Greek tragedy is currently being performed more frequently than at
any time since classical antiquity. This book is the first to
address the fundamental question, why has there been so much Greek
tragedy in the theatres, opera houses and cinemas of the last three
decades? A detailed chronological appendix of production
information and lavish illustrations supplement the fourteen essays
by an interdisciplinary team of specialists from the worlds of
classics, theatre studies, and the professional theatre. They
relate the recent appeal of Greek tragedy to social trends,
political developments, aesthetic and performative developments,
and the intellectual currents of the last three decades, especially
multiculturalism, post-colonialism, feminism, post-structuralism,
revisions of psychoanalytical models, and secularization.
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