'Fabulous . . . Present-day science fiction that feels like the best sort of spy novel' NEIL GAIMAN YOUR HAPPIEST MEMORY IS THEIR DEADLIEST WEAPON. This is Prophet. It knows when you were happiest. It gives life to your fondest memories and uses them to destroy you. But who has created it? And what do they want? An all-American diner appears overnight in a remote British field. It's brightly lit, warm and inviting but it has no power, no water, no connection to the real world. It's like a memory made flesh - a nostalgic flight of fancy. More and more objects materialise: toys, fairground rides, pets and other treasured mementos of the past. And the deaths quickly follow. Something is bringing these memories to life, then stifling innocent people with their own joy. This is a weapon like no other. But nobody knows who created it, or why. Sunil Rao seems a surprising choice of investigator. Chaotic and unpredictable, the former agent is the antithesis of his partner Colonel Adam Rubenstein, the model of a military man. But Sunil has the unique ability to distinguish truth from lies: in objects, words and people, in the past and in real time. And Adam is the only one who truly knows him, after a troubled past together. Now, as they battle this strange new reality, they are drawn closer than ever to defend what they both hold most dear. For Prophet can weaponise the past. But only love will protect the future. 'Brilliant . . . hypnotically enthralling . . . funny and full of heart' Chris Whitaker 'A crackling, shape-shifting romp' C Pam Zhang 'Ruthlessly propulsive, full of invention . . . I loved it' M John Harrison

YOUR HAPPIEST MEMORY IS THEIR DEADLIEST WEAPON. This is Prophet. It knows when you were happiest. It gives life to your fondest memories and uses them to destroy you. But who has created it? And what do they want? 'Present day science fiction that feels like the best sort of spy novel' NEIL GAIMAN An all-American diner appears overnight in a remote British field. It's brightly lit, warm and inviting but it has no power, no water, no connection to the real world. It's like a memory made flesh - a nostalgic flight of fancy. More and more objects materialise: toys, fairground rides, pets and other treasured mementos of the past. And the deaths quickly follow. Something is bringing these memories to life, then stifling innocent people with their own joy. This is a weapon like no other. But nobody knows who created it, or why. Sunil Rao seems a surprising choice of investigator. Chaotic and unpredictable, the former agent is the antithesis of his partner Colonel Adam Rubenstein, the model of a military man. But Sunil has the unique ability to distinguish truth from lies: in objects, words and people, in the past and in real time. And Adam is the only one who truly knows him, after a troubled past together. Now, as they battle this strange new reality, they are drawn closer than ever to defend what they both hold most dear. For Prophet can weaponise the past. But only love will protect the future.

From the New York Times bestselling author of H is for Hawk and winner of the Samuel Johnson Prize for nonfiction, comes a transcendent collection of essays about the human relationship to the natural world. Animals don't exist in order to teach us things, but that is what they have always done, and most of what they teach us is what we think we know about ourselves. In Vesper Flights, Helen Macdonald brings together a collection of her best loved essays, along with new pieces on topics ranging from nostalgia for a vanishing countryside to the tribulations of farming ostriches to her own private vespers while trying to fall asleep. Meditating on notions of captivity and freedom, immigration and flight, Helen invites us into her most intimate experiences: observing the massive migration of songbirds from the top of the Empire State Building, watching tens of thousands of cranes in Hungary, seeking the last golden orioles in Suffolk's poplar forests. She writes with heart-tugging clarity about wild boar, swifts, mushroom hunting, migraines, the strangeness of birds' nests, and the unexpected guidance and comfort we find when watching wildlife. By one of this century's most important and insightful nature writers, Vesper Flights is a captivating and foundational book about observation, fascination, time, memory, love and loss and how we make sense of the world around us.

From the New York Times bestselling author of H is for Hawk and winner of the Samuel Johnson Prize for nonfiction, comes a transcendent collection of essays about the human relationship to the natural world. Animals don't exist in order to teach us things, but that is what they have always done, and most of what they teach us is what we think we know about ourselves. In Vesper Flights, Helen Macdonald brings together a collection of her best loved essays, along with new pieces on topics ranging from nostalgia for a vanishing countryside to the tribulations of farming ostriches to her own private vespers while trying to fall asleep. Meditating on notions of captivity and freedom, immigration and flight, Helen invites us into her most intimate experiences: observing the massive migration of songbirds from the top of the Empire State Building, watching tens of thousands of cranes in Hungary, seeking the last golden orioles in Suffolk's poplar forests. She writes with heart-tugging clarity about wild boar, swifts, mushroom hunting, migraines, the strangeness of birds' nests, and the unexpected guidance and comfort we find when watching wildlife. By one of this century's most important and insightful nature writers, Vesper Flights is a captivating and foundational book about observation, fascination, time, memory, love and loss and how we make sense of the world around us.

