In State Governments: Institutions and Issues, a dialogic approach is used to provoke discussion regarding the major institutions of state governments today (federalism, tribal governments, governors, legislatures, judiciaries, and elections). Public policy issues (sprawl, educational choice, welfare and health care reform, water, taxes, living wages, and lotteries) also are subjected to dialogic treatment. Unlike the function of textbooks that provide general, descriptive coverage, these dialogues focus on the arguments and principles and the reasoning and evidence that bear on the lively practices of our political institutions and public policy debates. Some major overriding questions are: Where is power and leadership best located? What is the proper role of state government? What makes for social justice in a capitalistic democracy? Where and when should our state governments take the initiative to improve citizens' quality of life? Readers are invited to use their decision-making and conflict-resolution skills (often this means a balancing and weighing process) to fashion reasonable public policy outcomes. These dialogues also serve as a springboard for discussion and/or doing research that would dig more deeply and thoroughly into public policy issues.

Taking as notional parameters the upheaval of the French Revolution and the events leading up to the Unification of Italy, this volume charts a period of political and social turbulence in Europe and its reflection in theatrical life. Apart from considering external factors like censorship and legal sanctions on theatrical activity, the volume examines the effects of prevailing operational conditions on the internal organization of companies, their repertoire, acting, stage presentation, playhouse architecture and the relationship with audiences. Also covered are technical advances in stage machinery, scenography and lighting, the changing position of the playwright and the continuing importance of various street entertainments, particularly in Italy, where dramatic theatre remained the poor relation of the operatic, and itinerant acting troupes still constituted the norm. The 460 documents, many of them illustrated, have been drawn from sources in Britain, France and Italy and have been annotated, and translated where appropriate.

This volume charts a period of political and social turbulence in Europe and its reflection on theatrical life. Apart from considering external factors like censorship and legal sanctions on theatrical activity, the volume examines the effects of prevailing operational conditions on the internal organization of companies, their repertoire, acting, stage presentation, playhouse architecture and the audience relationship. Many of the 460 documents are illustrated and drawn from sources in Britain, France and Italy. They have been annotated, and translated where appropriate.

James Robinson Planche was one of the most prolific and successful of nineteenth-century playwrights. In a career spanning fifty years he wrote over one hundred and eighty pieces of all types, from pantomime and farce to melodrama and opera, for production at a wide range of London theatres. This book offers a representative selection of his most popular plays. It includes one melodrama - The Vampire; or The Bride of the Isles (1820), which represents the first treatment of the vampire theme on the English stage; one farce - The Garrick Fever (1839); three 'fairy' extravaganzas - Beauty and the Beast (1841), Fortunio and his Seven Gifted Servants (1843), and The Discreet Princess; or, The Three Glass Distaffs (1855); one 'classical' extravaganza - The Golden Fleece; or, Jason in Colchis and Medea in Corinth (1845); and one revue of events in contemporary London - The Camp at the Olympic (1853). The volume includes a lengthy introduction which sets the plays in the theatrical context of their time, a chronological record of Planche's life, a complete list of his plays, and a bibliography.

A study of the medieval idea that defined the "world" as recorded in I John 2:16-the lust of the flesh, and the lust of the eyes, and the pride of life. Conflict in Troilus and Criseyde, Piers Plowman, and Sir Gawain and the Green Knight is explored. Originally published in 1966. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

A study of the medieval idea that defined the "world" as recorded in I John 2:16-the lust of the flesh, and the lust of the eyes, and the pride of life. Conflict in Troilus and Criseyde, Piers Plowman, and Sir Gawain and the Green Knight is explored. Originally published in 1966. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The lives of a young married couple (Brian and Julie), living in a quiet, English village are throw into turmoil when international terrorists come looking for Julie as a key to oil money held in a Swiss bank Julie's husband and his friend Jack, both veteran commandos of the Falkland dispute, are engaged in defending Julie against unknowns that are bent on kidnapping her. The intrigue gets worse when it is discovered that the terrorists have planted a local resident to keep tabs on Julie and entrenched one of their own as an employee of Julie's stepfather. As the money stakes are very high, the terrorists are gambling huge amounts of money to pay for people to work for them. Any more information will give the complete story away. Please enjoy.