European first millennium BC studies have witnessed an increasing theoretical divide between the approaches adopted in different countries. Whilst topics such as ethnicity, identity, and agency have dominated many British studies, such themes have had less resonance in continental approaches. At the same time, British and Iberian first millennium BC studies have become increasingly divorced from research elsewhere in Europe. While such divergence reflects deep historical divisions in theory and methodology between European perspectives, it is an issue that has been largely ignored by scholars of the period. This volume addresses these issues by bringing together 33 papers by leading Bronze Age and Iron Age scholars from France, Spain, Portugal, Belgium, Ireland, North America, and the United Kingdom. Initial chapters from leading specialists introduce major themes (landscape studies, social organisation, historiography, dynamics of change, and identity), providing overviews on the history of approaches to these areas, personal perspectives on current problems, and possible future research directions. Subsequent chapters by key researchers develop these topics, presenting case studies and in-depth discussions of particular issues relating to the first millennium BC in the Atlantic realm of Western Europe.

The study of Roman sculpture has been an essential part of the disciplines of Art History and Classics since the eighteenth century. From formal concerns such as Kopienkritic (copy criticism) to social readings of plebeian and patrician art and beyond, scholars have returned to Roman sculpture to answer a variety of questions about Roman art, society, and history. Indeed, the field of Roman sculptural studies encompasses not only the full chronological range of the Roman world but also its expansive geography, and a variety of artistic media, formats, sizes, and functions. Exciting new theories, methods, and approaches have transformed the specialized literature on the subject in recent decades. Rather than creating another chronological ARCH15OXH of representative examples of various periods, genres, and settings, The Oxford Handbook of Roman Sculpture synthesizes current best practices for studying this central medium of Roman art, situating it within the larger fields of art history, classical archaeology, and Roman studies. This volume fills the gap between introductory textbooks-which hide the critical apparatus from the reader-and the highly focused professional literature. The handbook conveniently presents new technical, scientific, literary, and theoretical approaches to the study of Roman sculpture in one reference volume and complements textbooks and other publications that present well-known works in the corpus. Chronologically, the volume addresses material from the Early Republican period through Late Antiquity. The Oxford Handbook of Roman Sculpture not only contributes to the field of classical art and archaeology but also provides a useful reference for classicists and historians of the ancient world.

Composed towards the end of the first century CE, Statius' Thebaid relates the myth of the 'Seven against Thebes': the assault of the seven champions of Argos on the ancient city in a bid to oust Eteocles, son of Oedipus, from his throne in favour of his brother, Polynices. Book 2 presents several key events in the build-up to the Theban war: Eteocles' haunting by the ghost of his grandfather Laius, the ill-omened weddings of Polynices and his ally Tydeus to the princesses of Argos, and Tydeus' failed embassy to Eteocles, leading to his famed victory over a Theban ambush. This volume represents the first full-length scholarly commentary in English on Book 2 of the twelve-book Latin epic, greatly expanding on and updating Mulder's 1954 Latin language commentary. An extensive introduction covers the poem's historical, textual, and literary contexts, with particular attention to Statius' adaptation of prior literary tradition and especially the epics of Homer, Virgil, Ovid, Lucan, Valerius Flaccus, and Silius Italicus. The Latin text, accompanied by a clear translation and apparatus criticus, is newly edited to take advantage of the recent detailed editorial work on the poem by Hall, Ritchie, and Edwards and is supplemented by a comprehensive and incisive line-by-line commentary which addresses a range of textual, linguistic, and literary topics. The result is a keenly focused yet accessible critical edition that will be of interest both to specialist scholars of Latin poetry and to advanced graduate students studying Flavian epic.