WHY PUBLISH: - Part one of the book comprises entirely of contributions from First Nations artists, including: Destiny Deacon, Julie Dowling and Dianne Jones. Each image is complemented by a short explanatory essay by a writer of their choice. - Stellar line up of prominent scholars working in Australia, UK, USA. The editors are also well regarded art historians. - This volume tackles many important, hot-topic themes, including: identity, appropriation, hybridity, Orientalism, paternalism.

Art is always ambiguous. When it involves the female body it can also be erotic. Erotic Ambiguities is a study of how women artists working over the past thirty years have reconceptualised the figure of the female nude. Helen McDonald discusses the work of a wide range of women artists, including Barbara Kruger, Judy Chicago, Mary Duffy, Zoe Leonard, Tracey Moffat, Pat Barrington and Sally Smart, to show how artists have employed the idea of ambiguity to dismantle the classical ideal enshrined in the figure of the nude, and how they have broadened the scope of this ideal to include differences of race, ethnicity, sexuality and disability as well as gender.

This book unravels the institutions surrounding witchcraft in the central Indian state of Chhattisgarh through theoretical and empirical research on witchcraft, violence and modernity in contemporary times. The author pieces together ‘fragments’ of stories gathered utilising ethnographic methods to examine the meanings associated with witches and witchcraft, and how they connect with social relations, gender, notions of agency, law, media and the state. The volume uses the metaphor of the shattered urn to tell the story of the accusations, punishment, rescue and the aftermath of the events of the trial of women accused of being witches. It situates the ṭonhī or witch as a key elaborating symbol that orders behaviour to determine who the socially included and excluded are in communities. Through the personal interviews and other ethnographic methods conducted over the course of many years, the author delves into the stories and practices related to witchcraft, its relations with modernity, and the relationship between violence and ideological norms in society. Insightful and detailed, this book will be of great interest to academics and researchers of anthropology, development studies, sociology, history, violence, gender studies, tribal studies and psychology. It will also be useful for readers in both historic and contemporary witchcraft practices as well as policy makers.

This book unravels the institutions surrounding witchcraft in the central Indian state of Chhattisgarh through theoretical and empirical research on witchcraft, violence and modernity in contemporary times. The author pieces together 'fragments' of stories gathered utilising ethnographic methods to examine the meanings associated with witches and witchcraft, and how they connect with social relations, gender, notions of agency, law, media and the state. The volume uses the metaphor of the shattered urn to tell the story of the accusations, punishment, rescue and the aftermath of the events of the trial of women accused of being witches. It situates the tonhi or witch as a key elaborating symbol that orders behaviour to determine who the socially included and excluded are in communities. Through the personal interviews and other ethnographic methods conducted over the course of many years, the author delves into the stories and practices related to witchcraft, its relations with modernity, and the relationship between violence and ideological norms in society. Insightful and detailed, this book will be of great interest to academics and researchers of anthropology, development studies, sociology, history, violence, gender studies, tribal studies and psychology. It will also be useful for readers in both historic and contemporary witchcraft practices as well as policy makers.

Over the last two decades, attempts to control the problem of tuberculosis have become increasingly more complex, as countries adopt and adapt to evolving global TB strategies. Significant funding has also increased apace, diagnostic possibilities have evolved, and greater attention is being paid to developing broader health systems. Against this background, this book examines tuberculosis control through an anthropological lens. Drawing on ethnographic case studies from China, India, Nepal, South Africa, Romania, Brazil, Ghana and France, the volume considers: the relationship between global and national policies and their unintended effects; the emergence and impact of introducing new diagnostics; the reliance on and use of statistical numbers for representing tuberculosis, and the politics of this; the impact of the disease on health workers, as well as patients; the rise of drug-resistant forms; and issues of attempted control. Together, the examples showcase the value of an anthropological understanding to demonstrate the broader bio-political and social dimensions of tuberculosis and attempts to deal with it.

