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Die Mini-woordeboek: Afrikaans-Engels-Engels-Afrikaans is 'n handige en bekostigbare gids met nuttige frases vir toeriste en sakereisigers. Dit is die ideale woordeboek om vinnig spelling na te gaan of die regte vertaling vir 'n woord te vind en sluit ook afkortings en akronieme in. Dit het pas met 'n nuwe omslag verskyn, is aantreklik ontwerp en sakpas vir oral saamdra. The Mini dictionary - English-Afrikaans-Afrikaans-English is a handy and inexpensive guide to finding the correct spelling or translation and includes useful phrases for tourists and business travellers. It also includes abbreviations and acronyms. With its new cover and attractive design it is an invaluable take-anywhere companion.
Die handige klein tweetalige woordeboek is reeds dekades lank 'n wenner. Die herverpakte uitgawe van Klein woordeboek bevat talle hedendaagse woorde en uitdrukkings, afkortings en akronieme wat in omloop gekom het vanwee die veranderende situasie in Suid-Afrika, asook tegnologiese ontwikkelings. 'n Nuttige bylae bevat die name van Suid-Afrika se nege provinsies en elf ampstale.
The popular Pharos Little Dictionary (2020, 14th edition, 12th
impression) boasts a brand-new orange cover!
Grammar and language guidance:
Afrikaans, previously one of the two national languages of South Africa, and now one of eleven, has over 6 million speakers. Updated for the new millennium, this compact dictionary now includes comprehensive definitions and idiomatic expressions for its more than 14,000 entries.
The Logic of Filtering traces the profound impact of technical media on the sound of music, asking: how do media technologies shape sound? How does this affect music? And how did it change what we listen for in music? Since the invention of sound recording in the second half of the nineteenth century, media that transmit, record, store, and reproduce physical sound inspired dreams of perfect reproduction, but were also confronted with the inevitable introduction of noise. Based on a wide range of historical, technical and theoretical sources, author Melle Jan Kromhout explores this one hundred and forty-year history of sound media and shows why noise should not be understood as unwanted by-effect, but instead plays a foundational role in shaping the sonic contours of recorded music. The Logic of Filtering develops an extensive media archaeological analysis of the 'noise of sound media,' encompassing all the disturbances, distortions, and interferences that these media add to the sounds they reproduce. It thereby stands to enrich our understanding of the way in which sound media changed and continue to change the sonorous qualities of music, and offers new perspectives on the interaction between music, media and listeners.
The Logic of Filtering traces the profound impact of technical media on the sound of music, asking: how do media technologies shape sound? How does this affect music? And how did it change what we listen for in music? Since the invention of sound recording in the second half of the nineteenth century, media that transmit, record, store, and reproduce physical sound inspired dreams of perfect reproduction, but were also confronted with the inevitable introduction of noise. Based on a wide range of historical, technical and theoretical sources, author Melle Jan Kromhout explores this one hundred and forty-year history of sound media and shows why noise should not be understood as unwanted by-effect, but instead plays a foundational role in shaping the sonic contours of recorded music. The Logic of Filtering develops an extensive media archaeological analysis of the 'noise of sound media,' encompassing all the disturbances, distortions, and interferences that these media add to the sounds they reproduce. It thereby stands to enrich our understanding of the way in which sound media changed and continue to change the sonorous qualities of music, and offers new perspectives on the interaction between music, media and listeners.
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