Fixing Gender uses psychoanalysis to explore the theoretical implications for the gendering of the human subject that arise from the situation of lesbians raising children from birth. In the face of the powerful evidence of the ways gender operates, and in the deep structural ways the logic of gender perpetuates, both made visible by psychoanalysis, this book asks: Is gender always fixed? Can the system which is produced by, and which produces, gender be altered? Can gender be fixed? The work begins by sketching the implications of gender as elucidated by feminist thinkers in general and feminist psychoanalytic thinkers in particular. Moving to Freud's theory of the subject, the work examines the logic of the Oedipus complex, and from there it looks at what feminist object relations theorists have done with and to the logic of the Oedipus complex. The book then moves to the literature on lesbian family functioning; and finally the work ends with a radical interrogation into the possibilities enabled by paying attention to form, and highlighting its constitutive possibilities.

This Open Access book offers a model of the human subject as complicit in the systems that structure human society and the human psyche which draws together clinical research with theory from both psychology and the humanities to advance a more social just theory and practice. Beginning from the premise that we cannot separate ourselves from the systems that precede and formulate us as subjects, the author argues that, in reckoning with this complicity, a model of subjectivity can be created that moves beyond binaries and identity politics. In doing so, the book examines how we might develop a more socially just psychological theory and practice, which is both systems work and intra-psychological work. In bringing together ways of thinking developed in the humanities with clinical psychotherapeutic practice, this book offers one interdisciplinary take on key questions of social and emotional efficacy in action-oriented psychotherapy work.

Print, Text and Book Cultures in South Africa explores the power of print and the politics of the book in South Africa from a range of perspectives--historical, bibliographic, literary-critical, sociological, and cultural studies. The essays collected here, by leading international scholars, address a range of topics as varied as: the role of print cultures in the colonial public sphere in the nineteenth century; orthography; "iimbongi," orature and the canon; book-collecting and libraries; print and transnationalism; photocomics and other ephemera; censorship, during and after apartheid; books about art and books "as "art; local academic publishing; and the challenge of "book history" for literary and cultural criticism in contemporary South Africa. "Book History" or "Histories of the Book" has been an important and influential field in European and North American scholarship for at least three decades. This volume showcases the "History of the Book" within a South African context and its significance in South Africa's emerging studies of print culture.

The term "coconut" is one of several edible designations used to describe someone who, due to his or her behavior, identifications, or because they have been raised by whites, is "black" on the "outside" and "white" on the "inside." In this book Natasha Distiller explores historic and contemporary uses of Shakespeare in South African society which illustrate the complexities of colonial and post-colonial realities as they relate to iconic Englishness. "Shakespeare and the Coconuts" offers an alternative vision that reformulates simplistic racial binaries through an interrogation of the relationship between "Shakespeare" and a particular construction of what it means to be "South African" and "African." Beginning with Solomon Plaatjie, the author looks at the development of an elite group educated in English and able to use Shakespeare to formulate South African works and identities. Distiller then explores the South African Shakespearian tradition postapartheid. "Shakespeare and the Coconuts" engages with aspects of South Africa's complicated political and cultural worlds, and their intersections.