Upon changing his religion, a young man is denounced as an apostate and flees his country hiding in the back of a freezer lorry... After years of travelling and losing almost everything - his country, his children, his wife, his farm - an Afghan man finds unexpected warmth and comfort in a stranger's home... A student protester is forced to leave his homeland after a government crackdown, and spends the next 25 years in limbo, trapped in the UK asylum system... Modelled on Chaucer's Canterbury Tales, the second volume of Refugee Tales sets out to communicate the experiences of those who, having sought asylum in the UK, find themselves indefinitely detained. Here, poets and novelists create a space in which the stories of those who have been detained can be safely heard, a space in which hospitality is the prevailing discourse and listening becomes an act of welcome.

One of the New York Times Book Review's 10 Best Books of the Year One of Slate's 50 Best Nonfiction Books of the Last 25 Years ON MORE THAN 25 BEST BOOKS OF THE YEAR LISTS: including TIME (#1 Nonfiction Book), NPR, O, The Oprah Magazine (10 Favorite Books), Vogue (Top 10), Vanity Fair, Washington Post, Boston Globe, Chicago Tribune, Seattle Times, San Francisco Chronicle (Top 10), Miami Herald, St. Louis Post Dispatch, Minneapolis Star Tribune (Top 10), Library Journal (Top 10), Publishers Weekly, Kirkus Reviews, Slate, Shelf Awareness, Book Riot, Amazon (Top 20) The instant New York Times bestseller and award-winning sensation, Helen Macdonald's story of adopting and raising one of nature's most vicious predators has soared into the hearts of millions of readers worldwide. Fierce and feral, her goshawk Mabel's temperament mirrors Helen's own state of grief after her father's death, and together raptor and human "discover the pain and beauty of being alive" (People). H Is for Hawk is a genre-defying debut from one of our most unique and transcendent voices.

Art is always ambiguous. When it involves the female body it can also be erotic. Erotic Ambiguities is a study of how contemporary women artists have reconceptualised the figure of the female nude. Helen McDonald shows how, over the past thirty years, artists have employed the idea of ambiguity to dismantle the exclusive, classical ideal enshrined in the figure of the nude, and how they have broadened the scope of the ideal to include differences of race, ethnicity, sexuality and disability as well as gender.
McDonald discusses the work of a wide range of women artists, including Barbara Kruger, Judy Chicago, Mary Duffy, Zoe Leonard, Tracey Moffatt, Pat Brassington and Sally Smart. She traces the shift in feminist art practices from the early challenge to partriarchal representations of the female nude to contemporary, 'postfeminist' practices, influenced by theories of performativity, queer theory and postcoloniality. McDonald argues that feminist efforts to develop a more positive representation of the female body need to be reconsidered, in the face of the resistant ambiguities and hybrid complexities of visual art in the late 1990s.

Discover the number one bestselling phenomenon that is a powerful and profound mediation on grief expressed through the trials of training a goshawk. **SELECTED BY CARIAD LLOYD ON BBC TWO'S BETWEEN THE COVERS** As a child, Helen Macdonald was determined to become a falconer, learning the arcane terminology and reading all the classic books. Years later, when her father died and she was struck deeply by grief, she became obsessed with the idea of training her own goshawk. She bought Mabel for GBP800 on a Scottish quayside and took her home to Cambridge, ready to embark on the long, strange business of trying to train this wildest of animals. H is for Hawk is an unflinchingly honest account of Macdonald's struggle with grief during the difficult process of the hawk's taming and her own untaming. This is a book about memory, nature and nation, and how it might be possible to reconcile death with life and love. 'This beautiful book is at once heartfelt and clever in the way it mixes elegy with celebration' Andrew Motion 'It just sings. I couldn't stop reading' Mark Haddon, bestselling author of The Curious Incident of the Dog in the Night Time 'Dazzling... Deeply affecting, utterly fascinating and blazing with love and intelligence' Financial Times

Over the last two decades, attempts to control the problem of tuberculosis have become increasingly more complex, as countries adopt and adapt to evolving global TB strategies. Significant funding has also increased apace, diagnostic possibilities have evolved, and greater attention is being paid to developing broader health systems. Against this background, this book examines tuberculosis control through an anthropological lens. Drawing on ethnographic case studies from China, India, Nepal, South Africa, Romania, Brazil, Ghana and France, the volume considers: the relationship between global and national policies and their unintended effects; the emergence and impact of introducing new diagnostics; the reliance on and use of statistical numbers for representing tuberculosis, and the politics of this; the impact of the disease on health workers, as well as patients; the rise of drug-resistant forms; and issues of attempted control. Together, the examples showcase the value of an anthropological understanding to demonstrate the broader bio-political and social dimensions of tuberculosis and attempts to deal with it.

