This guide offers spectacular and diverse diving in South Africa and Mozambique.

Dive with sharks, squid and sardines, exploring cold-water kelp forests, pristine tropical reefs and poignant shipwrecks. This guide features 180 of the best dives, with first-hand descriptions and site maps. Key dive information and contact details and a comprehensive marine species identification guide.

Book chapters include

• Cape Peninsula and False Bay
• Southern Cape Coast – Gansbaai & the Garden Route
• Port Elizabeth, Port Alfred & East London
• South Coast – Aliwal Shoal, Landers & Protea Banks
• Durban & North Coast
• Sodwana Bay
• Northern Maputaland – Mabibi & Kosi Bay
• Southern Mozambique
• The Manta Coast
• Vilanculos & the Bazaruto Archipelago
• Nampula – Nacala Bay, Baixo do Pinda, Memba Bay and Ilha de Mozambique
• Northern Mozambique – Pemba & the Quirmbas Archipelago
• Inland dive sites
• Marine species Identification Guide
• Contacts

This guide will give you the information you need to be a responsible diver. Learn to care for the marine environment as well diving culture and gear you would need. This book is a must-have for any diving enthusiast.

This lavishly illustrated book offers the first full, interdisciplinary investigation of the historical evidence for the presence of ancient Greek tragedy in the post-Restoration British theatre, where it reached a much wider audience - including women - than had access to the original texts. Archival research has excavated substantial amounts of new material, both visual and literary, which is presented in chronological order. But the fundamental aim is to explain why Greek tragedy, which played an elite role in the curricula of largely conservative schools and universities, was magnetically attractive to political radicals, progressive theatre professionals, and to the aesthetic avant-garde. All Greek has been translated, and the book will be essential reading for anyone interested in Greek tragedy, the reception of ancient Greece and Rome, theatre history, British social history, English studies, or comparative literature.

Choruses, Ancient and Modern examines the ancient Greek chorus and its afterlives in western culture. Choruses, though absolutely central to the social, political, and religious life of classical Greece, no longer hold the same broad importance in modernity, yet the attraction of the Greek chorus has proved a strong impetus to reimagining. Artists and thinkers have continually appropriated Greek choruses to their own ends, and the body of these engagements constitutes a rich and hitherto-unexplored area of the reception of classical antiquity. Exploring the choral tradition from archaic Greece to the present across a variety of different media, the volume thematically juxtaposes perspectives on choruses to create a dialogue between ancient and modern contexts. Following a substantial introduction, the four sections of the book discuss the place of the chorus within scholarship, aesthetic and philosophical perspectives on the chorus, reflections on absences of the chorus, and the social and communal potential of the chorus. Each section considers antiquity and modernity in counterpoint, at once de-familiarizing ancient contexts of the chorus and defining crucial moments in modern choral traditions.

The third novel featuring DCI Jack Hawksworth asks the question: is one life worth more than another?

Police are baffled by several deaths, each unique and bizarre in their own way – and shockingly brutal. Scotland Yard sends in its crack DCI, the enigmatic Jack Hawksworth, who wastes no time in setting up Operation Mirror. His chief wants him to dismiss any possibility of a serial killer before the media gets on the trail.

With his best investigative team around him, Jack resorts to some unconventional methods to disprove or find a link between the gruesome deaths. One involves a notorious serial killer from his past, and the other, a smart and seductive young journalist who’ll do anything to catch her big break.

Discovering he’s following the footsteps of a vigilante and in a race against time, Jack will do everything it takes to stop another killing – but at what personal cost for those he holds nearest and dearest?

Aeschylus' Agamemnon, the first play in the Oresteia trilogy, is one of the most influential theatrical texts in the global canon. In performance, translation, adaptation, along with sung and danced interpretations, it has been familiar in the Greek world and the Roman empire, and from the Renaissance to the contemporary stage. It has been central to the aesthetic and intellectual avant-garde as well as to radical politics of all complexions and to feminist thinking. Contributors to this interdisciplinary collection of eighteen essays on its performance history include classical scholars, theatre historians, and experts in English and comparative literature. All Greek and Latin has been translated; the book is generously illustrated, and supplemented with the useful research aid of a chronological appendix of performances.

