The role of the Phoenicians in the economy, culture and politics of the ancient Mediterranean was as large as that of the Greeks and Romans, and deeply interconnected with that 'Classical' world, but their lack of literature and their Oriental associations mean that they are much less well-known. This book brings the state of the art in international scholarship on Phoenician and Punic studies to an English-speaking audience, collecting new papers from fifteen leading voices in the field from Europe and North Africa, with a bias towards the younger generation. Focusing on a series of case-studies from the colonial world of the western Mediterranean, it is the first volume in any language to address the questions of what 'Phoenician' and 'Punic' actually mean, how 'Punic' or western Phoenician identity has been constructed by ancients and moderns, the coherency of Punic culture, and whether there was in fact a 'Punic world'.

The role of the Phoenicians in the economy, culture and politics of the ancient Mediterranean was as large as that of the Greeks and Romans, and deeply interconnected with that 'Classical' world, but their lack of literature and their Oriental associations mean that they are much less well-known. This book brings the state of the art in international scholarship on Phoenician and Punic studies to an English-speaking audience, collecting new papers from fifteen leading voices in the field from Europe and North Africa, with a bias towards the younger generation. Focusing on a series of case-studies from the colonial world of the western Mediterranean, it is the first volume in any language to address the questions of what 'Phoenician' and 'Punic' actually mean, how 'Punic' or western Phoenician identity has been constructed by ancients and moderns, the coherency of Punic culture, and whether there was in fact a 'Punic world'.

Initially coined by art historians in the second half of the nineteenth century to denote an ambivalent artistic style and period, 'Orientalizing' has been invariably used to describe a phenomenon, a revolution, or a movement. Regional developments and innovations in the ancient Mediterranean have been explained by reference to an Orient, the metaphorical bazaar containing the artistic opulence and social sophistication that spread to the West and changed it. "Debating Ancient Orietalization" brings together papers presented at a symposium held in Oxford in 2002 to debate the theme of ancient Orientalization. The volume reassesses the concept of Orientalizing, questioning whether it is valid to interpret Mediterranean-wide processes of change in the Late Bronze and Early Iron Ages by the term Orientalization. Like the ancient Mediterranean itself, the list of contributors is multicultural, and their contributions multidisciplinary, combining various strands of archaeological and textual evidence with different methodological approaches.

Initially coined by art historians in the second half of the nineteenth century to denote an ambivalent artistic style and period, 'Orientalizing' has been invariably used to describe a phenomenon, a revolution, or a movement. Regional developments and innovations in the ancient Mediterranean have been explained by reference to an Orient, the metaphorical bazaar containing the artistic opulence and social sophistication that spread to the West and changed it. "Debating Orientalization" brings together papers presented at a symposium held in Oxford in 2002 to debate the theme of ancient Orientalization. The volume reassesses the concept of Orientalizing, questioning whether it is valid to interpret Mediterranean-wide processes of change in the Late Bronze and Early Iron Ages by the term Orientalization. Like the ancient Mediterranean itself, the list of contributors is multicultural, and their contributions multidisciplinary, combining various strands of archaeological and textual evidence with different methodological approaches.