Religions of the Constantinian Empire provides a synoptic review of Constantine's relation to all the cultic and theological traditions of the Empire during the period from his seizure of power in the west in 306 cE to the end of his reign as autocrat of both east and west in 337 cE. Divided into three parts, the first considers the efforts of Christians to construct their own philosophy, and their own patterns of the philosophic life, in opposition to Platonism. The second assembles evidence of survival, variation or decay in religious practices which were never compulsory under Roman law. The 'religious plurality' of the second section includes those cults which are represented as demonic burlesques of the sacraments by Firmicus Maternus. The third reviews the changes, both within the church and in the public sphere, which were undeniably prompted by the accession of a Christian monarch. In this section on 'Christian polyphony', Mark Edwards expertly moves on from this deliberate petrifaction of Judaism to the profound shift in relations between the church and the civic cult that followed the Emperor's choice of a new divine protector. The material in the first section will be most familiar to the historian of philosophy, that of the second to the historian of religion, and that of the third to the theologian. All three sections make reference to such factors as the persecution under Diocletian, the so-called 'edict of Milan', the subsequent legislation of Constantine, and the summoning of the council of Nicaea. Edwards does not maintain, however, that the religious and philosophical innovations of this period were mere by-products of political revolution; indeed, he often highlights that Christianity was more revolutionary in its expectations than any sovereign could afford to be in his acts.This authoritative study provides a comprehensive reference work for those studying the ecclesiastical and theological developments and controversies of the fourth century.

The Global History of Paleopathology is the first comprehensive global compendium on the history of paleopathology, an interdisciplinary scientific discipline that focuses on the study of ancient disease. Offering perspectives from regions that have traditionally had long histories of paleopathology, such as the United States and parts of Europe, this volume also presents important work by an international roster of scholars who are writing their own regional and cultural histories in the field. The book identifies major thinkers and figures who have contributed to paleopathology, as well as significant organizations and courses that have sponsored scientific research and communication, most notably the Paleopathology Association. The volume concludes with an eye towards the future of the discipline, discussing methods and research at the leading edge of paleopathology, particularly those that employ the analysis of ancient DNA and isotopes.

The Oxford Handbooks series is a major new initiative in academic publishing. Each volume offers an authoritative and state-of-the-art survey of current thinking and research in a particular area. Specially commissioned essays from leading international figures in the discipline give critical examinations of the progress and direction of debates. Oxford Handbooks provide scholars and graduate students with compelling new perspectives upon a wide range of subjects in the humanities and social sciences.
Plato is the best known, and continues to be the most widely studied, of all the ancient Greek philosophers. The twenty-one newly commissioned articles in the Oxford Handbook of Plato provide in-depth and up-to-date discussions of a variety of topics and dialogues. The result is a useful state-of-the-art reference to the man many consider the most important philosophical thinker in history.
Each article is an original contribution from a leading scholar, and they all serve several functions at once: they survey the lay of the land; express and develop the authors' own views; and situate those views within a range of alternatives.
This Handbook contains chapters on metaphysics, epistemology, love, language, ethics, politics, art and education. Individual chapters are are devoted to each of the following dialogues: the Republic, Parmenides, Theaetetus, Sophist, Timaeus, and Philebus. There are also chapters on Plato and the dialogue form; on Plato in his time and place; on the history of the Platonic corpus; on Aristotle's criticism of Plato, and on Plato and Platonism.

This volume is the first major English-language commentary on the Epistle to Diognetus since that of Henry G. Meecham in 1949. Its purpose is twofold: to provide careful consideration to the essential introductory issues of authorship and setting, structure and integrity, theology, relationship to scripture, and historical trajectory as they apply to the transmission of the text; and to offer commentary focused on the movement of the author's argument and objectives in construction of the narrative, taking advantage of critical considerations of the apology within recent scholarship. In the final analysis the volume arrives at the premise that the core materials of Diognetus were likely delivered first in an oral context whose setting remains unknown and were thereafter recorded by a later hand as the framework of chapters 1-10. A subsequent editor (perhaps Clement of Alexandria) added the concluding materials of chapters 11-12 together with the insertion of numerous hymnic segments and theological phrases throughout chapters 1-10. These additions were inspired by Johannine tradition and reflect the setting of a living faith community. The text of Diognetus thus reflects an evolutionary process that moves from oral performance to literary record, from moral teaching to theological homily. The format of the volume is designed to welcome the non-specialist to the text of Diognetus while exposing the reader to the best of both earlier and more recent critical comments on the writing and its tradition.