Shortlisted for the International Booker Prize 2020 1872. The pampas of Argentina. China is a young woman eking out an existence in a remote gaucho encampment. After her no-good husband is conscripted into the army, China bolts for freedom, setting off on a wagon journey through the pampas in the company of her new-found friend Liz, a settler from Scotland. While Liz provides China with a sentimental education and schools her in the nefarious ways of the British Empire, their eyes are opened to the wonders of Argentina's richly diverse flora and fauna, cultures and languages, as well as to the ruthless violence involved in nation-building. This subversive retelling of Argentina's foundational gaucho epic Martin Fierro is a celebration of the colour and movement of the living world, the open road, love and sex, and the dream of lasting freedom. With humour and sophistication, Gabriela Cabezon Camara has created a joyful, hallucinatory novel that is also an incisive critique of national myths.

The late-eighteenth century witnessed multiple Medeas take to the stages of Europe, in the Americas, and across the Russian empire. Performances took place in Moscow and São Paulo, in London and Lisbon, in Gotha, Stuttgart, and Venice. This lively collection of essays examines the various reasons why Medea, the ancient mother who killed her own children, attracted the attention of authors, audiences, actors, and rulers in Europe and its dominions during the pivotal period 1750 to 1800, and to what effects. As a migrant and iconoclast, Medea crosses a number of eighteenth-century borders: linguistic, cultural, national, temporal, spatial, aesthetic, ethical, and generic. Moreover, the fact that late-eighteenth-century playwrights, poets, composers, and choreographers all turned to one of the most problematic characters of Greco-Roman antiquity offers a unique opportunity to examine the remarkable flexibility of the reception process itself. Medea therefore functions as an intriguing case study, reflecting a wider context of cultural and political change within Europe and its colonies in the late-eighteenth century. By drawing together eighteenth-century specialists working across multiple languages and disciplines with the reception perspective of classical scholars, this volume brings much rare material from a range of archives across continental Europe to critical attention for the first time. Mapping Medea shows how the eighteenth century made Medea modern, and Medea helped to shape modern performance.

Seamus Heaney, the great Irish poet, made a significant contribution to classical reception in modern poetry; though occasional essays have appeared in the past, this volume is the first to be wholly dedicated to this perspective on his work. Comprising literary criticism by scholars of both classical reception and contemporary literature in English, it includes contributions from critics who are also poets, as well as from theatre practitioners on their interpretations and productions of Heaney's versions of Greek drama; well-known names are joined by early-career contributors, and friends and collaborators of Heaney sit alongside those who admired him from afar. The papers focus on two main areas: Heaney's fascination with Greek drama and myth - shown primarily in his two Sophoclean versions, but also in his engagement in other poems with Hesiod, with Aeschylus' Agamemnon, and with myths such as that of Antaeus - and his interest in Latin poetry, primarily that of Virgil but also that of Horace; a version of an Horatian ode was famously the vehicle for Heaney's comment on the events of 11 September 2001 in 'Anything Can Happen' (District and Circle, 2006). Although a number of the contributions cover similar material, they do so from distinctively different angles: for example, Heaney's interest in Virgil is linked with the traditions of Irish poetry, his capacity as a translator, and his annotations in his own text of a standard translation, as well as being investigated in its long development over his poetic career, while his Greek dramas are considered as verbal poetry, as comments on Irish politics, and as stage-plays with concomitant issues of production and interpretation. Heaney's posthumous translation of Virgil's Aeneid VI (2016) comes in for considerable attention, and this will be the first volume to study this major work from several angles.

Greek tragedy is currently being performed more frequently than at any time since classical antiquity. This book is the first to address the fundamental question, why has there been so much Greek tragedy in the theatres, opera houses and cinemas of the last three decades? A detailed chronological appendix of production information and lavish illustrations supplement the fourteen essays by an interdisciplinary team of specialists from the worlds of classics, theatre studies, and the professional theatre. They relate the recent appeal of Greek tragedy to social trends, political developments, aesthetic and performative developments, and the intellectual currents of the last three decades, especially multiculturalism, post-colonialism, feminism, post-structuralism, revisions of psychoanalytical models, and secularization.

