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Books > History > World history > BCE to 500 CE
This is the first comprehensive and fully illustrated study of
silver vessels from ancient Macedonia from the 4th to the 2nd
centuries BC. These precious vessels formed part of dining sets
owned by the royal family and the elite and have been discovered in
the tombs of their owners. Eleni Zimi presents 171 artifacts in a
full-length study of form, decoration, inscriptions and
manufacturing techniques, set against contemporary comparanda in
other media (clay, bronze, glass). She adopts an art historical and
sociological approach to the archaeological evidence and
demonstrates that the use of silver vessels as an expression of
wealth and a status symbol is not only connected with the wealth
spread in the empire after Alexander's the Great expedition to the
East, but constitutes a practice reflecting the opulence and
appreciation for luxury at least in the Macedonian court from the
reign of Philip II onwards.
The Oxford Handbook of Byzantine Studies presents discussions by
leading experts on all significant aspects of this diverse and
fast-growing field. The Oxford Handbook of Byzantine Studies deals
with the history and culture of the Byzantine Empire, the eastern
half of the Late Roman Empire, from the fourth to the fourteenth
century. Its centre was the city formerly known as Byzantium,
refounded as Constantinople in 324 CE, the present-day Istanbul.
Under its emperors, patriarchs, and all-pervasive bureaucracy
Byzantium developed a distinctive society: Greek in language, Roman
in legal system, and Christian in religion. Byzantium's impact in
the European Middle Ages is hard to over-estimate, as a bulwark
against invaders, as a meeting-point for trade from Asia and the
Mediterranean, as a guardian of the classical literary and artistic
heritage, and as a creator of its own magnificent artistic style.
Among medieval Christian societies, Byzantium is unique in
preserving an ecclesiastical ritual of adelphopoiesis that
pronounces two men as brothers. It has its origin as a spiritual
blessing in the monastic world of late antiquity, and it becomes a
popular social networking strategy among lay people from the ninth
century onwards, even finding application in recent times. Located
at the intersection of religious and social history, brother-making
exemplifies how social practice can become ritualized and
subsequently subjected to attempts of ecclesiastical and legal
control. Wide-ranging in its use of sources, from a complete census
of the manuscripts containing the ritual of adelphopoiesis to the
literature and archaeology of early monasticism, and from the works
of hagiographers, historiographers, and legal experts in Byzantium
to comparative material in the Latin West and the Slavic world,
this book is the first exhaustive treatment of the phenomenon.
The city of Constantinople was named New Rome or Second Rome very
soon after its foundation in AD 324; over the next two hundred
years it replaced the original Rome as the greatest city of the
Mediterranean. In this unified essay collection, prominent
international scholars examine the changing roles and perceptions
of Rome and Constantinople in Late Antiquity from a range of
different disciplines and scholarly perspectives. The seventeen
chapters cover both the comparative development and the shifting
status of the two cities. Developments in politics and urbanism are
considered, along with the cities' changing relationships with
imperial power, the church, and each other, and their evolving
representations in both texts and images. These studies present
important revisionist arguments and new interpretations of
significant texts and events. This comparative perspective allows
the neglected subject of the relationship between the two Romes to
come into focus while avoiding the teleological distortions common
in much past scholarship.
An introductory section sets the cities, and their comparative
development, in context. Part Two looks at topography, and includes
the first English translation of the Notitia of Constantinople. The
following section deals with politics proper, considering the role
of emperors in the two Romes and how rulers interacted with their
cities. Part Four then considers the cities through the prism of
literature, in particular through the distinctively late antique
genre of panegyric. The fifth group of essays considers a crucial
aspect shared by the two cities: their role as Christian capitals.
Lastly, a provocative epilogue looks at the enduring Roman identity
of the post-Heraclian Byzantine state. Thus, Two Romes not only
illuminates the study of both cities but also enriches our
understanding of the late Roman world in its entirety.
The civil wars that brought down the Roman Republic were fought on
more than battlefields. Armed gangs infested the Italian
countryside, in the city of Rome mansions were besieged, and
bounty-hunters searched the streets for "public enemies." Among the
astonishing stories to survive from these years is that of a young
woman whose parents were killed, on the eve of her wedding, in the
violence engulfing Italy. While her future husband fought overseas,
she staved off a run on her father's estate. Despite an acute
currency shortage, she raised money to help her fiance in exile.
