Walter Scott was acutely conscious of the fictionality of his
"historical" narratives. Assuming Scott's keen awareness of the
problems of historical representation, James Kerr reads the
Waverley novels as a grand fictional project constructed around the
relationship between the language of fiction and the historical
reality. Scott deliberately played fiction and history off against
one another; and we can see throughout his novels a tension between
the romancer, recasting the events of the past in accordance with
recognizably literary logics, and the historian, presenting an
accurate account of the past. This contradiction, reflected in
Scott's generic mixture of romance and realism, remains unresolved,
even in the most self-conscious of his works. It is in this
interplay of fiction and history that Professor Kerr identifies the
rich complexity of the Waverley novels.
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