This book is the first attempt that has ever been made to give a comprehensive account of the religious life of ancient Athens. The city's many festivals are discussed in detail, with attention to recent anthropological theory; so too, for instance, are the cults of households and of smaller
groups, the role of religious practice and argumentation in public life, the authority of priests, the activities of religious professionals such as seers and priestesses, magic, the place of theatrical representations of the gods within public attitudes to the divine. A long final section considers
the sphere of activity of the various gods, and takes Athens as a uniquely detailed test case for the structuralist approach to polytheism. The work is a synchronic, thematically organized complement (though designed to be read independently) to the same author's Athenian Religion: A History (OUP,
1996).

Perhaps no other single Roman speech exemplifies the connection between oratory, politics and imperialism better than Cicero's De Provinciis Consularibus, pronounced to the senate in 56 BC. Cicero puts his talents at the service of the powerful "triumviri" (Caesar, Crassus and Pompey), whose aims he advances by appealing to the senators' imperialistic and chauvinistic ideology. This oration, then, yields precious insights into several areas of late republican life: international relations between Rome and the provinces (Gaul, Macedonia and Judaea); the senators' view on governors, publicani (tax-farmers) and foreigners; the dirty mechanics of high politics in the 50s, driven by lust for domination and money; and Cicero's own role in that political choreography. This speech also exemplifies the exceptional range of Cicero's oratory: the invective against Piso and Gabinius calls for biting irony, the praise of Caesar displays high rhetoric, the rejection of other senators' recommendations is a tour de force of logical and sophisticated argument, and Cicero's justification for his own conduct is embedded in the self-fashioning narrative which is typical of his post reditum speeches. This new commentary includes an updated introduction, which provides the readers with a historical, rhetorical and stylistic background to appreciate the complexities of Cicero's oration, as well as indexes and maps.

Livy's History of Rome covers the city's foundation to 9 BC in 142 Books of which only 1-10 and 21-45 survive. This is the fourth and final volume of John Briscoe's commentary on the last fifteen surviving Books of Livy. Books 41-45 cover the years 178-167 BC and deal with the Third Macedonian War which lasted from 171-168 BC, and resulted, as had been the senate's intention, in the destruction of the Macedonian monarchy. Livy's text depends on a single manuscript of late antiquity, which is not only considered as highly corrupt but has also suffered substantial physical losses.
The volume's introduction contains a discussion of the causes of and events leading to the outbreak of war, as well as sections on Livy's sources, the text, chronology, and Roman legions in service during the period. Briscoe's final commentary also looks in detail at the historical, textual, linguistic, and stylistic matters of Livy's narrative and eschews the narratological approach of much recent work on Livy.

This book studies Egyptian ideas about death and the afterlife during the Ptolemaic and Roman Periods. Mark Smith analyses Egyptian attitudes toward death, looks at the various means by which the Egyptians attempted to ensure a smooth transition from existence in this world to that in the next, and examines how they envisaged life in the hereafter. Traversing Eternity is based on a corpus of sixty texts specially selected for the light which they throw upon these topics. Some of the texts are ritual in character, and were recited for the benefit of the deceased by priests, while others were interred along with the dead so that they themselves could make use of them in the afterlife. Each text is translated in its entirety, with annotation to elucidate obscure points, and each is supplied with a detailed introduction. Smith also addresses key issues such as that of continuity and change in Egyptian religious beliefs during the Ptolemaic and Roman Periods and attempts to answer the question of why the composition of texts for the afterlife flourished to such a remarkable extent at this time.

The quality of 'monumentality' is attributed to the buildings of few historical epochs or cultures more frequently or consistently than to those of the Roman Empire. It is this quality that has helped to make them enduring models for builders of later periods. This extensively illustrated book, the first full-length study of the concept of monumentality in Classical Antiquity, asks what it is that the notion encompasses and how significant it was for the Romans themselves in moulding their individual or collective aspirations and identities. Although no single word existed in antiquity for the qualities that modern authors regard as making up that term, its Latin derivation - from monumentum, 'a monument' - attests plainly to the presence of the concept in the mentalities of ancient Romans, and the development of that notion through the Roman era laid the foundation for the classical ideal of monumentality, which reached a height in early modern Europe. This book is also the first full-length study of architecture in the Antonine Age - when it is generally agreed the Roman Empire was at its height. By exploring the public architecture of Roman Italy and both Western and Eastern provinces of the Roman Empire from the point of view of the benefactors who funded such buildings, the architects who designed them, and the public who used and experienced them, Edmund Thomas analyses the reasons why Roman builders sought to construct monumental buildings and uncovers the close link between architectural monumentality and the identity and ideology of the Roman Empire itself.