And when several years later, her husband, back in Rome, was
declared an outlaw, she successfully hid him, worked for his
pardon, and joined other Roman women in staging a public protest.
The wife's tale is known only because her husband had inscribed on
large slabs of marble the elaborate eulogy he gave at her funeral.
Though no name is given on the inscriptions, starting as early as
the seventeenth century, scholars saw saw similarities between the
contents of the inscription and the story, preserved in literary
sources, of one Turia, the wife of Quintus Lucretius. Although the
identification remains uncertain, and in spite of the other
substantial gaps in the text of the speech, the "Funeral Speech for
Turia" (Laudatio Turiae), as it is still conventionally called,
offers an extraordinary window into the life of a high-ranking
woman at a critical moment of Roman history. In this book Josiah
Osgood reconstructs the wife's life more fully than it has been
before by bringing in alongside the eulogy stories of other Roman
women who also contributed to their families' survival while
working to end civil war. He shows too how Turia's story sheds rare
light on the more hidden problems of everyday life for Romans,
including a high number of childless marriages. Written with a
general audience in mind, Turia: A Roman Woman's Civil War will
appeal to those interested in Roman history as well as war, and the
ways that war upsets society's power structures. Not only does the
study come to terms with the distinctive experience of a larger
group of Roman women, including the prudence they had to show to
succeed , but also introduces readers to an extraordinary tribute
to married love which, though from another world, speaks to us
today.
First published in 1963, F.F. Bruce's work Israel and the Nations
has achieved wide recognition as an excellent introduction to the
history of Israel. This new edition, revised by David F. Payne,
includes some new material and an updated bibliography.
Thousands of texts, written over a period of three thousand years
on papyri and potsherds, in Egyptian, Greek, Latin, Aramaic,
Hebrew, Persian, and other languages, have transformed our
knowledge of many aspects of life in the ancient Mediterranean and
Near Eastern worlds. The Oxford Handbook of Papyrology provides an
introduction to the world of these ancient documents and literary
texts, ranging from the raw materials of writing to the languages
used, from the history of papyrology to its future, and from
practical help in reading papyri to frank opinions about the nature
of the work of papyrologists. This volume, the first major
reference work on papyrology written in English, takes account of
the important changes experienced by the discipline within
especially the last thirty years.
Including new work by twenty-seven international experts and more
than one hundred illustrations, The Oxford Handbook of Papyrology
will serve as an invaluable guide to the subject.
With a blend of narrative and analysis, this book explores the
extent to which mercenaries have been used, from Sumer to Rome, and
the reasons governments hired them when they could conscript native
citizens.
The name of Rome excites a picture of power and organisation, as do the widely-spread ruins that Roman civilization left behind. Yet Rome grew out of a collection of small villages and major developments such as the growth of Empire were unplanned and completely unprepared for. Influenced by a small number of self-interested aristocrats who lacked a broader vision, Rome was often threatened by their intrigues. Brought to the ground on a number of occasions, its leaders were able to snatch victory from the jaws of defeat. How did Rome survive for nearly 1000 years, ruling over millions of people with few instances of internal rebellion? David Shotter argues that the key was the way Rome managed to adapt to new circumstances, without at the same time discarding too many of its cherished traditions.
What was the role of mousike, the realm of the Muses, in Greek
life? More wide-ranging in its implications than the English
'music', mousike lay at the heart of Greek culture, and was often
indeed synonymous with culture. In its commonest form, it
represented for the Greeks a seamless complex of music, poetic
word, and physical movement, encompassing a vast array of
performances - from small-scale entertainment in the private home
to elaborate performances involving the entire community. Yet the
history of the field, particularly in anglophone scholarship, has
been hitherto narrowly conceived, and the broader cultural
significance of mousike largely ignored. Focusing mainly on
classical Athens these new and specially commissioned essays
analyse the theory and practice of musical performance in a variety
of social contexts and demonstrate the centrality of mousike to the
values and ideology of the polis. The so-called 'new musical
revolution' in late fifth-century Athens receives serious treatment
in this volume for the first time. A major theme of the book is the
musical and mousike dimension of Greek religion, rarely analysed in
its own right. The ethical and philosophical aspects of Athenian
mousike are another central concern, with the figure of the dancing
philosopher as an emblem of music's role in intellectual life. The
book as a whole provides an integrated cultural analysis of central
aspects of Greek mousike, which will be of interest to classical
scholars, to cultural historians, and to anyone concerned with
understanding the power of music as a cultural phenomenon.
