
United Kingdom |
Release date: |
October 2013 |
First published: |
November 2013 |
Authors: |
David Forrest
|
Dimensions: |
212 x 148 x 23mm (L x W x T) |
Format: |
Hardcover - With dust jacket
|
Pages: |
245 |
Edition: |
Unabridged edition |
ISBN-13: |
978-1-4438-5151-0 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
Films, cinema >
General
|
LSN: |
1-4438-5151-5 |
Barcode: |
9781443851510 |
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