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This book shares a range of examples where international students
have undertaken a work placement, practicum, internship or
participated in work integrated learning. Contributions reflect on
the successes and challenges that this particularly diverse group
of students experience when undertaking work placement programs in
a variety of disciplines, such as education, engineering and
health. The book explores these experiences via three main
conceptualisations: 1. Internationalisation and
interculturalisation - including the diversity of international
student cohorts and the associated policy, practices and assessment
related to international students in higher education; 2.
Multi-socialisation - of international students with a focus on new
cultural contexts, professional learning and disciplinarity; and 3.
Reflection and reflective practice - acknowledging that for
improvement and change to occur those involved need to reflect on
current and possible future practice. A working model of effective
practice is introduced which can inform prospective international
students, their mentors/supervisors, work placement coordinators
and other relevant university staff.
This book explores the many dialogues that exist between the arts
and literacy. It shows how the arts are inherently multimodal and
therefore interface regularly with literate practice in learning
and teaching contexts. It asks the questions: What does literacy
look like in the arts? And what does it mean to be arts literate?
It explores what is important to know and do in the arts and also
what literacies are engaged in, through the journey to becoming an
artist. The arts for the purpose of this volume include five art
forms: Dance, Drama, Media Arts, Music and Visual Arts.The book
provides a more productive exploration of the arts-literacy
relationship. It acknowledges that both the arts and literacy are
open-textured concepts and notes how they accommodate each other,
learn about, and from each other and can potentially make education
'better'. It is when the two stretch each other that we see an
educationally productive dialogic relationship emerge."
Strongly grounded in research and rich with practical examples for
educators, this book demonstrates the importance and benefits of
kinaesthetic learning in young children's learning and development.
Kinaesthetic or hands-on active learning is extremely important for
young children's personal, social and cultural development. Without
this kind of learning children may be at risk of poor behaviour,
social development and academic learning outcomes. This book shares
concrete examples of authentic kinaesthetic learning experiences,
across different discipline areas, in a range of early childhood
contexts. The chapters outline practical approaches to kinaesthetic
learning in the classroom to help educators to engage young
children, covering curriculum areas such as the arts, mathematics,
literacy, digital technologies and English as a foreign language.
These practical examples are supported by a range of research and
theories related to the benefits of kinaesthetic learning for young
children, as well as authentic classroom data. Written by leading
experts in the field, this book shares authentic, appropriate
classroom strategies for implementing kinaesthetic learning with
young children and will be essential reading for researchers as
well as pre- and in-service educators.
This book examines the inter-relationship between music learning
and teaching, and culture and society: a relationship that is
crucial to comprehend in today's classrooms. The author presents
case studies from diverse music learning and teaching contexts -
including South India and Australia and online learning
environments - to compare the modes of transmission teachers use to
share their music knowledge and skills. It is imperative to
understand the ways in which culture and society can in fact
influence music teachers' beliefs and experiences: and in
understanding, there is potential to improve intercultural
approaches to music education more generally. In increasingly
diverse schools, the author highlights the need for culturally
appropriate approaches to music planning, assessment and curricula.
Thus, music teachers and learners will be able to understand the
diversity of music education, and be encouraged to embrace a
variety of methods and approaches in their own teaching. This
inspiring book will be of interest and value to all those involved
in teaching and learning music in various contexts.
Strongly grounded in research and rich with practical examples for
educators, this book demonstrates the importance and benefits of
kinaesthetic learning in young children's learning and development.
Kinaesthetic or hands-on active learning is extremely important for
young children's personal, social and cultural development. Without
this kind of learning children may be at risk of poor behaviour,
social development and academic learning outcomes. This book shares
concrete examples of authentic kinaesthetic learning experiences,
across different discipline areas, in a range of early childhood
contexts. The chapters outline practical approaches to kinaesthetic
learning in the classroom to help educators to engage young
children, covering curriculum areas such as the arts, mathematics,
literacy, digital technologies and English as a foreign language.
These practical examples are supported by a range of research and
theories related to the benefits of kinaesthetic learning for young
children, as well as authentic classroom data. Written by leading
experts in the field, this book shares authentic, appropriate
classroom strategies for implementing kinaesthetic learning with
young children and will be essential reading for researchers as
well as pre- and in-service educators.
