THE NEW YORK TIMES BESTSELLER AND SUNDAY TIMES, OBSERVER AND BBC HISTORY BOOK OF THE YEAR FINALIST FOR THE ORWELL PRIZE FOR POLITICAL WRITING 2022 'Pacey and potentially revolutionary' Sunday Times 'Iconoclastic and irreverent ... an exhilarating read' The Guardian For generations, our remote ancestors have been cast as primitive and childlike - either free and equal, or thuggish and warlike. Civilization, we are told, could be achieved only by sacrificing those original freedoms or, alternatively, by taming our baser instincts. David Graeber and David Wengrow show how such theories first emerged in the eighteenth century as a reaction to indigenous critiques of European society, and why they are wrong. In doing so, they overturn our view of human history, including the origins of farming, property, cities, democracy, slavery and civilization itself. Drawing on path-breaking research in archaeology and anthropology, the authors show how history becomes a far more interesting place once we begin to see what's really there. If humans did not spend 95 per cent of their evolutionary past in tiny bands of hunter-gatherers, what were they doing all that time? If agriculture, and cities, did not mean a plunge into hierarchy and domination, then what kinds of social and economic organization did they lead to? The answers are often unexpected, and suggest that the course of history may be less set in stone, and more full of playful possibilities than we tend to assume. The Dawn of Everything fundamentally transforms our understanding of the human past and offers a path toward imagining new forms of freedom, new ways of organizing society. This is a monumental book of formidable intellectual range, animated by curiosity, moral vision and faith in the power of direct action. 'This is not a book. This is an intellectual feast' Nassim Nicholas Taleb 'The most profound and exciting book I've read in thirty years' Robin D. G. Kelley

The targeted destruction of ancient sites and monuments in the Middle East provokes widespread outrage in the West. But what is our connection to the ancient Near East? In this updated edition of What Makes Civilization? archaeologist David Wengrow investigates the origins of farming, writing, and cities in ancient Mesopotamia (Iraq) and Egypt, and explores the connections between these two civilizations. It is the story of how people first created kingdoms and monuments to the gods and, just as importantly, how they pioneered everyday practices that we might now take for granted, such as familiar ways of cooking food and keeping the house and body clean. Wengrow asks why these ancient cultures, where so many features of modern life originated, have come to symbolize the remote and the exotic. Today, perhaps more than ever, he argues, the beleaguered cultural heritage of ancient Egypt and Mesopotamia stands as a warning for the future. A warning of the sacrifices people will tolerate to preserve their chosen form of life; of the potential for unfettered expansion that exists within any cultural tradition; and of blood perhaps yet to be spilled, on the altar of a misguided notion of civilization.

Commodity branding did not emerge with contemporary global capitalism. In fact, the authors of this volume show that the cultural history of branding stretches back to the beginnings of urban life in the ancient Near East and Egypt, and can be found in various permutations in places as diverse as the Bronze Age Mediterranean and Early Modern Europe. What the contributions in this volume also vividly document, both in past social contexts and recent ones as diverse as the kingdoms of Cameroon, Socialist Hungary or online EBay auctions, is the need to understand branded commodities as part of a broader continuum with techniques of gift-giving, ritual, and sacrifice. Bringing together the work of cultural anthropologists and archaeologists, this volume obliges specialists in marketing and economics to reassess the relationship between branding and capitalism, as well as adding an important new concept to the work of economic anthropologists and archaeologists.

Commodity branding did not emerge with contemporary global capitalism. In fact, the authors of this volume show that the cultural history of branding stretches back to the beginnings of urban life in the ancient Near East and Egypt, and can be found in various permutations in places as diverse as the Bronze Age Mediterranean and Early Modern Europe. What the contributions in this volume also vividly document, both in past social contexts and recent ones as diverse as the kingdoms of Cameroon, Socialist Hungary or online eBay auctions, is the need to understand branded commodities as part of a broader continuum with techniques of gift-giving, ritual, and sacrifice. Bringing together the work of cultural anthropologists and archaeologists, this volume obliges specialists in marketing and economics to reassess the relationship between branding and capitalism, as well as adding an important new concept to the work of economic anthropologists and archaeologists.

It has often been claimed that "monsters"--supernatural creatures with bodies composed from multiple species--play a significant part in the thought and imagery of all people from all times. The Origins of Monsters advances an alternative view. Composite figurations are intriguingly rare and isolated in the art of the prehistoric era. Instead it was with the rise of cities, elites, and cosmopolitan trade networks that "monsters" became widespread features of visual production in the ancient world. Showing how these fantastic images originated and how they were transmitted, David Wengrow identifies patterns in the records of human image-making and embarks on a search for connections between mind and culture. Wengrow asks: Can cognitive science explain the potency of such images? Does evolutionary psychology hold a key to understanding the transmission of symbols? How is our making and perception of images influenced by institutions and technologies? Wengrow considers the work of art in the first age of mechanical reproduction, which he locates in the Middle East, where urban life began. Comparing the development and spread of fantastic imagery across a range of prehistoric and ancient societies, including Mesopotamia, Egypt, Greece, and China, he explores how the visual imagination has been shaped by a complex mixture of historical and universal factors. Examining the reasons behind the dissemination of monstrous imagery in ancient states and empires, The Origins of Monsters sheds light on the relationship between culture and cognition.

In this authoritative and compelling 2006 survey of the archaeology of early Egypt, David Wengrow offers an interpretation of the emergence of farming economies and the dynastic state, c.10,000 to 2,650 BC. Exploring key themes such as the nature of state power, kingship and the inception of writing, Wengrow illuminates prehistoric social development along the Nile through comparison with neighbouring regions. Detailed analysis of the archaeological record reveals the interplay between large-scale processes of economic and political change and intimate material practices through which social identities were transformed, focussing upon ritual treatments of the dead. Employing rich empirical data and engaging critically with anthropological theory and the history of archaeological thought, Wengrow's work challenges the theoretical isolation of Egyptian prehistory and breaches the methodological boundaries that separate prehistory from Egyptology. It is essential reading for anybody with an interest in ancient Egyptian civilisation or early state formation.

It has often been claimed that "monsters"--supernatural creatures with bodies composed from multiple species--play a significant part in the thought and imagery of all people from all times. "The Origins of Monsters" advances an alternative view. Composite figurations are intriguingly rare and isolated in the art of the prehistoric era. Instead it was with the rise of cities, elites, and cosmopolitan trade networks that "monsters" became widespread features of visual production in the ancient world. Showing how these fantastic images originated and how they were transmitted, David Wengrow identifies patterns in the records of human image-making and embarks on a search for connections between mind and culture.

Wengrow asks: Can cognitive science explain the potency of such images? Does evolutionary psychology hold a key to understanding the transmission of symbols? How is our making and perception of images influenced by institutions and technologies? Wengrow considers the work of art in the first age of mechanical reproduction, which he locates in the Middle East, where urban life began. Comparing the development and spread of fantastic imagery across a range of prehistoric and ancient societies, including Mesopotamia, Egypt, Greece, and China, he explores how the visual imagination has been shaped by a complex mixture of historical and universal factors.

Examining the reasons behind the dissemination of monstrous imagery in ancient states and empires, "The Origins of Monsters" sheds light on the relationship between culture and cognition.