Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Wave energy, together with other renewable energy resources is expected to provide a small but significant proportion of future energy requirements without adding to pollution and global warming.
This practical and concise reference considers alternative application methods, explains the concepts behind wave energy conversion and investigates wave power activities across the globe.
Explores the potential of using the power generated by waves as a natural energy resource
Considers the power transfer systems needed to do this, and looks at the environmental impacts

Pathfinder(R) Cotswolds covering parts of the Snowshill, Buckholt Wood and Burford. This selection offers interest, regional variety and balance of routes in the Cotswolds providing the best walks in the area. From an easy stroll through Castle Combe to the much more challenging walks on Bredon Hill this volume contains something for everyone. Covering walks through the whole of the Cotswolds both popular and little know scenic routes including Stanway, Bourton-on-the-Water and Blenheim Park. -See walk locations by Looking Inside Inside: -28 great Cotswold walks from 2 to 10 miles -Clear, large scale Ordnance Survey route maps -GPS reference for all Cotswold waypoints -Where to park, good pubs and places of interest en route -All routes have been fully researched and written by expert outdoor writers -Beautiful photography of scenes from the walks Pathfinder(R) Guides are Britain's best loved walking guides. Made with durable covers, they are the perfect companion for countryside walks throughout Britain. Each title features circular walks with easy-to-follow route descriptions, large-scale Ordnance Survey route maps and GPS waypoints.With over 70 titles in the series, they offer essential information for walkers throughout the country.

Beginning in the 1960s, John Brookes MBE (1933-2018) revolutionized garden design, with a new design philosophy and methodology that was rooted in the notion that gardens are about the people who live in them. Recognizing the demands of the contemporary lifestyle, he broke with previous labour-intensive garden design traditions and the emphasis on showcasing plants. Instead he promoted using gardens as extensions of the home. He introduced this notion in his 1969 book, A Room Outside, which also contained practical advice on materials, methodology, and planting. His approach was unprecedented and included the then-novel idea that people of all income levels could have designed, fashionable gardens tailored to their needs, low-maintenance, and beautiful. John taught and lectured around the world and, thanks to his energetic writing, teaching and media appearances, he became regarded as the 'king' and 'godfather' of garden and landscape design. How to Design a Garden is an informative and ultimately practical collection of his thoughts and advice selected from countless writings and lectures given to students, professionals and the public around the world. In addition to his teaching on how to design a garden, the book has two key themes - environmental sustainability and a focus on the local vernacular. They show how far ahead he was of his time and to what a great extent his teaching remains relevant to garden-makers today.

The separation of science and religion in modern secular culture can easily obscure the fact that in sixteenth- and seventeenth-century Europe ideas about nature were intimately related to ideas about God. Readers of this book will find fresh and exciting accounts of a phenomenon common to both science and religion: deviation from orthodox belief. How is heterodoxy to be measured? How might the scientific heterodoxy of particular thinkers impinge on their religious views? Would heterodoxy in religion create a predisposition towards heterodoxy in science? Might there be a homology between heterodox views in both domains? Such major protagonists as Galileo and Newton are re-examined together with less familiar figures in order to bring out the extraordinary richness of scientific and religious thought in the pre-modern world.

This new book reviews critically recent studies of fire control, and describes the essentials of naval gunnery in the dreadnought era. With a foreword by Professor Andrew Lambert, it shows how, in 1913, the Admiralty rejected Arthur Pollen's Argo system for the Dreyer fire control tables. Many naval historians now believe that, consequently, British dreadnoughts were fitted with a system that, despite being partly plagiarised from Pollen's, was inferior: and that the Dreyer Tables were a contributory cause in the sinking of Indefatigable and Queen Mary at Jutland. This book provides new and revisionist accounts of the Dreyer/Pollen controversy, and of gunnery at Jutland. In fire control, as with other technologies, the Royal Navy had been open, though not uncritically, to innovations. The Dreyer Tables were better suited to action conditions (particularly those at Jutland). Beatty's losses were the result mainly of deficient tactics and training: and his battlecruisers would have been even more disadvantaged had they been equipped by Argo. It follows the development of the Pollen and Dreyer systems, refutes the charges of plagiarism and explains Argo's rejection. It outlines the German fire control system: and uses contemporary sources in a critical reassessment of Beatty's tactics throughout the Battle of Jutland.