This book explores the importance of compassion and empathy within
educational contexts. While compassion and empathy are widely
recognised as key to living a happy and healthy life, there is
little written about how these qualities can be taught to children
and young people, or how teachers can model these traits in their
own practice. This book shares several models of compassion and
empathy that can be implemented in schooling contexts, also
examining how these qualities are presented in children's picture
books, films and games. The editors and contributors share personal
insights and practical approaches to improve both awareness and use
of compassionate and empathetic approaches to others. This book
will be of interest and value to all those interested in promoting
compassion and empathy within education.
This book investigates how arts-based research methods can
positively influence people's resilience and well-being,
particularly in constraining environments. Using examples from
arts-based research methods in different contexts and from across
the globe, the book brings together a diverse range of perspectives
to understand how both resilience and well-being can be supported
in a world that is rarely stress free. Collectively they
demonstrate how arts-based research methods can: provide agency
through the foregrounding of participants' voices; afford
transformational learning opportunities; create opportunities for
relationship building; support creativity and new ways of thinking;
generate aspirations and hope; encourage forms of communication
that expose ideas, emotions and feelings that previously might not
have been known or known how to be expressed; and enhance
reflection and reflexivity. The authors explore how art-based
practices, such as clowning, collage, dramatisation, drawing,
painting, role-play and sculpting, can be used to support the
resilience and well-being of individuals and groups across the
lifespan, and theorize how arts-based research methods can
positively contribute to participants' positive self-esteem,
self-image and ability to cope with challenges and new
circumstances. Academics, professional learning facilitators,
higher education students, and anyone interested in resilience and
well-being in the health and education sectors will find this an
interesting and engaging text.
This book examines the inter-relationship between music learning
and teaching, and culture and society: a relationship that is
crucial to comprehend in today's classrooms. The author presents
case studies from diverse music learning and teaching contexts -
including South India and Australia and online learning
environments - to compare the modes of transmission teachers use to
share their music knowledge and skills. It is imperative to
understand the ways in which culture and society can in fact
influence music teachers' beliefs and experiences: and in
understanding, there is potential to improve intercultural
approaches to music education more generally. In increasingly
diverse schools, the author highlights the need for culturally
appropriate approaches to music planning, assessment and curricula.
Thus, music teachers and learners will be able to understand the
diversity of music education, and be encouraged to embrace a
variety of methods and approaches in their own teaching. This
inspiring book will be of interest and value to all those involved
in teaching and learning music in various contexts.
This book shares a range of examples where international students
have undertaken a work placement, practicum, internship or
participated in work integrated learning. Contributions reflect on
the successes and challenges that this particularly diverse group
of students experience when undertaking work placement programs in
a variety of disciplines, such as education, engineering and
health. The book explores these experiences via three main
conceptualisations: 1. Internationalisation and
interculturalisation - including the diversity of international
student cohorts and the associated policy, practices and assessment
related to international students in higher education; 2.
Multi-socialisation - of international students with a focus on new
cultural contexts, professional learning and disciplinarity; and 3.
Reflection and reflective practice - acknowledging that for
improvement and change to occur those involved need to reflect on
current and possible future practice. A working model of effective
practice is introduced which can inform prospective international
students, their mentors/supervisors, work placement coordinators
and other relevant university staff.
This book explores the many dialogues that exist between the arts
and literacy. It shows how the arts are inherently multimodal and
therefore interface regularly with literate practice in learning
and teaching contexts. It asks the questions: What does literacy
look like in the arts? And what does it mean to be arts literate?
It explores what is important to know and do in the arts and also
what literacies are engaged in, through the journey to becoming an
artist. The arts for the purpose of this volume include five art
forms: Dance, Drama, Media Arts, Music and Visual Arts. The
book provides a more productive exploration of the arts-literacy
relationship. It acknowledges that both the arts and literacy are
open-textured concepts and notes how they accommodate each other,
learn about, and from each other and can potentially make education
‘better’. It is when the two stretch each other that we see an
educationally productive dialogic relationship emerge.
