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Shakespeare and the Coconuts - On post-apartheid South African culture (Paperback)
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Shakespeare and the Coconuts - On post-apartheid South African culture (Paperback)
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The term "coconut" is one of several edible designations used to
describe someone who, due to his or her behavior, identifications,
or because they have been raised by whites, is "black" on the
"outside" and "white" on the "inside." In this book Natasha
Distiller explores historic and contemporary uses of Shakespeare in
South African society which illustrate the complexities of colonial
and post-colonial realities as they relate to iconic Englishness.
"Shakespeare and the Coconuts" offers an alternative vision that
reformulates simplistic racial binaries through an interrogation of
the relationship between "Shakespeare" and a particular
construction of what it means to be "South African" and "African."
Beginning with Solomon Plaatjie, the author looks at the
development of an elite group educated in English and able to use
Shakespeare to formulate South African works and identities.
Distiller then explores the South African Shakespearian tradition
postapartheid. "Shakespeare and the Coconuts" engages with aspects
of South Africa's complicated political and cultural worlds, and
their intersections.
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