Viola Cordova was the first Native American woman to receive a PhD in philosophy. Even as she became an expert on canonical works of traditional Western philosophy, she devoted herself to defining a Native American philosophy. Although she died prematurely of a brain aneurysm before she could complete her life's work, some of her colleagues have organized her pioneering contributions into this provocative book. In three parts, Cordova sets out a complete Native American philosophy. First she explains her own understanding of the nature of reality itself--the origins of the world, the relation of matter and spirit, the nature of time, and the roles of culture and language in understanding all of these. She then turns to our role as residents of the Earth, arguing that we become human as we deepen our relation to our people and to our places, and as we understand the responsibilities that grow from those relationships. In the final section, she calls for a new reverence in a world where there is no distinction between the sacred and the mundane. Cordova clearly contrasts Native American beliefs with the traditions of the Enlightenment and Christianized Europeans (what she calls "Euroman" philosophy). By doing so, she leads her readers into a deeper understanding of both traditions and encourages us to question any view that claims a singular truth. From these essays--which are lucid, insightful, frequently funny, and occasionally angry--we receive a powerful new vision of how we can live with respect, reciprocity, and joy.

Kathleen Dean Moore begins with a review of the history of thought and practice on the subject of legal pardons, illustrated with a rich and fascinating variety of historical cases. She then addresses many crucial issues surrounding acts of clemency, including what justifies pardoning power, who should be pardoned, and the definition of an unforgivable crime. She carefully analyses the moral justification of pardons, discussing how to distinguish between justifiable, even morally obligatory, cases and unjustifiable abuses of clemency power.

Can the love reserved for family and friends be extended to a place? In her latest book, acclaimed author Kathleen Dean Moore reflects on how deeply the environment is entrenched in the human spirit, despite the notion that nature and humans are somehow separate. Moore's essays, deeply felt and often funny, make connections in what can appear to be a disconnected world. Written in parable form, her stories of family and friends -- of wilderness excursions with her husband and children, camping trips with students, blowing up a dam, her daughter's arrest for protesting the war in Iraq -- affirm an impulse of caring that belies the abstract division of humans from nature, of the sacred from the mundane. Underlying these wonderfully engaging stories is the author's belief in a new ecological ethic of care, one that expands the idea of community to include the environment, and embraces the land as family.

In these twenty elegant essays, a philosopher and amateur naturalist meanders along the rivers and streams of the american West-and muses on love, loss, aging, motherhood, happiness, the art of poking around, and other important matters. "A smart, compassionate, and wise meditation on living in place" (Terry Tempest Williams).

Winner, WILLA Literary Award for Creative Nonfiction, 2008 How do women experience the vast, arid, rugged land of the American Southwest? The Story Circle Network, a national organization dedicated to helping women write about their lives, posed this question, and nearly three hundred women responded with original pieces of writing that told true and meaningful stories of their personal experiences of the land. From this deep reservoir of writing-as well as from previously published work by writers including Joy Harjo, Denise Chavez, Diane Ackerman, Naomi Shihab Nye, Leslie Marmon Silko, Gloria Anzaldua, Terry Tempest Williams, and Barbara Kingsolver-the editors of this book have drawn nearly a hundred pieces that witness both to the ever-changing, ever-mysterious life of the natural world and to the vivid, creative, evolving lives of women interacting with it. Through prose, poetry, creative nonfiction, and memoir, the women in this anthology explore both the outer landscape of the Southwest and their own inner landscapes as women living on the land-the congruence of where they are and who they are. The editors have grouped the writings around eight evocative themes: The way we live on the land Our journeys through the land Nature in cities Nature at risk Nature that sustains us Our memories of the land Our kinship with the animal world What we leave on the land when we are gone From the Gulf Coast of Texas to the Pacific Coast of California, and from the southern borderlands to the Great Plains and the Rocky Mountains, these intimate portraits of women's lives on the land powerfully demonstrate that nature writing is no longer the exclusive domain of men, that women bring unique and transformative perspectives to this genre.

Shortlisted for the ASLE Environmental Creative Writing Book Award, this is a breathtaking first novel set on the Alaska coast, written by a critically acclaimed naturalist and climate activist Do we belong to the Earth or does the Earth belong to us? The question raised by Chief Seathl almost two centuries ago continues to be the defining quandary of the wet, wild rainforests along the shores of the Pacific Northwest. It seethes below the tides of the fictional town of Good River Harbor, a little village pressed against the mountains-homeland to bears, whales, and a few weather-worn families. In Piano Tide, the debut novel by award-winning naturalist, philosopher, activist and author Kathleen Dean Moore, we are introduced to town father Axel Hagerman, who has made a killing in this remote Alaskan harbor by selling off the spruce, the cedar, the herring and halibut. But when he decides to export the water from a salmon stream, he runs head-long into young Nora Montgomery, just arrived on the ferry with her piano and her dog. Nora has burned her bridges in the lower 48, and she aims to disappear into this new homeland, with her piano as her anchor. But when Axel's next business proposition, a bear pit, turns lethal, Nora has to act. The clash, when it comes, is a spectacular and transformative act of resistance.