This study, first published in German in 1975, addresses the need for a comprehensive account of Roman social history in a single volume. Specifically, Alfoeldy attempts to answer three questions: What is the meaning of Roman social history? What is entailed in Roman social history? How is it to be conceived as history? Alfoeldy's approach brings social structure much closer to political development, following the changes in social institutions in parallel with the broader political milieu. He deals with specific problems in seven periods: Archaic Rome, the Republic down to the Second Punic War, the structural change of the second century BC, the end of the Republic, the Early Empire, the crisis of the third century AD and the Late Empire. Excellent bibliographical notes specify the most important works on each subject, making it useful to the graduate student and scholar as well as to the advanced and well-informed undergraduate.

This is the first comprehensive and fully illustrated study of silver vessels from ancient Macedonia from the 4th to the 2nd centuries BC. These precious vessels formed part of dining sets owned by the royal family and the elite and have been discovered in the tombs of their owners. Eleni Zimi presents 171 artifacts in a full-length study of form, decoration, inscriptions and manufacturing techniques, set against contemporary comparanda in other media (clay, bronze, glass). She adopts an art historical and sociological approach to the archaeological evidence and demonstrates that the use of silver vessels as an expression of wealth and a status symbol is not only connected with the wealth spread in the empire after Alexander's the Great expedition to the East, but constitutes a practice reflecting the opulence and appreciation for luxury at least in the Macedonian court from the reign of Philip II onwards.

The Roman empire tends to be seen as a whole whereas the early middle ages tends to be seen as a collection of regional histories, roughly corresponding to the land-areas of modern nation states. As a result, early medieval history is much more fragmented, and there have been few convincing syntheses of socio-economic change in the post-Roman world since the 1930s. In recent decades, the rise of early medieval archaeology has also transformed our source-base, but this has not been adequately integrated into analyses of documentary history in almost any country.
In Framing the Early Middle Ages Chris Wickham aims at integrating documentary and archaeological evidence together, and also, above all, at creating a comparative history of the period 400-800, by means of systematic comparative analyses of each of the regions of the latest Roman and immediately post-Roman world, from Denmark to Egypt (only the Slav areas are left out). The book concentrates on classic socio-economic themes, state finance, the wealth and identity of the aristocracy, estate management, peasant society, rural settlement, cities, and exchange. These are only a partial picture of the period, but they are intended as a framing for other developments, without which those other developments cannot be properly understood.
Wickham argues that only a complex comparative analysis can act as the basis for a wider synthesis. Whilst earlier syntheses have taken the development of a single region as 'typical', with divergent developments presented as exceptions, this book takes all different developments as typical, and aims to construct a synthesis based on a better understanding of difference and the reasons forit. This is the most ambitious and original survey of the period ever written.

Spanning centuries and the vastness of the Roman Empire, The Last Statues of Antiquity is the first comprehensive survey of Roman honorific statues in the public realm in Late Antiquity. Drawn from a major research project and corresponding online database that collates all the available evidence for the 'statue habit' across the Empire from the late third century AD onwards, the volume examines where, how, and why statues were used, and why these important features of urban life began to decline in number before eventually disappearing around AD 600. Adopting a detailed comparative approach, the collection explores variation between different regions-including North Africa, Asia Minor, and the Near East-as well as individual cities, such as Aphrodisias, Athens, Constantinople, and Rome. A number of thematic chapters also consider the different kinds of honorand, from provincial governors and senators, to women and cultural heroes. Richly illustrated, the volume is the definitive resource for studying the phenomenon of late-antique statues. The collection also incorporates extensive references to the project's database, which is freely accessible online.

