Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Champions do extra. They sweep the sheds. They follow the spearhead. They keep a blue head. They are good ancestors.

In Legacy, best-selling author James Kerr goes deep into the heart of the world's most successful sporting team, the legendary All Blacks of New Zealand, to reveal powerful and practical lessons for leadership and business.

Legacy is a unique, inspiring handbook for leaders in all fields, and asks: What are the secrets of success - sustained success? How do you achieve world-class standards, day after day, week after week, year after year? How do you handle pressure? How do you train to win at the highest level? What do you leave behind you after you're gone?

A handbook for the happy, and a bible for the broken-hearted, The Alphabet of the Human Heart is an enchanting and enriching journey through the upside and the downside of what it means to be human - our hopes and our fears, our strength and our weakness, our highs and our lows. The Alphabet of the Human Heart is a book of literally two halves. Firstly there is upside A-Z, which is full of the happy and hopeful aspects of our lives, such as A is for Adventure, through G is for Gratitude, S is for Smile to Zen is the Place to Be. The other downside half examines the negative parts of our character lives and how we can overcome them to lead more positive and fulfilling lives. From A is for Anger, through H is for Hate, T is for Temptation to once again end on Zen is the Place to be. Matthew and James have been friends for over 30 years and they've experienced both sides of life - the upside and the downside - and they've turned their experience of life - and of friendship - into a book that combines words and pictures to tell a bigger story. Praise for I Had a Black Dog: 'I Had a Black Dog says with wit, insight, economy and complete understanding what other books take 300 pages to say. Brilliant and indispensable.' - Stephen Fry 'Finally, a book about depression that isn't a prescriptive self-help manual. Johnston's deftly expresses how lonely and isolating depression can be for sufferers. Poignant and humorous in equal measure.' Sunday Times Praise for Living with a Black Dog: 'Moving and thoughtfully written ... a must-have' Daily Mirror 'Comprehensive and very helpful ... brilliant' Guardian Weekend

Walter Scott was acutely conscious of the fictionality of his historical novels. Assuming Scott's keen awareness of the problems of historical representation, James Kerr reads the Waverley novels as a grand fictional project constructed around the relationship between the language of fiction and historical reality. Scott deliberately played fiction and history off against one another; and we can see throughout his novels a tension between the romancer, recasting the events of the past in accordance with recognisably literary logics, and the historian, presenting an accurate account of the past. This contradiction, reflected in Scott's generic mixture of romance and realism, remains unresolved, even in the most self-conscious of his works. It is in this interplay of fiction and history that Professor Kerr identifies the rich complexity of the Waverley novels.

James Kerr, a captain in the East India Company, translated this Persian text on the history of the Marathas in India. Published in 1782, it was one of the first English works to appear on the subject. Its content was compiled for Kerr by a Hindustani using Persian manuscripts and oral tradition. The Marathas had replaced the Mughal emperors as controllers of a large part of the sub-continent by the beginning of the eighteenth century, and it was inevitable that they would come into conflict with the East India Company. At the time of publication, the first of the three Anglo Maratha wars had just ended, and interest in Indian affairs was great. Kerr denies any claim to be a historian, or to offer an analysis of his sources. The narrative outlines the growth of Maratha power from the seventeenth century, and concludes with a glossary of Indian terms.

Walter Scott was acutely conscious of the fictionality of his "historical" narratives. Assuming Scott's keen awareness of the problems of historical representation, James Kerr reads the Waverley novels as a grand fictional project constructed around the relationship between the language of fiction and the historical reality. Scott deliberately played fiction and history off against one another; and we can see throughout his novels a tension between the romancer, recasting the events of the past in accordance with recognizably literary logics, and the historian, presenting an accurate account of the past. This contradiction, reflected in Scott's generic mixture of romance and realism, remains unresolved, even in the most self-conscious of his works. It is in this interplay of fiction and history that Professor Kerr identifies the rich complexity of the Waverley novels.