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The Origins of Monsters - Image and Cognition in the First Age of Mechanical Reproduction (Paperback)
Loot Price: R830
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The Origins of Monsters - Image and Cognition in the First Age of Mechanical Reproduction (Paperback)
Series: The Rostovtzeff Lectures
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It has often been claimed that "monsters"--supernatural creatures
with bodies composed from multiple species--play a significant part
in the thought and imagery of all people from all times. The
Origins of Monsters advances an alternative view. Composite
figurations are intriguingly rare and isolated in the art of the
prehistoric era. Instead it was with the rise of cities, elites,
and cosmopolitan trade networks that "monsters" became widespread
features of visual production in the ancient world. Showing how
these fantastic images originated and how they were transmitted,
David Wengrow identifies patterns in the records of human
image-making and embarks on a search for connections between mind
and culture. Wengrow asks: Can cognitive science explain the
potency of such images? Does evolutionary psychology hold a key to
understanding the transmission of symbols? How is our making and
perception of images influenced by institutions and technologies?
Wengrow considers the work of art in the first age of mechanical
reproduction, which he locates in the Middle East, where urban life
began. Comparing the development and spread of fantastic imagery
across a range of prehistoric and ancient societies, including
Mesopotamia, Egypt, Greece, and China, he explores how the visual
imagination has been shaped by a complex mixture of historical and
universal factors. Examining the reasons behind the dissemination
of monstrous imagery in ancient states and empires, The Origins of
Monsters sheds light on the relationship between culture and
cognition.
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