Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Barbara, originally written in Danish, was the only novel by the Faroese author Jorgen-Franz Jacobsen (1900 - 1938), and yet it quickly achieved international best-seller status and is still one of the best-loved twentieth century classics in Danish and Faroese literature. On the face of it, Barbara is a straightforward historical novel in the mode of many a so-called 'romance'. It contains a story of passion in an exotic setting with overtones of semi-piracy; there is a powerful erotic element, an outsider who breaks up a marriage, and a built-in inevitability resulting from Barbara's own psychological make-up. She stands as one of the most complex female characters in modern Scandinavian literature: beautiful, passionate, innocent, devoted, amoral and uncomprehending of her own tragedy. Jorgen-Franz Jacobsen portrays her with a fascinated devotion.

This book attempts to make a contribution to the New Testament doctrine of the Spirit, with special reference to the paraclete problem. Dr Johnston begins with the use of the word 'spirit' in the Gospel of John and treats it as primarily 'impersonal'. It denotes divine power or energy. God acts by his spirit, both to create and to redeem. The Fourth Evangelist shows Jesus as the incarnate Word, a man uniquely inspired, whose absence after death is compensated for by an outburst of spiritual powers in his Church. The paraclete is representative of God or of Christ, and the Johannine teaching is that no angelmediator, no holy 'spirit' like the Archangel Michael, can take Christ's place. But truly inspired leaders - acting as teachers, exegetes, martyrs - and the inspired Church itself as a communion of love do embody the spirit-paraclete and do continue to represent Jesus. Special attention is paid to recent research on this subject, mainly in the area of the Dead Sea Scrolls. Dr Johnston argues that in insisting that the true spirit-paraclete must always exalt and interpret Jesus of Nazareth as the final revelation of God in man, John was in fact combating heretical views.