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The author's starting point is the interweaving of forgiveness and
resentment in the works of Jewish writers after the Holocaust, most
especially Hannah Arendt and Jean Améry, to make sense of the
catastrophe and to point to a way forward for both victims and
perpetrators. The insights of these two writers and of several
Jewish novelists and poets, including Bruno Schulz, Paul Celan, and
Aharon Appelfeld, are used to develop accounts of forgiveness and
resentment in other cases of mass atrocity around the world. The
author offers a critical rereading of primary sources that aim to
separate resentment from nonviolent resistance, and forgiveness
from reconciliation. Forgiveness and resentment are not, as they
might first appear, mutually exclusive. Together with Arendt,
Améry, and Walter Benjamin, it is argued that it is through the
interaction between them that victims of mass atrocity become
agents of personal and cultural change. Together, forgiveness and
resentment interrupt the present, reframe the past, and shape the
future. They can reduce the chasm that separates memory and trust
by fashioning new connections between identity and alterity, which
can open paths to truly ethical coexistence for victims and
perpetrators, and their descendants.
Arguing that the politics of democracy is inseparable from a notion
of dialogue that emerges from conflicting and often traumatic
memories, Democracy, Dialogue, Memory examines the importance of
dialogue for the achievement of understanding in civil society
rather than consensus, so that democratic participation and
inclusion can be strengthened. With attention to the importance for
marginalized communities of the ability to disclose fundamental
ethnic, religious, gendered, racial, or personal and affective
characteristics born of trauma, and so cease to represent
"otherness," this book brings together studies from Europe, Israel
and the United States of literary and visual attempts to expand
dialogue with "the other," particularly where democracies are prone
to vacillating between the desire to endorse otherness, and
political dread of the other. A critique of the practices of forced
inclusion and forced consensual negotiation, that seeks to advance
dialogue as a crucial safeguard against the twin dangers of
exclusion and enforced assimilation, Democracy, Dialogue, Memory
will appeal to scholars with interests in political theory,
political sociology, collective and contested memory and civil
society at the same time as allowing scholars from the humanities
and the arts to examine seminal chapters that pivot on
psychoanalytical approaches to literature, film and philosophy at
the borderline of political thinking.
Arguing that the politics of democracy is inseparable from a notion
of dialogue that emerges from conflicting and often traumatic
memories, Democracy, Dialogue, Memory examines the importance of
dialogue for the achievement of understanding in civil society
rather than consensus, so that democratic participation and
inclusion can be strengthened. With attention to the importance for
marginalized communities of the ability to disclose fundamental
ethnic, religious, gendered, racial, or personal and affective
characteristics born of trauma, and so cease to represent
"otherness," this book brings together studies from Europe, Israel
and the United States of literary and visual attempts to expand
dialogue with "the other," particularly where democracies are prone
to vacillating between the desire to endorse otherness, and
political dread of the other. A critique of the practices of forced
inclusion and forced consensual negotiation, that seeks to advance
dialogue as a crucial safeguard against the twin dangers of
exclusion and enforced assimilation, Democracy, Dialogue, Memory
will appeal to scholars with interests in political theory,
political sociology, collective and contested memory and civil
society at the same time as allowing scholars from the humanities
and the arts to examine seminal chapters that pivot on
psychoanalytical approaches to literature, film and philosophy at
the borderline of political thinking.
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