"Internal Coaching: The Inside Story" provides a window into the world of internal coaching: the challenges and rewards for the coaches themselves and the ways in which organizations can ensure that they can get best value for money from their investment in them.Internal coaching is booming. A recent survey showed that nearly four fifths of large organizations in the UK believe that internal coaching (that is coaching delivered by one employee to another in a different chain of command) will grow over the next three years. Yet there has been surprisingly little written about the unique nature of the internal coaching role. Drawing on the stories of hundreds of internal coaches, coach sponsors, lead coaches, supervisors of internal coaches and coach trainers, "Internal Coaching: The Inside Story" gives internal coaches a voice. It makes available to hard-pressed HR directors, talent managers, and learning and development professionals the fruits of very practical research into what is working in organizations and how they might maximize the value for money they get from their investment in internal coaches. The whole aim is to stimulate thinking and be a catalyst for generating options and choices. In the words of its author: "My dream is that, every few pages, a reader somewhere will think: 'Now that s a good idea. We should think about trying that.' "

This new book reviews critically recent studies of fire control, and describes the essentials of naval gunnery in the dreadnought era. With a foreword by Professor Andrew Lambert, it shows how, in 1913, the Admiralty rejected Arthur Pollen's Argo system for the Dreyer fire control tables. Many naval historians now believe that, consequently, British dreadnoughts were fitted with a system that, despite being partly plagiarised from Pollen's, was inferior: and that the Dreyer Tables were a contributory cause in the sinking of Indefatigable and Queen Mary at Jutland. This book provides new and revisionist accounts of the Dreyer/Pollen controversy, and of gunnery at Jutland. In fire control, as with other technologies, the Royal Navy had been open, though not uncritically, to innovations. The Dreyer Tables were better suited to action conditions (particularly those at Jutland). Beatty's losses were the result mainly of deficient tactics and training: and his battlecruisers would have been even more disadvantaged had they been equipped by Argo. It follows the development of the Pollen and Dreyer systems, refutes the charges of plagiarism and explains Argo's rejection. It outlines the German fire control system: and uses contemporary sources in a critical reassessment of Beatty's tactics throughout the Battle of Jutland.

The works of African American authors and artists are too often interpreted through the lens of authenticity. They are scrutinized for "positive" or "negative" representations of Black people and Black culture or are assumed to communicate some truth about Black identity or the "Black experience." However, many contemporary Black artists are creating works that cannot be slotted into such categories. Their art resists interpretation in terms of conventional racial discourse; instead, they embrace opacity, uncertainty, and illegibility. John Brooks examines a range of abstractionist, experimental, and genre-defying works by Black writers and artists that challenge how audiences perceive and imagine race. He argues that literature and visual art that exceed the confines of familiar conceptions of Black identity can upend received ideas about race and difference. Considering photography by Roy DeCarava, installation art by Kara Walker, novels by Percival Everett and Paul Beatty, drama by Suzan-Lori Parks, and poetry by Robin Coste Lewis, Brooks pinpoints a shared aesthetic sensibility. In their works, the devices that typically make race feel familiar are instead used to estrange cultural assumptions about race. Brooks contends that when artists confound expectations about racial representation, the resulting disorientation reveals the incoherence of racial ideologies. By showing how contemporary literature and art ask audiences to question what they think they know about race, The Racial Unfamiliar offers a new way to understand African American cultural production.

This book, originally published in 1978, makes use of and extends first-year macroeconomic theory to examine how governments attempt to use the instruments of macroeconomic policy in order to acheive their objectives. It begins with a discussion of the meaning and desirability of policy objectives, moves on to examine the workings of the main policy instruments and concludes with a chapter which outlines Tinbergen's 'fixed' targets' and Theil's 'flexible targets' approaches to policy. A chapter on debt management considers the main theories of the term strcutyure of interet rates and their implications for debt management as an instrument of policy.

This book, originally published in 1978, makes use of and extends first-year macroeconomic theory to examine how governments attempt to use the instruments of macroeconomic policy in order to acheive their objectives. It begins with a discussion of the meaning and desirability of policy objectives, moves on to examine the workings of the main policy instruments and concludes with a chapter which outlines Tinbergen's 'fixed' targets' and Theil's 'flexible targets' approaches to policy. A chapter on debt management considers the main theories of the term strcutyure of interet rates and their implications for debt management as an instrument of policy.

"Business Adventures remains the best business book I've ever read." --Bill Gates, The Wall Street Journal What do the $350 million Ford Motor Company disaster known as the Edsel, the fast and incredible rise of Xerox, and the unbelievable scandals at General Electric and Texas Gulf Sulphur have in common? Each is an example of how an iconic company was defined by a particular moment of fame or notoriety; these notable and fascinating accounts are as relevant today to understanding the intricacies of corporate life as they were when the events happened. Stories about Wall Street are infused with drama and adventure and reveal the machinations and volatile nature of the world of finance. Longtime New Yorker contributor John Brooks's insightful reportage is so full of personality and critical detail that whether he is looking at the astounding market crash of 1962, the collapse of a well-known brokerage firm, or the bold attempt by American bankers to save the British pound, one gets the sense that history repeats itself. Five additional stories on equally fascinating subjects round out this wonderful collection that will both entertain and inform readers . . . Business Adventures is truly financial journalism at its liveliest and best.

Neil Nightingale and Barry Cook direct this adventure feature, based on the 1999 BBC documentary series, which projects computer-animated dinosaurs into live action settings to tell the story of a young Pachyrhinosaurus. Patchi and his siblings Scowler and Juniper are born into the dangerous world of the Cretaceous period, where predators such as Gorgon the Gorgosaurus would be only too happy to make a meal of them. Can Patchi make it to adulthood and overcome the many hurdles required to become herd leader? The voice cast includes Charlie Rowe and Angourie Rice.