Before Helen Macdonald rose to international acclaim with her beautiful and nearly feral (New York Times) bestselling memoir H Is for Hawk, she wrote a collection of poetry, Shaler's Fish. In robust, lyrical verse, Shaler's Fish roams both the outer and inner landscapes of the poet's universe, seamlessly fusing reflections on language, science, and literature, with the loamy environments of the natural worlds around her. Moving between the epic--war, history, art, myth, philosophy--and the specific--CNN, Ancient Rome, Auden, Merleau-Ponty--Macdonald examines with humor and intellect what it means to be awake and watchful in the world. These are poems that probe and question, within whose nimble ecosystems we are as likely to encounter Schubert as we are a hand of violets, Isaac Newton as a winged quail on turf. Nothing escapes Macdonald's eye and every creature herein--from the smallest bird to the loftiest thinker--holds a significant place in her poems. This is an unparalleled collection from one of greatest nature writers, and a poet of dazzling music and vision.

**THE SUNDAY TIMES BESTSELLER** 'Thrilling dispatches from a vanishing world' Observer Animals don't exist to teach us things, but that is what they have always done, and most of what they teach us is what we think we know about ourselves. From the bestselling author of H is for Hawk comes Vesper Flights, a transcendent collection of essays about the human relationship to the natural world. Helen Macdonald brings together a collection of her best-loved writing along with new pieces covering a thrilling range of subjects. There are essays here on headaches, on catching swans, on hunting mushrooms, on twentieth-century spies, on numinous experiences and high-rise buildings; on nests and wild pigs and the tribulations of farming ostriches. Vesper Flights is a book about observation, fascination, time, memory, love and loss and how we make the world around us. Moving and frank, personal and political, it confirms Helen Macdonald as one of this century's greatest nature writers. A perfect read for anyone looking for renewed appreciation for the natural world. 'Helen Macdonald is one of the best nature writers now working' The Telegraph

Until 1832, when an Act of Parliament began to regulate the use of bodies for anatomy in Britain, public dissection was regularly-and legally-carried out on the bodies of murderers, and a shortage of cadavers gave rise to the infamous murders committed by Burke and Hare to supply dissection subjects to Dr. Robert Knox, the anatomist. This book tells the scandalous story of how medical men obtained the corpses upon which they worked before the use of human remains was regulated. Helen MacDonald looks particularly at the activities of British surgeons in nineteenth-century Van Diemen's Land, a penal colony in which a ready supply of bodies was available. Not only convicted murderers, but also Aborigines and the unfortunate poor who died in hospitals were routinely turned over to the surgeons. This sensitive but searing account shows how abuses happen even within the conventions adopted by civilized societies. It reveals how, from Burke and Hare to today's televised dissections by German anatomist Dr. Gunther von Hagens, some people's bodies become other people's entertainment.

London, 1868: visiting Australian Aboriginal cricketer Charles Rose has died in Guy's Hospital. What happened next is shrouded in mystery. The only certainty is that Charles Rose's body did not go directly to a grave. Written with clarity and verve, and drawing on a rich array of material, Possessing the Dead explores the disturbing history of the cadaver trade in Scotland, England and Australia, where laws once gave certain officials possession of the dead, and no corpse lying in a workhouse, hospital, asylum or gaol was entirely safe from interference. With a rare blend of curiosity, delight in the unexpected and an eye for detail, award-winning historian Helen MacDonald brings to life this gruesome past to reveal the chicanery at play behind the procuring of bodies for dissections, autopsies and collections.

The fastest animal alive, the falcon deserves attention not just for the combination of speed, power, beauty and ferocity that has made it an object of fascination for thousands of years, but for the light it sheds on the cultures through which it has flown. This book, bridging science and cultural history, surveys the practical and symbolic uses of falcons in human culture in new and exciting ways. Bestselling natural history writer Helen Macdonald follows the movements of the falcon, her personal experience and knowledge of falconry enriching the history and lore of this bird of prey. She ranges across the globe and over many millennia, taking in natural history, myth and legend, falconry, science and conservation, and falcons in the military, in urban settings and the corporate world. Along the way we discover how falcons were mobilized in secret military projects, their links with espionage, the Third Reich and the space programme, and even how they have featured in erotic stories. Originally published in 2006, this revised 2016 edition features a new introduction. Combining in-depth practical, personal and scientific knowledge, Macdonald offers a fascinating account of the place of these birds in human history. Falcon is for lovers of the countryside, birdwatchers or anyone who has ever wondered why falcons are so compelling.