The teaching of the arts and literacy in schools is often at odds
with one another. The desire for schools to improve results on
high-stakes testing can lead to a narrow view of literacy rather
than one that acknowledges the unique and distinct literacies that
exist in other curriculum areas including the arts. With methods of
communication becoming increasingly complex, it will be more and
more important for students to be able to utilise all semiotic
modes. Developing Literacy and the Arts in Schools investigates
this key issue in education and offers a solution to the negative
relationship between the arts and literacy. Drawing on interview
data and evidence from diverse classrooms, it explores the
pedagogies of effective arts practitioners and teachers, and how
they relate to theoretical frameworks, to unpack the key elements
of effective practice related to literacy and the arts. A model of
arts-literacies is provided to assist arts and literacy educators
in developing a common language that acknowledges and values these
distinct arts-literacies. Themes of multimodality, diversity,
aesthetics and reflection in relation to the arts and literacy are
foregrounded throughout. This book will be of great value to
postgraduate students of Education specialising in arts and
literacy, education academics, teacher educators, and classroom and
preservice teachers.
The teaching of the arts and literacy in schools is often at odds
with one another. The desire for schools to improve results on
high-stakes testing can lead to a narrow view of literacy rather
than one that acknowledges the unique and distinct literacies that
exist in other curriculum areas including the arts. With methods of
communication becoming increasingly complex, it will be more and
more important for students to be able to utilise all semiotic
modes. Developing Literacy and the Arts in Schools investigates
this key issue in education and offers a solution to the negative
relationship between the arts and literacy. Drawing on interview
data and evidence from diverse classrooms, it explores the
pedagogies of effective arts practitioners and teachers, and how
they relate to theoretical frameworks, to unpack the key elements
of effective practice related to literacy and the arts. A model of
arts-literacies is provided to assist arts and literacy educators
in developing a common language that acknowledges and values these
distinct arts-literacies. Themes of multimodality, diversity,
aesthetics and reflection in relation to the arts and literacy are
foregrounded throughout. This book will be of great value to
postgraduate students of Education specialising in arts and
literacy, education academics, teacher educators, and classroom and
preservice teachers.
This book argues the importance of aesthetic literacies in learning
and teaching in schools for future work. The study of aesthetics is
critical in today's learning, due to the increasingly complex ways
in which we communicate meaning, such as through the presentation
of texts and objects. The book provides educators, pre-service
teachers, and students an in-depth understanding of aesthetic
literacies in innovative spaces, including in philosophical
literature, environmental spaces, curricula and classrooms. Using
various theoretical frames from both the arts and literacy fields,
this book shares relevant pedagogies, theorisations and contexts
where aesthetic literacies are at the core of learning. It
emphasises how improved knowledge of aesthetics and quality
experiences in beauty are vital in aiding students and young
children develop the necessary resilience and tolerance needed in
today's uncertain world.
This book explores the importance of compassion and empathy within
educational contexts. While compassion and empathy are widely
recognised as key to living a happy and healthy life, there is
little written about how these qualities can be taught to children
and young people, or how teachers can model these traits in their
own practice. This book shares several models of compassion and
empathy that can be implemented in schooling contexts, also
examining how these qualities are presented in children's picture
books, films and games. The editors and contributors share personal
insights and practical approaches to improve both awareness and use
of compassionate and empathetic approaches to others. This book
will be of interest and value to all those interested in promoting
compassion and empathy within education.
Today's secondary classrooms are increasingly diverse places and
skilled English teachers need to be able to develop flexible
teaching strategies that can be adapted to best serve diverse
learners with divergent needs. This textbook for pre-service
teachers gives them pragmatic guidance on the major aspects of
literacy teaching, and how to draw insight research and apply it in
diverse classrooms. Key coverage includes: * The fundamental
aspects of teaching reading and writing to adolescent learners. *
How to intelligently select and use literature with secondary
students. * Multi-literacies and the use of technology in English
teaching. * Assessment strategies for the classroom. * Teaching
techniques for developing reading comprehension. This is essential
reading for anyone training to teach English in secondary
classrooms, and for recently qualified teachers looking to sharpen
their practice.
Today's secondary classrooms are increasingly diverse places and
skilled English teachers need to be able to develop flexible
teaching strategies that can be adapted to best serve diverse
learners with divergent needs. This textbook for pre-service
teachers gives them pragmatic guidance on the major aspects of
literacy teaching, and how to draw insight research and apply it in
diverse classrooms. Key coverage includes: * The fundamental
aspects of teaching reading and writing to adolescent learners. *
How to intelligently select and use literature with secondary
students. * Multi-literacies and the use of technology in English
teaching. * Assessment strategies for the classroom. * Teaching
techniques for developing reading comprehension. This is essential
reading for anyone training to teach English in secondary
classrooms, and for recently qualified teachers looking to sharpen
their practice.
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