"Business Adventures remains the best business book I've ever read." --Bill Gates, The Wall Street Journal What do the $350 million Ford Motor Company disaster known as the Edsel, the fast and incredible rise of Xerox, and the unbelievable scandals at General Electric and Texas Gulf Sulphur have in common? Each is an example of how an iconic company was defined by a particular moment of fame or notoriety; these notable and fascinating accounts are as relevant today to understanding the intricacies of corporate life as they were when the events happened. Stories about Wall Street are infused with drama and adventure and reveal the machinations and volatile nature of the world of finance. Longtime New Yorker contributor John Brooks's insightful reportage is so full of personality and critical detail that whether he is looking at the astounding market crash of 1962, the collapse of a well-known brokerage firm, or the bold attempt by American bankers to save the British pound, one gets the sense that history repeats itself. Five additional stories on equally fascinating subjects round out this wonderful collection that will both entertain and inform readers . . . Business Adventures is truly financial journalism at its liveliest and best.

This is a major new account of the Battle of Jutland, the key naval battle of the First World War in which the British Grand Fleet engaged the German High Seas Fleet off the coast of Denmark in 1916. Beginning with the building of the two fleets, John Brooks reveals the key technologies employed, from ammunition, gunnery and fire control, to signalling and torpedoes, as well as the opposing commanders' tactical expectations and battle orders. In describing Jutland's five major phases, he offers important new interpretations of the battle itself and how the outcome was influenced by technology, as well as the tactics and leadership of the principal commanders, with the reliability of their own accounts of the fighting reassessed. The book draws on contemporary sources which have rarely been cited in previous accounts, including the despatches of both the British and German formations, along with official records, letters and memoirs.

You live in York UK, you're thinking of paying a visit, or you just like buildings? Then this new work from John Brooke Fieldhouse is a must have! It's a guide book. But it's completely different, it's not what you'd expect from the city of Vikings, Romans, the medieval, the Civil War, the Georgians, and the Victorians. It's about the twentieth century and later - right up to 2018. Its buildings - public and private - how they're designed, engineered, lit, heated, ventilated...and not just buildings, there are 130 plus items, including bridges, a flood barrier, details like windows, seating, handrails, landscaping, paving, all the things we touch when we move through a city, the things that make us feel good or bad. It's 260 pages, 360 colour photographs, fifteen pages of indexes and an introduction, consisting of unsentimental and unvarnished answers by the author to over 30 questions on the book and York. Answering questions and always asking more. It's not just the past, it's all about the present and the future. We spend most of our lives in buildings, they are art, science, psychology and politics so it's essential we all have our own view about them.

This is a major new account of the Battle of Jutland, the key naval battle of the First World War in which the British Grand Fleet engaged the German High Seas Fleet off the coast of Denmark in 1916. Beginning with the building of the two fleets, John Brooks reveals the key technologies employed, from ammunition, gunnery and fire control, to signalling and torpedoes, as well as the opposing commanders' tactical expectations and battle orders. In describing Jutland's five major phases, he offers important new interpretations of the battle itself and how the outcome was influenced by technology, as well as the tactics and leadership of the principal commanders, with the reliability of their own accounts of the fighting reassessed. The book draws on contemporary sources which have rarely been cited in previous accounts, including the despatches of both the British and German formations, along with official records, letters and memoirs.

Much of central Dartmoor is an uninhabited wilderness almost free of villages, farms, trees and roads making it outstanding environmental value. From this mass rise Dartmoor's rivers, including the Lyd, Tavy, East and West Dart, Bovey, Teign, Taw and Okement, nearly all of which flow southwards to the English Channel. The large numbers of tors that dominate Dartmoor are the remnants of hard masses of granite, drastically reduced in size and moulded into their present shapes by millions of years of weatherings. Bowerman's Nose, Hound Tor and Haytor Rocks are famous examples included on these walks.

The works of African American authors and artists are too often interpreted through the lens of authenticity. They are scrutinized for "positive" or "negative" representations of Black people and Black culture or are assumed to communicate some truth about Black identity or the "Black experience." However, many contemporary Black artists are creating works that cannot be slotted into such categories. Their art resists interpretation in terms of conventional racial discourse; instead, they embrace opacity, uncertainty, and illegibility. John Brooks examines a range of abstractionist, experimental, and genre-defying works by Black writers and artists that challenge how audiences perceive and imagine race. He argues that literature and visual art that exceed the confines of familiar conceptions of Black identity can upend received ideas about race and difference. Considering photography by Roy DeCarava, installation art by Kara Walker, novels by Percival Everett and Paul Beatty, drama by Suzan-Lori Parks, and poetry by Robin Coste Lewis, Brooks pinpoints a shared aesthetic sensibility. In their works, the devices that typically make race feel familiar are instead used to estrange cultural assumptions about race. Brooks contends that when artists confound expectations about racial representation, the resulting disorientation reveals the incoherence of racial ideologies. By showing how contemporary literature and art ask audiences to question what they think they know about race, The Racial Unfamiliar offers a new way to understand African American cultural production.