The Cambridge History of Religion in the Classical World provides a
comprehensive and in-depth analysis of the religions of the ancient
Near East and Mediterranean world in the third millennium BCE to
the fourth century BCE.
Damascius was head of the Neoplatonist academy in Athens when the
Emperor Justinian shut its doors forever in 529. His work, Problems
and Solutions Concerning First Principles, is the last surviving
independent philosophical treatise from the Late Academy. Its
survey of Neoplatonist metaphysics, discussion of transcendence,
and compendium of late antique theologies, make it unique among all
extant works of late antique philosophy. It has never before been
translated into English.
The Problems and Solutions exhibits a thorough?going critique of
Proclean metaphysics, starting with the principle that all that
exists proceeds from a single cause, proceeding to critique the
Proclean triadic view of procession and reversion, and severely
undermining the status of intellectual reversion in establishing
being as the intelligible object. Damascius investigates the
internal contradictions lurking within the theory of descent as a
whole, showing that similarity of cause and effect is vitiated in
the case of processions where one order (e.g. intellect) gives rise
to an entirely different order (e.g. soul).
Neoplatonism as a speculative metaphysics posits the One as the
exotic or extopic explanans for plurality, conceived as immediate,
present to hand, and therefore requiring explanation. Damascius
shifts the perspective of his metaphysics: he struggles to create a
metaphysical discourse that accommodates, insofar as language is
sufficient, the ultimate principle of reality. After all, how
coherent is a metaphysical system that bases itself on the
Ineffable as a first principle? Instead of creating an objective
ontology, Damascius writes ever mindful of the limitations of
dialectic, and of the pitfalls and snares inherent in the very
structure of metaphysical discourse.
The Chinese and the Romans created the largest empires of the
ancient world. Separated by thousands of miles of steppe, mountains
and sea, these powerful states developed independently and with
very limited awareness of each other's existence. This parallel
process of state formation served as a massive natural experiment
in social evolution that provides unique insight into the
complexities of historical causation. Comparisons between the two
empires shed new light on the factors that led to particular
outcomes and help us understand similarities and differences in
ancient state formation. The explicitly comparative perspective
adopted in this volume opens up a dialogue between scholars from
different areas of specialization, encouraging them to address big
questions about the nature of imperial rule. In a series of
interlocking case studies, leading experts of early China and the
ancient Mediterranean explore the relationship between rulers and
elite groups, the organization and funding of government, and the
ways in which urban development reflected the interplay between
state power and communal civic institutions. Bureaucratization,
famously associated with Qin and Han China but long less prominent
in the Roman world, receives special attention as an index of the
ambitions and capabilities of kings and emperors. The volume
concludes with a look at the preconditions for the emergence of
divine rulership. Taken together, these pioneering contributions
lay the foundations for a systematic comparative history of early
empires.
Italy's Lost Greece is the untold story of the modern engagement
with the ancient Greek settlements of South Italy--an area known
since antiquity as Magna Graecia. This "Greater Greece," at once
Greek and Italian, has continuously been perceived as a region in
decline since its archaic golden age, and has long been relegated
to the margins of classical studies. Giovanna Ceserani's evocative
and nuanced analysis recovers its significance within the history
of classical archaeology. It was here that the Renaissance first
encountered an ancient Greek landscape, and during the "Hellenic
turn" of eighteenth-century Europe the temples of Paestum and the
painted vases of South Italy played major roles, but since then,
Magna Graecia--lying outside the national boundaries of modern
Greece, and sharing in the complicated regional dynamic of the
Italian Mezzogiorno--has fitted awkwardly into the commonly
accepted paradigms of Hellenism. The unfolding of this process
provides a unique insight into three developments: the humanist
investment in the ancient past, the evolution of modern Hellenism,
and the making of classical archaeology. Drawing on antiquarian and
archaeological writings, histories and travelogues about Magna
Graecia, and recent rewritings of the history and imagining of the
South, Italy's Lost Greece sheds new light on well known figures in
the history of archaeology while recovering forgotten ones. This is
an Italian story of European resonance, which transforms our
understanding of the transition from antiquarianism to archaeology,
of the relationship between nation-making and institution-building
in the study of the ancient past, and of the reconstruction of
classical Greece in the modern world.