Sophocles' Oedipus Tyrannus (or Oedipus Rex) has exerted more influence than any other drama, ancient or modern, on the history of theatre, and this influence has extended far beyond the boundaries of the western theatrical tradition to include African and Oriental theatre histories as well. This volume traces Sophocles' paradigmatic ancient tragedy from its first appearance on the stage in the fifth century BC to present day productions. The afterlife of Oedipus has played a key role in the history of ideas, and this volume examines its centrality to the history of stage censorship and political and cultural upheaval across the centuries. More recently, the protagonist has come under close scrutiny in his association with the Oedipus of psychoanalytical theory. Macintosh demonstrates how, by following the fortunes of Sophocles' Oedipus on the world stage, one witnesses its intersection with and impact upon the history of theatre and the history of ideas.

From short, easy one-night escapes suitable for the whole family, to hard-core mountain adventures that will test even the most experienced, competitive racers, the 34 trails of southern Africa's best multi-day trails and wilderness journeys featured in this book cover the full spectrum of mountain bike tours on offer in South Africa and neighbouring countries. A guide and support vehicle accompanies most of the tours, meaning that someone else takes care of the logistics and you are left free to enjoy the best that mountain biking offers. Whether you want to ride with big game, along empty beaches, through verdant forest or across barren deserts you'll find a trail to suit, and there are also some specialist trails that are aimed at birders, gourmands and culture-vultures. As the waiting lists for the stage races grow (and with them the entry fees) touring offers an alternative way to get your dirt fix – an active holiday with a group of friends or family. After riding the inaugural Tour de Wilderness mountain bike tour, photojournalist Fiona McIntosh tried her hand at stage racing, completing the ABSA Cape Epic in 2007. She's now a social rider who looks forward to a soft bed, good meal and some fine wine after a hard day in the saddle.

Slackpacking is backpacking without the schlep, allowing hikers to travel light while someone else takes care of their overnight bags. This guide, which tells you all you need to know about some of South Africa's top slackpacking trails, is for everyone, from hardcore mountain lovers, twitchers and botanists to family groups and modern-day strandlopers. Slackpacking covers a wide variety of trails, including luxury, guided and catered trails, community-run guided trails and unguided, self-catered trails. Each day of each trail is described in detail, including such useful snippets of information as: distance covered and the average walking time; group size; degree of difficulty; level of accommodation; terrain; when best to walk; what to bring; who to contact to make all the arrangements.

The Oxford Handbook of Greek Drama in the Americas is the first edited collection to discuss the performance of Greek drama across the continents and archipelagos of the Americas from the beginning of the nineteenth century to the present. The study and interpretation of the classics have never been restricted by geographical or linguistic boundaries but, in the case of the Americas, long colonial histories have often imposed such boundaries arbitrarily. This volume tracks networks across continents and oceans and uncovers the ways in which the shared histories and practices in the performance arts in the Americas have routinely defied national boundaries. With contributions from classicists, Latin American specialists, theatre and performance theorists, and historians, the Handbook also includes interviews with key writers, including Nobel Laureate Derek Walcott, Charles Mee, and Anne Carson, and leading theatre directors such as Peter Sellars, Carey Perloff, Hector Daniel-Levy, and Heron Coelho. This richly illustrated volume seeks to define the complex contours of the reception of Greek drama in the Americas, and to articulate how these different engagements - at local, national, or trans-continental levels, as well as across borders - have been distinct both from each other, and from those of Europe and Asia.

Sophocles' Oedipus Tyrannus (or Oedipus Rex) has exerted more influence than any other drama, ancient or modern, on the history of theatre, and this influence has extended far beyond the boundaries of the western theatrical tradition to include African and Oriental theatre histories as well. This volume traces Sophocles' paradigmatic ancient tragedy from its first appearance on the stage in the fifth century BC to present day productions. The afterlife of Oedipus has played a key role in the history of ideas, and this volume examines its centrality to the history of stage censorship and political and cultural upheaval across the centuries. More recently, the protagonist has come under close scrutiny in his association with the Oedipus of psychoanalytical theory. Macintosh demonstrates how, by following the fortunes of Sophocles' Oedipus on the world stage, one witnesses its intersection with and impact upon the history of theatre and the history of ideas.

A gift of life ...or a curse beyond death? The machinations of King Celimus have robbed Wyl Thirsk of almost everyone he held dear, and those few who have survived will bear the scars forever. Myrren's gift offers Wyl the opportunity to strike back, but at what price? His best friend is murdered, mercenaries pillage the land in the name of his beloved Legion, and now the mad king threatens the two women who are more precious to him than life itself. He cannot save both. The old seer's advice comes back to him: find the Manwitch. Only Myrren's natural father can help break the hold of the Quickening. But Wyl's heart pleads otherwise: Protect your loved ones. Once again, it seems, Wyl Thirsk faces an impossible choice. The path ahead diverges. Left and right. Head and heart. Blood and memory. A misstep here could cost him everything ...