One of the remarkable facts about the history of Western culture is that we are still in a position to read large amounts of the literature produced in classical Greece and Rome despite the fact that for at least a millennium and a half all copies had to be produced by hand and were subject to the hazards of fire, flood, and war. This book explains how the texts survived and gives an account of the reasons why it was thought worthwhile to spend the necessary effort to preserve them for future generations. In the second edition a section of notes was included, and a new chapter was added to deal with some aspects of scholarship since the Renaissance. In the third edition (1991), the authors responded to the urgent need to take account of the very large number of discoveries in this rapidly advancing field of knowledge by substantially revising or enlarging certain sections. The last two decades have seen further advances, and this revised edition is designed to take account of them.

Thousands of texts, written over a period of three thousand years on papyri and potsherds, in Egyptian, Greek, Latin, Aramaic, Hebrew, Persian, and other languages, have transformed our knowledge of many aspects of life in the ancient Mediterranean and Near Eastern worlds. The Oxford Handbook of Papyrology provides an introduction to the world of these ancient documents and literary texts, ranging from the raw materials of writing to the languages used, from the history of papyrology to its future, and from practical help in reading papyri to frank opinions about the nature of the work of papyrologists. This volume, the first major reference work on papyrology written in English, takes account of the important changes experienced by the discipline within especially the last thirty years.
Including new work by twenty-seven international experts and more than one hundred illustrations, The Oxford Handbook of Papyrology will serve as an invaluable guide to the subject.

With a blend of narrative and analysis, this book explores the extent to which mercenaries have been used, from Sumer to Rome, and the reasons governments hired them when they could conscript native citizens.

Leontius Of Byzantium (485-543) Byzantine monk and theologian who provided a breakthrough of terminology in the 6th-century Christological controversy over the mode of union of Christ's human nature with his divinity. He did so through his introduction of Aristotelian logical categories and Neoplatonic psychology into Christian speculative theology. His work initiated the later intellectual development of Christian theology throughout medieval culture. Brian E. Daley provides translation and commentary on the six theological works associated with the name of Leontius of Byzantium. The critical text and facing-page translation help make these works more accessible than ever before and provide a reliable textual apparatus for furture scholarship of this key writing.

The essays in this volume have been selected and arranged to provide students with an introduction to the historiographial study of the Roman historian Livy. All classics in their own right, the eighteen articles included here work together to present a picture of this creative and acutely observant historian writing during the Augustan principate. The editors have provided an introductory guide to previous Livian scholarship, which contextualizes each essay; each is also followed by an addendum providing further context and selected suggestions for further reading.

"The cuneiform script, the writing system of ancient Mesopotamia, was witness to one of the world's oldest literate cultures. For over three millennia, it was the vehicle of communication from (at its greatest extent) Iran to the Mediterranean, Anatolia to Egypt. The Oxford Handbook of Cuneiform Culture examines the Ancient Middle East through the lens of cuneiform writing. The contributors, a mix of scholars from across the disciplines, explore, define, and to some extent look beyond the boundaries of the written word, using Mesopotamia's clay tablets and stone inscriptions not just as 'texts' but also as material artefacts that offer much additional information about their creators, readers, users and owners"--

In Ancient Egypt: State and Society, Alan B. Lloyd attempts to define, analyse, and evaluate the institutional and ideological systems which empowered and sustained one of the most successful civilizations of the ancient world for a period in excess of three and a half millennia. The volume adopts the premise that all societies are the product of a continuous dialogue with their physical context - understood in the broadest sense - and that, in order to achieve a successful symbiosis with this context, they develop an interlocking set of systems, defined by historians, archaeologists, and anthropologists as culture. Culture, therefore, can be described as the sum total of the methods employed by a group of human beings to achieve some measure of control over their environment. Covering the entirety of the civilization, and featuring a large number of up-to-date translations of original Egyptian texts, Ancient Egypt focuses on the main aspects of Egyptian culture which gave the society its particular character, and endeavours to establish what allowed the Egyptians to maintain that character for an extraordinary length of time, despite enduring cultural shock of many different kinds.

A uniquely complete and up-to-date collection of the surviving remains of ancient Greek music (fifth century BC to third or fourth century AD) as preserved in ancient notation on inscriptions, papyri, and medieval manuscripts. Each item is accompanied, where feasible, with a transcription into modern musical notation and an explanatory commentary. Good-quality photographs are provided in most cases.