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The essays in this book concern manifestations of political violence in the democracies of interwar Europe. While research in this area usually focuses on the countries that fell to fascism, the authors demonstrate that violence remained a part of political competition in the democratic regimes of Western Europe too.
What attracts women to far-right movements that appear to denigrate their rights? This question has vexed feminist scholars for decades and has led to many lively debates in the academy. In this context, during the 1980s, the study of women, gender, and fascism in twentieth-century Europe took off, pioneered by historians such as Claudia Koonz and Victoria de Grazia. This volume makes an exciting contribution to the evolving body of work based upon these earlier studies, bringing emerging scholarship on Central and Eastern Europe alongside that of more established Western European historiography on the topic. Women, Gender and Fascism in Europe, 1919-45 features fourteen essays covering Serbia, Croatia, Yugoslavia, Romania, Hungary, Latvia, and Poland in addition to Germany, Italy, France, Spain, and Britain, and a conclusion that pulls together a European-wide perspective. As a whole, the volume provides a compelling comparative examination of this important topic through current research, literature reviews, and dialogue with existing debates. The essays cast new light on questions such as women's responsibility for the collapse of democracy in interwar Europe, the interaction between the women's movement and the extreme right, and the relationships between conceptions of national identity and gender. -- .
The third edition of Writing History provides students and teachers with a comprehensive overview of how the study of history is informed by a broader intellectual and analytical framework, exploring the emergence and development of history as a discipline and the major theoretical developments that have informed historical writing. Instead of focusing on theory, this book offers succinct explanations of key concepts that illuminate the study of history and practical writing, and demonstrates the ways they have informed practical work. This fully revised new edition comprehensively rewrites and updates original chapters but also includes new features such as: - new chapters on postcolonial, environmental and transnational history; - chapter introductions setting them within the context of historiography; - a new substantive introduction from the editors, providing a useful road-map for students; - an expanded glossary. In its new incarnation Writing History is, more than ever, an invaluable introduction to the central debates that have shaped history.
This book examines comparatively how the writing of history by
individuals and groups, historians, politicians and journalists has
been used to "legitimate" the nation-state agianst socialist,
communist and catholic internationalism in the modern era. Covering
the whole of Western Europe, the book includes discussion of:
The Right in France from the Third Republic to Vichy provides a new history of parliamentary conservatism and the extreme right in France during the successive crises of the years from 1870 to 1945. In it, Kevin Passmore charts royalist opposition to the newly established Republic, the emergence of the nationalist extreme right in the 1890s, and the parallel development of republican conservatism. He moves on to the hitherto unstudied story of conservatism in during the Great War, and then to the Right's victory in the 1919 elections. Passmore charts the crisis of parliamentary conservatism in the interwar years, and explores the Right's response to the rise of Fascism and Communism. He concludes by placing the Vichy regime, which governed France under the German Occupation, in the context of the history of conservative politics. This history is related to the struggle of those who saw themselves as 'elites' to preserve their leadership in the 'age of the masses'. Passmore shows that conservatives of all stripes shared a common culture (notably including organicism and crowd theory), but that different factions used these ideas in different ways, for different purposes. Whereas previous studies have been primarily concerned to 'categorize' conservatives groups, for example as 'fascist',' liberal', or 'modern', this study examines the way in which competing groups used such terms in complex struggles amongst themselves and with the left. The study is based on considerable archival research, as well as on knowledge of the vast body of recently published research in English and French.
The Croix de Feu and its successor the Parti social français stood at the center of the political conflict in the final years of the French Third Republic and were widely regarded as the counterpart of fascism in Germany and Italy. Only recently has the view that fascism also has roots in France become a serious topic for debate. From Liberalism to Fascism is based largely on archival research and places French fascism in the wider context of the history of French conservatism. Received views of French social and economic structures are also overturned.
The third edition of Writing History provides students and teachers with a comprehensive overview of how the study of history is informed by a broader intellectual and analytical framework, exploring the emergence and development of history as a discipline and the major theoretical developments that have informed historical writing. Instead of focusing on theory, this book offers succinct explanations of key concepts that illuminate the study of history and practical writing, and demonstrates the ways they have informed practical work. This fully revised new edition comprehensively rewrites and updates original chapters but also includes new features such as: - new chapters on postcolonial, environmental and transnational history; - chapter introductions setting them within the context of historiography; - a new substantive introduction from the editors, providing a useful road-map for students; - an expanded glossary. In its new incarnation Writing History is, more than ever, an invaluable introduction to the central debates that have shaped history.
What is fascism? Is it revolutionary? Or is it reactionary? Can it be both? Fascism is notoriously hard to define. How do we make sense of an ideology that appeals to streetfighters and intellectuals alike? That is overtly macho in style, yet attracts many women? That calls for a return to tradition while maintaining a fascination with technology? And that preaches violence in the name of an ordered society? In the new edition of this Very Short Introduction, Kevin Passmore brilliantly unravels the paradoxes of one of the most important phenomena in the modern world-tracing its origins in the intellectual, political, and social crises of the late nineteenth century, the rise of fascism following World War I, including fascist regimes in Italy and Germany, and the fortunes of 'failed' fascist movements in Eastern Europe, Spain, and the Americas. He also considers fascism in culture, the new interest in transnational research, and the progress of the far right since 2002. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
The Croix de Feu and its successor the Parti Social Francais stood at the centre of political conflict in the turbulent final years of the French Third Republic. Membership peaked at 750,000 in 1937, and at the time the movement was widely regarded as the counterpart of fascism in Germany and Italy. However, only recently has the view that fascism also has roots in France become a serious topic for debate. From Liberalism to Fascism is based largely on archival research, and shows that contemporary perceptions of the Croix de Feu and the PSF as fascist were in fact correct. Dr Passmore places French fascism in the wider context of the history of French conservatism through a micro-study of a crisis of the liberal-conservative tradition in Lyon. This 1997 book was the first to place the emergence of French fascism in the wider political and social context. In the process, received views of the nature of French society and politics are contested.
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