Love comes out of nowhere for most of us, when we least expect it.' Amidst the carnage of Gallipoli, British nurse Claire Nightingale meets Australian Light Horseman Jamie Wren. Despite all odds, they fall deeply in love. Their flame burns bright and carries them through their darkest hours, even when war tears them apart. When Jamie encounters Turkish soldier Acar Shahin on the bloodstained battlefield, the men forge an unforgettable bond. Their chance meeting also leaves a precious clue to Jamie's whereabouts for Claire to follow. Come peacetime, Claire's desperate search to find Jamie takes her all the way to Istanbul, and deep into the heart of Acar's family, where she attracts the unexpected attention of a charismatic and brooding scholar. In the name of forgiveness, cultures come together, enemies embrace and forbidden passions ignite - but by the nail - biting conclusion, who will be left standing to capture Nurse Nightingale's heart? A breathtaking novel of heartbreak and heroism, love and longing by a powerhouse Australian storyteller.

The city-state of Percheron is in crisis. Zaradine Ana has been captured by the mysterious Arafanz and his desert warriors and is being held in their isolated fort. It is also suspected that she is pregnant with Zar Boaz's son, the heir to the throne . . .

Though Lazar has made it out of the desert, his heroics in bringing the Valide and Grand Vizier to safety have cost him. Afflicted with the drezden illness that befalls him when he is weak, he is too sick to move from his bed, when help comes from an unexpected source . . .

Zar Boaz finds himself trapped by both his heart and his head. Though he can think of nothing but Ana, imprisoned in the desert, his country is on the brink of war and his Spur is helpless. Hatching a daring plan, he calls for Percheron's strongest to make one more pilgrimage into the desert, even as warships threaten Percheron's harbor, and the Goddess reaches the crest of her ascent, throwing all parties--mortal and divine--into a perilous battle for their hearts, their lives, and their souls.

Without Lazar's guiding hand and presence, the Stone Palace of Percheron has become a different place. Young Zar Boaz, mistrusting of his mother, Herezah, but too inexperienced to stand on his own, seeks counsel from the suddenly changed and secretive Vizier, who has a sinister agenda of his own.

As Herezah privately grieves for Lazar, she hatches an audacious plot to destroy the odalisque Ana, who flouts the rules of the harem but has found a measure of protection in having caught the eye of Zar Boaz. And Ana shoulders a tremendous burden of guilt as she matures from a beautiful girl into a stunning young woman . . . and fears what her future in the harem might hold.

Yet Lazar, unbeknownst to nearly everyone in the palace, is slowly recovering on a secret island. As he struggles to return to health, war from a distant realm threatens Percheron, and, as the cyclical battle of the gods continues to build, the first of the Goddess's disciples falls into the grip of the demon Maliz. Success or failure--for both Percheron and Lyana--hinges on Lazar, whose illness has left him with a new gift he fears is a curse, and if he cannot take action soon, all may well be lost.

Wyl Thirsk, former general of the Morgravian army and bearer of the curse known as Myrren's gift, is running out of time. Marriage between his beloved Queen Valentyna and his sworn enemy, the despotic King Celimus, is imminent; yet, despite the impending nuptials, war looms between the two nations, while the threat from the Mountain Kingdom grows stronger. Trapped in a body not his own, with his friends and supporters scattered throughout the realm, Wyl is as desperate to prevent the wedding as he is to end Myrren's "gift" -- a magic that will cease only when he assumes the throne of Morgravia.

Clinging to an ominous suggestion from his young friend Fynch, an increasingly powerful mage, Wyl must walk his most dangerous path yet -- straight into the brutal clutches of Celimus in a desperate attempt to save his nation, his love, and himself.

To save two kingdoms from a despot's rule, one man must journey into the unknown, seeking answers to the strange and powerful secret that so plagues him.