The hawk was everything I wanted to be: solitary, self-possessed, free from grief, and numb to the hurts of human life. How do we carry on when someone close to us dies? Is it simply a case of putting one foot in front of the other in a bleak new world or do we need something more? Reeling with grief after the sudden death of her father, Helen Macdonald found herself turning to the wild for comfort. With breathtaking honesty and insight, she recounts her months spent taming a goshawk and how, finally, this strange kinship led her to the first tentative steps to recovery. Selected from H is for Hawk VINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS. A series of short books by the world's greatest writers on the experiences that make us human. Discover the Vintage Minis 'Head Space' series: Therapy by Stephen Grosz Family by Mark Haddon

Take control of your life, take control of your pain Chronic pain can be extremely debilitating; however, it does not need to dominate your life. This self-help book is based on highly effective self-help methods developed by specialists and used in community and hospital pain management programmes. Your experience of pain can be greatly reduced by pacing daily activities, reducing stress, learning relaxation techniques and effective ways to cope with depression, anxiety, worry, anger and frustration. This easy-to-follow book sets out: - Why pain can persist when there's no injury or disease present - How to become fitter and pace your activities - Practical ways to improve sleep and relaxation - Tips for returning to work, study and gaining a life you value Overcoming self-help guides use clinically proven techniques to treat long-standing and disabling conditions, both psychological and physical. This book is recommended by the national Reading Well scheme for England delivered by The Reading Agency and the Society of Chief Librarians with funding from Arts Council England and Wellcome.

The poems in Poems on Nature are divided into spring, summer, autumn and winter to reflect in verse the changes of the seasons and the passing of time.

Part of the Macmillan Collector’s Library, a series of stunning, clothbound, pocket-sized classics with gold-foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition features an introduction by Helen Macdonald, author of the international bestseller, H is for Hawk.

Since poetry began, there have been poems about nature; it’s a complex subject which has inspired some of the most beautiful poetry ever written. Poets from Andrew Marvell to W. B. Yeats to Emily Brontë have sought to describe the natural environment and our relationship with it. There is also a rich tradition of songs and rhymes, such as ’Scarborough Fair’, that hark back to a rural way of life which may now be lost, but is brought back to life in the lyrical verses included in this collection.

The British love their birds, which are inextricably entwined with every aspect of their island life. British customs, more than 1,000 years of English literature, the very fabric of society, even the landscape itself, have all been enhanced by the presence of birds. Highly acclaimed on first publication, this superb book pays tribute to the remarkable relationship forged between a nation and its most treasured national heritage. Birds Britannica is a unique publication of immense importance. Neither an identification guide nor a behavioural study (although both these subjects enter its field), it concentrates on our social history and on the cultural links between humans and birds. What makes Birds Britannica of special significance is the inclusion of observations and experiences from more than 1,000 naturalists and bird lovers. These contributions from the public touch on avian ecology; the lore and language of birds; their myths, the art and literature they have inspired; birds as food; and the crucial role they play in our sense of place and the changing seasons. Birds Britannica took eight years to research and was assembled by a team that included some of the finest writers and image-makers of British wildlife. On one level, it is a remarkable collection of humorous stories, field observations and tales of joy, wonder and occasional woe; on another, it is a nationwide chronicle. Scholarly and wide-ranging, a mix of the traditional and the contemporary, Birds Britannica is a comprehensive record of birdlife in the early years of the twenty-first century. No other book has dealt so completely with the rich connections between birds and humans; Birds Britannica captures the very essence of that relationship, and explores why birds matter and why we care.

Bone collecting, body snatching, and the buying and selling of human remains have seldom been acknowledged as vital parts in the development of Western medicine. In this elegantly written account, the British medical systems' dependence upon the penal colony of Tasmania for anatomy training is explored. The lives of the poor who were routinely turned over to surgeons for study and the brisk trade in the remains of Aboriginal people are also investigated. Unlike other histories of medicine, this study looks at the way anatomy was intertwined with art, pleasure, punishment, and most importantly, the wielding of power. Illustrated with 19th-century engravings, sketches and photographs, this work captures the popular imagination and taps into the current fascination with all things forensic.