On the heels of the bestseller success of her novel "The Wedding," Dorothy West, the last surviving member of the Harlem Renaissance, presents a collection of essays and stories that explore both the realism of everyday life, and the fantastical, extraordinary circumstances of one woman's life in a mythic time. Traversing the universal themes and conflicts between poverty and prosperity, men and women, and young and old, and compiling writing that spans almost seventy years, "The Richer, The Poorer" not only affords an unparalleled window into the African-American middle class, but also delves into the richness of experience of "one of the finest writers produced in this country during the Roaring Twenties"("Book Page").

The publication  of The Wedding by Dorothy West,  the last surviving member of the Harlem  Renaissance, was not only a landmark literary event, but a  commercial success as well. Readers across America  responded to West's delicat weaving of North and  South, black and white, past and present in this  "fascinating and engrossing tale"  (People) of race and class set in Martha's  Vineyard.In her first novel in forty-seven years,  West offers a window into the rise of the black  middle class as she lived it. Wise, heartfelt, and shattering, The Wedding is Dorothy West's crowning achievement, and one of the last books edited for Doubleday by the late Jacqueline Kennedy Onassis.

With a new introduction by DIANA EVANS 'Timelessly cinematic, with painterly visual descriptions and pitch-perfect dialogue that ranges across class, region, race, age, and gender' Emma Garman, Paris Review Set on a bucolic Martha's Vineyard in the 1950s, THE WEDDING tells the story of life in the Oval, a proud, insular community made up of the best and brightest of the East Coast's black bourgeoisie. Within this inner circle of 'blue-vein society', we witness the prominent Coles family gather for the wedding of their loveliest daughter, Shelby, who could have chosen from 'a whole area of eligible men of the right colors and the right professions.' Instead, she has fallen in love with and is about to be married to Mead Wyler, a white jazz musician from New York. A shock wave breaks over the Oval as its longtime members grapple with the changing face of its community. Not just the story of one wedding, but of many, this compelling story offers insights into issues of race, prejudice and identity while maintaining its firm belief in the compensatory power of love. Through a delicate interweaving of past and present, North and South, black and white, THE WEDDING unfolds outward from a single isolated time and place until it embraces five generations of an extraordinary American family. It is an audacious accomplishment, a monumental history of the rise of a black middle class, written by a writer who lived it. Wise, heartfelt, and shattering, it is Dorothy West's crowning achievement.

The Messenger was the third most popular magazine of the Harlem Renaissance after The Crisis andOpportunity. Unlike the other two magazines, The Messenger was not tied to a civil rights organization. Labor activist A. Philip Randolph and economist Chandler Owen started the magazine in 1917 to advance the cause of socialism to the black masses. They believed that a socialist society was the only one that would be free from racism.

The socialist ideology of The Messenger "the only magazine of scientific radicalism in the world published by Negroes," was reflected in the pieces and authors published in its pages. The Messenger Reader contains poetry, stories, and essays from Paul Robeson, Zora Neale Hurston, Wallace Thurman, and Dorothy West.

The Messenger Reader, will be a welcome addition to the critically acclaimed Modern Library Harlem Renaissance series.