Was Plato a Pythagorean? Plato's students and earliest critics
thought so, but scholars since the 19th century have been more
skeptical. In Plato and Pythagoreanism, Phillip Sidney Horky argues
that a specific type of Pythagorean philosophy, called
"mathematical" Pythagoreanism, exercised a decisive influence on
fundamental aspects of Plato's philosophy. The progenitor of
mathematical Pythagoreanism was the infamous Pythagorean heretic
and political revolutionary Hippasus of Metapontum, a student of
Pythagoras who is credited with experiments in harmonics that led
to innovations in mathematics. The innovations of Hippasus and
other mathematical Pythagoreans, including Empedocles of
Agrigentum, Epicharmus of Syracuse, Philolaus of Croton, and
Archytas of Tarentum, presented philosophers like Plato with new
approaches to science that sought to reconcile empirical knowledge
with abstract mathematical theories. Plato and Pythagoreanism shows
how mathematical Pythagoreanism established many of the fundamental
philosophical questions Plato dealt with in his central dialogues,
including Cratylus, Phaedo, Republic, Timaeus, and Philebus. In the
process, it also illuminates the historical significance of the
mathematical Pythagoreans, a group whose influence over the
development of philosophical and scientific methods have been
obscured since late antiquity. The picture that results is one in
which Plato inherits mathematical Pythagorean method only to
transform it into a powerful philosophical argument concerning the
essential relationships between the cosmos and the human being.
Since at least 1939, when daily-strip caveman Alley Oop
time-traveled to the Trojan War, comics have been drawing (on)
material from Greek and Roman myth, literature and history. At
times the connection is cosmetic-as perhaps with Wonder Woman's
Amazonian heritage-and at times it is almost irrelevant-as with
Hercules' starfaring adventures in the 1982 Marvel miniseries. But
all of these make implicit or explicit claims about the place of
classics in modern literary culture.
Classics and Comics is the first book to explore the engagement of
classics with the epitome of modern popular literature, the comic
book. This volume collects sixteen articles, all specially
commissioned for this volume, that look at how classical content is
deployed in comics and reconfigured for a modern audience. It opens
with a detailed historical introduction surveying the role of
classical material in comics since the 1930s. Subsequent chapters
cover a broad range of topics, including the incorporation of
modern theories of myth into the creation and interpretation of
comic books, the appropriation of characters from classical
literature and myth, and the reconfiguration of motif into a modern
literary medium. Among the well-known comics considered in the
collection are Frank Miller's 300 and Sin City, DC Comics' Wonder
Woman, Jack Kirby's The Eternals, Neil Gaiman's Sandman, and
examples of Japanese manga. The volume also includes an original
12-page "comics-essay," drawn and written by Eisner Award-winning
Eric Shanower, creator of the graphic novel series Age of Bronze.
Chapters 22 and 23 of 2 Kings tell the story of the religious
reforms of the Judean King Josiah, who systematically destroyed the
cult places and installations where his own people worshipped in
order to purify Israelite religion and consolidate religious
authority in the hands of the Jerusalem temple priests. This
violent assertion of Israelite identity is portrayed as a pivotal
moment in the development of monotheistic Judaism. Monroe argues
that the use of cultic and ritual language in the account of the
reform is key to understanding the history of the text's
composition, and illuminates the essential, interrelated processes
of textual growth and identity construction in ancient Israel.
Until now, however, none of the scholarship on 2 Kings 22-23 has
explicitly addressed the ritual dimensions of the text. By
attending to the specific acts of defilement attributed to Josiah
as they resonate within the larger framework of Israelite ritual,
Monroe's work illuminates aspects of the text's language and
fundamental interests that have their closest parallels in the
priestly legal corpus known as the Holiness Code (Leviticus 17-26),
as well as in other priestly texts that describe methods of
eliminating contamination. She argues that these priestly-holiness
elements reflect an early literary substratum that was generated
close in time to the reign of Josiah, from within the same priestly
circles that produced the Holiness Code. The priestly composition
was reshaped in the hands of a post-Josianic, exilic or post-exilic
Deuteronomistic historian who transformed his source material to
suit his own ideological interests. The account of Josiah's reform
is thus imprinted with the cultural and religious attitudes of two
different sets of authors. Teasing these apart reveals a dialogue
on sacred space, sanctified violence and the nature of Israelite
religion that was formative in the development not only of 2 Kings
23, but of the historical books of the Bible more broadly.