Wyl Thirsk, loyal soldier of Morgravia, has seen his best friend slain, his sister tortured, and his mentor sent to certain death, all at the hands of his sovereign, the cruel and manipulative King Celimus. Now Celimus, believing himself to be rid of the "moral constraints" of the Thirsk influence, has turned his greedy eye to expansion ... and Morgravia's neighboring kingdom, ruled by the spirited but inexperienced Queen Valentyna. As Celimus pressures Valentyna into a doomed political marriage, Wyl endeavors desperately to preserve both the honor of his country and the freedom of the woman he loves.

But fate has other plans for him. Despite his friends and loved ones becoming increasingly tangled in the evil machinations of King Celimus, though war with the dread Northern Kingdom appears imminent and Valentyna is poised to succumb to Morgravia's oily rule, Wyl must leave behind all he knows and cares about and travel into the land from which none return, seeking out the bestower of Myrren's sinister gift.

Greek tragedy is currently being performed more frequently than at any time since classical antiquity. This book is the first to address the fundamental question, why has there been so much Greek tragedy in the theatres, opera houses, and cinemas of the last three decades? A detailed chronological appendix of production information and lavish illustrations supplement the fourteen essays by an interdisciplinary team of specialists from the worlds of classics, theatre studies, and the professional theatre. They relate the recent appeal of Greek tragedy to social trends, political developments, aesthetic and performative developments, and the intellectual currents of the last three decades, especially multiculturalism, post-colonialism, feminism, post-structuralism, revisions of psychoanalytical models, and secularization.

A sweeping, epic love story which follows one woman's journey from the cobbled streets of Brighton to the foothills of the Himalayan mountains, for fans of Dinah Jefferies and Lucinda Riley. __________________________________ A passionate love affair. An impossible choice. England, 1932. Dr Isla Fenwick has little interest in marriage, until a reunion with an old friend blossoms into to something more. But Isla is determined to fulfil a long-held promise to practice medicine in India. With her fiance's blessing she sails to Calcutta to set up a midwifery clinic - promising to return within the year. There, Isla does her best to navigate a complex new world, and forms a deep connection with one of her colleagues - against all better instincts. When a desperate rescue mission to save the one person who needs her the most takes her into the foothills of the Himalayas, Isla will be asked to pay the ultimate price for her passions.

Road Tripping Namibia will take you on an iconic journey through this truly beautiful country. Namibia is a land of contrasts with miles of beautiful rolling sand dunes as well as breath-taking landscapes, as well as diverse and bountiful bird and wildlife.

The book covers 15 iconic road trips, all perfectly manageable in a normal sedan, showcasing the highlights of Namibia together with great overview maps and stunning photographs.

Routes include: Namib Route, Diamond Towns and Wild Horses, Adventure Route, Ai/Ai Richtersveld Transfrontier Park, Kalahari Route, Windhoek Passes, Floral Route, ‘Twitching’ Namibia – A Birder’s Paradise, Kavango and Zambezi, Cultural Route, Kunene and the Four ‘O’s, Wildlife Route, Rocks and Rock Art, Damaraland and the Kaokoveld, Skeleton Coast – An Angler’s Paradise.

For each route you can map your driving distance, see the driving time, look at the highlights, check the driving conditions, child-friendly ratings, logistics, low-slung vehicle ratings, emergency numbers and see the author’s tips as well as when best times are to visit the area.

This book is a must-have for any adventure traveller or tourist wanting to experience the back roads throughout Namibia. With Road Tripping Namibia travelling in Namibia becomes a journey of adventure and discovery, so hop into your car and explore Namibia as you never have before.

Let Southbound take you to the astonishing floral riches of the Cape-what Carl Linnaeus described as "this Heaven on Earth"-a vast area of mountainous shrubland, dominated by fynbos, and rich in faunal, floral and cultural diversity. * The Cape Floral Kingdom is one of the oldest plant kingdoms in the world with some species dating back 60 million years* The smallest and richest of the world's six Floral Kingdoms with a staggering 9,600 flora species, 70% of which occur nowhere else on Earth.* Comprising eight unique areas- Table Mountain, Groot Winterhoek, Cederberg, Boland, De Hoop, Boosmansbos, Swartberg, Baviaanskloof* Contains 112 Red Data Book (endangered) species of fauna as well as Endemic Bird Area species* Hiking, 4x4 trails, base-jumping, adventure-caving, whale-watching, wine farms, cheese and arts festivals and much more * Comprehensive tourist listings, maps and color photos