The study of emotions and emotional displays has achieved a
deserved prominence in recent classical scholarship. The emotions
of the classical world can be plumbed to provide a valuable
heuristic tool. Emotions can help us understand key issues of
ancient ethics, ideological assumptions, and normative behaviors,
but, more frequently than not, classical scholars have turned their
attention to "social emotions" requiring practical decisions and
ethical judgments in public and private gatherings. The emotion of
disgust has been unwarrantedly neglected, even though it figures
saliently in many literary genres, such as iambic poetry and
comedy, historiography, and even tragedy and philosophy. This
collection of seventeen essays by fifteen authors features the
emotion of disgust as one cutting edge of the study of Greek and
Roman antiquity. Individual contributions explore a wide range of
topics. These include the semantics of the emotion both in Greek
and Latin literature, its social uses as a means of marginalizing
individuals or groups of individuals, such as politicians judged
deviant or witches, its role in determining aesthetic judgments,
and its potentialities as an elicitor of aesthetic pleasure. The
papers also discuss the vocabulary and uses of disgust in life
(Galli, actors, witches, homosexuals) and in many literary genres:
ancient theater, oratory, satire, poetry, medicine, historiography,
Hellenistic didactic and fable, and the Roman novel. The
Introduction addresses key methodological issues concerning the
nature of the emotion, its cognitive structure, and modern
approaches to it. It also outlines the differences between ancient
and modern disgust and emphasizes the appropriateness of
"projective or second-level disgust" (vilification) as a means of
marginalizing unwanted types of behavior and stigmatizing morally
condemnable categories of individuals. The volume is addressed
first to scholars who work in the field of classics, but, since
texts involving disgust also exhibit significant cultural
variation, the essays will attract the attention of scholars who
work in a wide spectrum of disciplines, including history, social
psychology, philosophy, anthropology, comparative literature, and
cross-cultural studies.
The Oxford Handbook of Ancient Anatolia is a unique blend of
comprehensive overviews on archaeological, philological,
linguistic, and historical issues at the forefront of Anatolian
scholarship in the 21st century. Anatolia is home to early complex
societies and great empires, and was the destination of many
migrants, visitors, and invaders. The offerings in this volume
bring this reality to life as the chapters unfold nearly ten
thousand years (ca. 10,000-323 B.C.E.) of peoples, languages, and
diverse cultures who lived in or traversed Anatolia over these
millennia. The contributors combine descriptions of current
scholarship on important discussion and debates in Anatolian
studies with new and cutting edge research for future directions of
study. The fifty-four chapters are presented in five separate
sections that range in topic from chronological and geographical
overviews to anthropologically based issues of culture contact and
imperial structures, and from historical settings of entire
millennia to crucial data from key sites across the region. The
contributors to the volume represent the best scholars in the field
from North America, Europe, Turkey, and Asia. The appearance of
this volume offers the very latest collection of studies on the
fascinating peninsula known as Anatolia.
Sui-Tang China and Its Turko-Mongol Neighbors challenges readers to
reconsider China's relations with the rest of Eurasia.
Investigating interstate competition and cooperation between the
successive Sui and Tang dynasties and Turkic states of Mongolia
from 580 to 800, Jonathan Skaff upends the notion that inhabitants
of China and Mongolia were irreconcilably different and hostile to
each other. Rulers on both sides deployed strikingly similar
diplomacy, warfare, ideologies of rulership, and patrimonial
political networking to seek hegemony over each other and the
peoples living in the pastoral borderlands between them. The book
particularly disputes the supposed uniqueness of imperial China's
tributary diplomacy by demonstrating that similar customary norms
of interstate relations existed in a wide sphere in Eurasia as far
west as Byzantium, India, and Iran. These previously unrecognized
cultural connections, therefore, were arguably as much the work of
Turko-Mongol pastoral nomads traversing the Eurasian steppe as the
more commonly recognized Silk Road monks and merchants. This
interdisciplinary and multi-perspective study will appeal to
readers of comparative and world history, especially those
interested in medieval warfare, diplomacy, and cultural studies.
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